Film

John Wick: Chapter 4

Name: John Wick: Chapter 4
Genre: Action, Thriller, Crime
Released: 2023
Cast: Keanu Reeves, Donnie Yen, Bill Skarsgård, Ian McShane, Laurence Fishburne

John Wick: Chapter 4 is a ninety-minute ballet of brutality, where every punch, gunshot, and knife stroke feels like a beat in a symphony. Keanu Reeves moves through impossible odds with balletic precision, and director Chad Stahelski treats action scenes as pure cinema—inventive, elegant, and genuinely hard to look away from. For anyone who thinks action movies can be art.

TMDb rating

3.9

If you liked this

Atomic Blonde2017

Charlize Theron delivers action work as precise and committed as Reeves', with one unbroken-take fight scene that rivals anything in the Wick films. Same DNA: style married to substance, a spy who moves like a dancer.

But The plot is thinner than you'd hope, and the film sometimes drowns in its own cool. If you need story meat alongside spectacle, you might leave hungry.

Extraction2020

Chris Hemsworth in a modern, kinetic action thriller where the camera rarely cuts away—you feel every impact. One sprawling set-piece through a city captures the same 'how are they doing this?' energy as Wick's best moments.

But It's slighter than Wick and occasionally feels like a straight-line job. The emotional weight Wick carries just isn't there to anchor things.

The Man from U.N.C.L.E.2015

Guy Ritchie directs action with wit and geography—you always know where everyone is and why it matters. A spy thriller that proves style and clarity aren't enemies; they're partners.

But It's deliberately cool in a way that can feel aloof. If you want warmth or real stakes, this keeps you at arm's length.

Not sure tonight? Get a pick in a minute, starting from John Wick: Chapter 4

The wildcard

Something you would not have found on your own.

Rope1948

Both films prove that action—whether a fight or a conversation—is about spatial control. Where the camera looks, where the body moves, what we're forced to witness. Wick shoots; Hitchcock uses restraint. Same language, opposite volume.

Hitchcock does what John Wick does, but in real-time and without a gun fired. The entire film is one continuous shot (nearly), building tension through staging and geography. Watch how he forces you to look exactly where he wants, when he wants. Same principle, entirely different toolbox.

But It's a chamber piece from 1948—black and white, theatrical, glacially paced by modern standards. If you need explosions or forward momentum, this will feel stagey and slow.

Mission: Impossible - Fallout2018

Tom Cruise's commitment to practical action (he really did that) meets McQuarrie's surgical editing. Real stunts, real geography, real tension. The helicopter sequence alone justifies the runtime.

But It's the sixth film in a series, so you're inheriting baggage. And it leans heavily on spectacle over character—nobody's grieving here.

Deadpool & Wolverine2024

Marvel learns from the John Wick playbook: inventive action beats, committed performances, and sequences that feel genuinely fresh. Hugh Jackman and Ryan Reynolds have chemistry that makes every fight feel personal.

But The self-aware humor won't land for everyone, and some gags undercut the action's momentum. If you want your action played straight, this winks too much.

Harakiri1962

A samurai film that proves action cinema had perfect geometry long before digital cameras. Every frame is composed like a painting; every duel is philosophy made kinetic. The discipline and clarity will haunt you.

But It's deliberately paced and deeply sad. There's no quickness here, no fun—just the terrible weight of honor and inevitability.

Mad Max: Fury Road2015

Two hours of pure kinetic storytelling—the story doesn't pause for exposition, it happens through movement. George Miller shoots action like symphonies. Wick fans will recognize the same obsession with clarity and consequence.

But The plot is lean to the point of abstraction. Character development happens in glances; if you need dialogue and explanation, it won't feed you.

Killers of the Flower Moon2023

Scorsese's violence is quieter but cuts deeper than any gunfight—it's about power, complicity, and the American theft of dignity. Robert De Niro's stillness is as devastating as Reeves' action.

But It's three and a half hours of moral weight, not spectacle. If you came for action thrills, you'll be bored; this is about atrocity, not adrenaline.

Dredd2012

A cult film that proves you can do more with less. Shot almost entirely in one building, it's tighter and leaner than Wick, but every decision matters. Olivia Thirlby and Karl Urban have real rapport amid the violence.

But It's visually busy—heavy on style, light on warmth. Some will find it exhausting rather than exhilarating, and the plot is genuinely thin.

Cyberpunk: Edgerunners2022

Both follow a skilled killer ground down by systems larger than themselves. Both use their medium's possibilities (live-action precision, animation's impossible geometry) to make violence look like dance. Both ask: what does it cost to be good at something terrible?

An anime series that captures everything Wick does—precise choreography, moral decay, a protagonist grinding against an indifferent system—but animated with rotoscope fluidity that makes movement almost unbearably beautiful. Ten episodes, each one a masterclass in action direction.

But It's violent and genuinely bleak, ending in a place that offers no comfort. Anime aesthetics won't appeal to everyone, and if you need your action heroes to win, this will devastate you.

Le Samouraï1967

John Wick exists because Le Samouraï exists. Same archetype (lone killer with a code), same visual language (geometry, composition, violence as punctuation), same philosophy (honor matters more than survival). Seeing the original teaches you what Chad Stahelski learned and transformed.

Melville's 1967 masterpiece about a hitman with a code—the blueprint that Wick walks in. Minimal plot, maximum style. Alain Delon moves through Paris like water, and the film trusts you to read everything in silences. Influence doesn't begin to cover it.

But It's austere to the point of coldness. Nothing is explained, nobody emotes, and the pacing follows a logic that's more poetic than narrative. Patience isn't optional here.