Film

Kamen Rider × Kamen Rider Wizard & Fourze: Movie Wars Ultimatum

Name: Kamen Rider × Kamen Rider Wizard & Fourze: Movie Wars Ultimatum
Genre: Action, Adventure, Science Fiction, Drama, Comedy
Released: 2012
Cast: Sota Fukushi, Ryuki Takahashi, Yoshiko Sengen, Ryo Yoshizawa, Rikako Sakata

A 94-minute team-up film stitching together two Kamen Rider series: Fourze (now a teacher five years on) and Wizard (investigating supernatural gates). Gleefully overstuffed with transformation sequences, comedy beats, and the kind of escalating stakes only tokusatsu films attempt. Made for people who love colour, earnestness, and rubber suits solving problems with spinning kicks.

Should you watch it?

Watch it if you have a soft spot for tokusatsu's sprawling crossover mythology and don't mind a franchise film stitching together three separate stories with cheerful, overlapping hero-team energy.

Skip it if you want a self-contained story, since this is a fan-service crossover that jumps between three chapters and assumes you already know both casts and their rules.

What it asks of you: Ninety-four minutes split into three stacked chapters, so expect quick shifts between two heroes' worlds and little time to settle into any one of them.

Not sure? Find tonight's pick in a minute.

If you liked this

Kamen Rider x Kamen Rider Fourze & OOO Movie Wars Mega Max2011

The essential foundation. Fourze is fundamentally about friendship, school life, and a hero who genuinely wants to connect with everyone around him. It's silly, warm, and has a real emotional core that makes this film work.

But Also forty-plus episodes. The comedic tone won't appeal if you want your tokusatsu played straight. Some acting is broad to the point of strain.

Kamen Rider x Kamen Rider Fourze & OOO Movie Wars Mega Max poster

Ultraman Jîdo2017

Similar DNA: a young hero inheriting a legacy, monster-of-the-week structure with serialised stakes, and genuine heart underneath the spectacle. Geed finds a better tonal balance between comedy and genuine drama than most in the genre.

But You'll want to know Ultraman basics first. The first quarter assumes you understand what Ultraman *is*. CGI has aged noticeably.

Tokumei Sentai Go-Busters the Movie: Protect the Tokyo Enetower!2012

Sentai (the sister franchise to Rider) gets surprisingly dark and intricate here. Five heroes, but a real ensemble cast with character arcs that land. The action choreography is genuinely excellent.

But Tonal whiplash between camp and genuine peril. The second half's arc feels like two different shows. Subtitles required, and translation quality varies.

Tokumei Sentai Go-Busters the Movie: Protect the Tokyo Enetower! poster

Not sure tonight? Get a pick in a minute, starting from Kamen Rider × Kamen Rider Wizard & Fourze: Movie Wars Ultimatum

The wildcard

Something you would not have found on your own.

Ninja Sentai Kakuranger: The Movie1994

Same production studio (Toei), same visual language, same tone: balancing earnest heroism with genuine silliness. This is where modern Rider learned how to mix comedy and action without either cancelling the other out.

Where tokusatsu's comedy-adventure tone was perfected before Fourze borrowed it. Sentai is the template Rider often follows, and Kakuranger is when the formula hit its sweetest spot: colour, joy, genuine stunts, and a cast that seemed to actually like each other. Ninja gimmick is just delightful.

But Only 54 episodes but the pacing is relentless; almost no downtime between arcs. The humour is broadly physical and not to everyone's taste. You're watching 1994 Japan's idea of comedy spectacle.

Ninja Sentai Kakuranger: The Movie poster

Mighty Morphin Power Rangers: The Movie1995

The Western ancestor of everything you're watching. Teenagers, colour-coded suits, monster-of-the-week chaos, a mentor figure, community. It's where the template came from, and it's more charming than nostalgia alone suggests.

But Genuinely rough in places—acting, effects, logic. The dinosaur suits are distinctly cheaper-looking than modern tokusatsu. Pacing by 1990s TV standards feels glacial now.

Mighty Morphin Power Rangers: The Movie poster

Kamen Rider Ghost2015

A hero who can literally become historical figures and use their abilities. The premise is imaginative, the monster designs are striking, and it has genuine moments of real melancholy beneath the adventure.

But The plot meanders in the middle and the emotional payoff doesn't quite land. Some transformation sequences feel obligatory rather than exciting.

Pacific Rim2013

Same year, similar aesthetic: people in giant suits fighting giant monsters with clear geography and genuine stakes. Guillermo del Toro's visual invention applied to the giant-robot-versus-creature concept. Pure, joyful spectacle.

But It's all spectacle—paper-thin characters, predictable plot. The script is functional at best. If you need character depth, you won't find it here.

Kamen Rider × Kamen Rider Drive & Gaim: Movie Wars Full Throttle2014

A Rider series that genuinely experiments: car-themed hero, noir atmosphere, a detective-story structure. The lead is excellent and the show commits to its world in ways that feel fresh.

But The episodic structure gets stale fast. The final arc pivots to something else entirely and it doesn't cohere. Some viewers find the tone too flat compared to flashier entries.

Kamen Rider × Kamen Rider Drive & Gaim: Movie Wars Full Throttle poster

Avataro Sentai Donbrothers The Movie: New First Love Hero2022

Modern tokusatsu DNA: what the genre looks like when creators stop relying on formula and start asking what they can actually do. Wildly different show, but same bones as Fourze's earnest-and-silly approach, just executed by directors asking how much they can get away with.

The *current* Sentai series that Rider disciples are studying right now. Wildly creative monster designs, a cast with real chemistry, and direction that finds new angles on familiar staging. This is tokusatsu when it's genuinely inventive. Twenty-eight episodes, brisk pace.

But The tonal shifts are extreme—comedy, body horror, genuine darkness, magical-girl vibes. Not for people who want consistency. Some episodes prioritise visual style over plot clarity.

Avataro Sentai Donbrothers The Movie: New First Love Hero poster

Bumblebee2018

The tone Fourze & Wizard shoots for: sincere joy in silly spectacle, heroes who are fundamentally decent, action that delights rather than exhausts. Takes the earnest-teenager-with-giant-suit concept seriously enough to make it matter. Opposite era, opposite franchise, same heart.

A live-action/CGI hybrid from a franchise nobody expected to be good about this. Genuinely funny, warm, and surprisingly moving. Treats its robot-suited hero with real affection. Action sequences are clear enough to follow, which sounds basic but is rare.

But It's still a Transformers film—corporate sentiment and product placement. The emotional beats are deliberately manipulative. Not interested in complexity or nuance, just hitting sentiment notes.