Film

Magnificent Bodyguards

Jackie Chan leads a ragtag crew of bodyguards escorting a sick aristocrat through bandit-country to find a legendary healer. It's a loose-knit adventure film where the plot exists mainly to string together fight scenes, stunts, and chemistry between actors. For fans of early Chan before Hollywood refined him, or anyone who loves martial arts movies that prioritize fun over coherence.

TMDb rating3.1

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Police Story1985

Chan at his absolute peak: inventive action, genuine humour, and a story that actually holds together. This is the film that should have made him a global star decades earlier than it did.

But The dubbing can be rough, and the plot occasionally disappears in favour of set pieces. Some of the comedy lands better if you're patient with 80s action cinema.

Police Story poster

Drunken Master1978

Released the same year, this is Chan's breakthrough where you see exactly why he became a star. The drunk-style kung fu is genuinely inventive, and the energy is infectious.

But Yuen Lo is the real star here, and Chan is still finding his footing. If you need him front and centre with total control, wait a few years.

Drunken Master poster

Rush Hour1998

Chan meets Hollywood comedy sensibility. He plays against Chris Tucker's chaos, the stunts are absurd and delightful, and it proves Chan's charm works perfectly in English-language films.

But It's glossy and safe compared to his Hong Kong work. Some find the buddy-cop formula exhausting, and the humour skews broad.

Rush Hour poster

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Shaolin Abbot1979

Both follow heroes protecting or escorting vulnerable charges through hostile territory, but where Bodyguards treats it as a lark, Abbot treats it as a moral test that costs something real.

A temple-set martial arts epic where morality and loyalty collide in ways the action-adventure format rarely allows. It's spiritually grounded in ways that reframe what kung fu cinema can explore.

But It's slow, meditative, and the action serves story rather than vice versa. If you want constant movement and laughs, this will feel heavy and static.

Shaolin Abbot poster
More like this (8)

Wheels on Meals1984

A proper heist-adventure with Chan and Sammo Hung as cousins running a food truck. The action is inventive, the friendship feels real, and it's genuinely funny without ever stopping being a action film.

But The plot is thin and moves in unexpected directions. Some set pieces overstay their welcome, and the pacing can feel scattered.

Wheels on Meals poster

Police Story 3: Super Cop1992

Chan goes undercover in a drug ring. It's got real stakes, genuine danger (including a truly death-defying motorcycle stunt), and shows him capable of actual dramatic weight alongside the action.

But Michelle Yeoh's presence means Chan sometimes shares the spotlight. It's more serious in tone, which won't appeal to everyone seeking pure fun.

Police Story 3: Super Cop poster

The Protector1985

Chan in New York fighting yakuza. It's his first real English-language lead, and while Hollywood hadn't figured out how to use him yet, his charm and physicality shine through anyway.

But The American crew didn't understand how to shoot action. The film is clunky by his standards, and the story barely registers.

The Protector poster

Armour of God1986

A globe-trotting treasure hunt with genuinely perilous stunts, including a famous scene where Chan nearly died. It's adventure cinema in the old-fashioned sense, and utterly charming.

But It's choppy and uneven, with tonal whiplash between comedy and danger. The editing occasionally obscures what should be clear action beats.

Armour of God poster

Police Story 4: First Strike1996

A spy film where Chan is a cop posing as a criminal posing as a spy. The action is wonderfully inventive, and it shows his range beyond simple martial arts heroics.

But The plot is genuinely confusing and doesn't hold up to scrutiny. You have to surrender to the chaos rather than follow the narrative.

Police Story 4: First Strike poster

The Young Master1980

Chan's directorial debut, playing a kung fu student accused of murder. It's got heart, genuine character work, and shows his ambitions beyond just being an action star.

But It's rough around the edges technically, and the comedy sometimes undercuts the dramatic stakes. The pacing drags in the middle act.

The Young Master poster

Police Story: Lockdown2013

Both show Chan as a capable protector helping others survive, but Lockdown inverts it entirely—he's the prisoner, the older man, the one whose protection fails. It's what happens when the bodyguard gets old.

Chan, now fifty-eight, plays an aging cop in a single-location hostage thriller. It's stripped-down and genuinely tense, showing him capable of quiet drama and restraint. Remarkable how much emotion he can convey.

But It's bleak and heavy, almost no humour, and utterly devoid of the joy that makes his early work sing. It will feel like watching a different actor.

Police Story: Lockdown poster

Lady Vengeance2005

Like Magnificent Bodyguards, it's a journey film about strangers bound by necessity, but here the journey is inward and the strangers never actually connect. Both ask what happens to a group thrown together by circumstance—one answers with warmth, the other with absolute cold.

Johnny To's methodical revenge thriller with a tiny budget and a star (Chang Chen) who barely speaks. It's about ritual, repetition, and the weight of purpose. Completely absorbing despite zero spectacle.

But It's slow cinema in a genre that usually thrives on pace. There's almost no dialogue, the colour palette is drab, and if you need plot momentum this will feel like punishment.

Lady Vengeance poster

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