Television series

Life Goes On

Life Goes On follows the Thacher family as they navigate everyday life with grace and unflinching honesty. Corky, who has Down syndrome, is simply part of the family—not a problem to solve. The show treats serious issues (addiction, sexuality, illness, grief) with respect rather than after-school-special sentiment. It's warm without being saccharine, and genuinely moving.

Should you watch it?

Watch it if you want a household's daily squabbles and tenderness given room to breathe, and you don't mind a show that lets its warmth sit beside sharper edges.

Skip it if the earnestness can tip into sermon, and its episodes unspool at a leisurely, sitcom-adjacent pace that will frustrate anyone wanting sharp plotting.

What it asks of you: Sixty-minute episodes, four seasons, and a patient willingness to sit through slower scenes where the family simply talks things out.

If you liked this

Parenthood2010

Multi-generational family drama that finds humor and heartbreak in ordinary moments. Like Life Goes On, it refuses easy answers and treats its characters with real dignity.

But Ten seasons is a commitment, and some arcs lean toward melodrama. The tone can shift between comedy and tragedy within a single scene.

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thirtysomething1987

Smart ensemble drama about adults navigating career, parenthood, and identity. Same era, same willingness to sit with uncomfortable feelings rather than resolve them neatly.

But Intensely focused on middle-class anxieties. If you're not invested in people talking about their feelings, it will feel slow.

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St. Elsewhere1982

Hospital ensemble that tackled social issues (homelessness, mental illness, disability) with nuance. Serious subject matter paired with character warmth and dark humor.

But Medical procedural elements date it. Some episodes prioritize message over story, which can feel preachy by today's standards.

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Not sure tonight? Get a pick in a minute, starting from Life Goes On

The wildcard

Something you would not have found on your own.

Mask1985

Both center a character with a visible disability as a full human being rather than an inspiration or a problem. The focus is on their inner life, relationships, and agency.

True story of Rocky Dennis, a teenager with a severely disfiguring facial condition, played with joy and unsentimental honesty by Eric Stoltz. It's about living fully, not about overcoming disability as tragedy.

But The prosthetic makeup is graphic and may be difficult to watch. Some find the film's optimism at odds with the real gravity of Rocky's condition.

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More like this (8)

The Wonder Years1988

Nostalgic family comedy-drama that captures real adolescent pain beneath the warm nostalgia. Handles difficult topics (racism, class, sexuality) with surprising maturity.

But Relentlessly nostalgic for 1960s suburbia. The narrator's voice-over can feel sentimental, especially if you didn't grow up in that era.

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My So-Called Life1994

Teen drama that treats teenage angst as genuinely serious. Captures the messiness of identity, family, and first love without condescension.

But Only one season, cancelled mid-arc. The 90s aesthetic is very specific—it may feel dated or deliberately retro depending on your tolerance.

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Dawson's Creek1998

Teen ensemble with surprising emotional depth beneath the soap-opera plotting. Characters discuss real issues (sexuality, class, disability representation) alongside romance and friendship drama.

But Melodramatic at times and the dialogue is heavily stylized. If you find teen angst exhausting, this will feel like too much.

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Once and Again1999

Divorced couple with blended families navigate new love and old wounds. Honest about grief, family complexity, and the mess of adult relationships without losing warmth.

But Slower-paced emotional drama. Some storylines resolve quietly rather than with catharsis, which can feel unsatisfying.

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Party of Five1994

Five siblings forced into adulthood after their parents die. Balances humor with genuine grief and the practical realities of caring for family. Character-driven and deeply felt.

But Heavy trauma at the center. Some episodes work harder at being emotional than at being good television.

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China Beach1988

Vietnam War drama centered on women—nurses, soldiers, civilians—dealing with trauma, love, and survival. Refuses to simplify the moral complexity of war or its aftermath.

But War violence and PTSD are central. Some episodes prioritize message over character, and the tone can be uneven.

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Please Like Me2013

Both treat serious mental health crises as ongoing family reality, not crisis moments to overcome. Both balance humor and heartbreak without choosing one.

Australian comedy-drama about a young man whose mother attempts suicide, then moves in with him. Finds genuine comedy in mental illness and family obligation without ever being cruel about either.

But Extremely Australian in sensibility and humor. Some episodes are painfully awkward, and the show refuses to make anything neat or resolved.

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The Babadook2014

Both understand that family trauma doesn't end; it transforms how you live. Both resist sentiment and cheap resolution in favor of real, ongoing struggle.

Australian horror about grief and maternal rage that functions as metaphor. Unsettling and strange, but fundamentally about a mother and child learning to live with trauma together.

But Deliberately paced horror with minimal jump scares. The allegory is dark and the ending offers no catharsis, only exhausted acceptance.

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