Film

In the Heights

A radiant musical about community, dreams, and the weight of belonging in Washington Heights. Jon M. Chu's film transforms Lin-Manuel Miranda's stage hit into something purely cinematic: a love letter to a neighborhood told through colour, movement, and song. It's joyful and occasionally heartbreaking, made for anyone who's ever felt pulled between where they are and where they're from.

TMDb rating3.6

Should you watch it?

Watch it if you want a musical that runs on rhythm, neighborhood warmth and big group numbers, and you don't mind a story that's more about community than about plot twists.

Skip it if you find sung-through musicals tiring or want a tight, fast story; at 143 minutes it spends real time on lively set pieces and quieter character moments.

What it asks of you: Settle in for a long, busy film that moves between bursts of dance and gentle, slower scenes of everyday life, with its emotional payoff arriving gradually rather than all at once.

If you liked this

West Side Story2021

Spielberg's recent reimagining captures the same lyrical storytelling about New York communities and impossible love. Like In the Heights, it finds the poetry in cultural specificity and urban space.

But It's slower and more elegiac than the lighter moments of In the Heights. If you want continuous energy, this will feel deliberately paced.

West Side Story poster

Crazy Rich Asians2018

Another contemporary musical-comedy that celebrates a specific culture while telling a smart, funny love story. It has the same infectious joy and commitment to representation without apology.

But The wealth fantasy is the opposite of In the Heights' grounded community. The tone skews lighter and more satirical throughout.

Crazy Rich Asians poster

Hairspray2007

A feel-good musical ensemble about a specific time and place, with a huge heart and a strong social conscience. It matches In the Heights' ability to be both entertaining and earnest about belonging.

But It's set in 1962 Baltimore, so the cultural specificity is different. The comedy is broader and the songs aren't as musically adventurous.

Hairspray poster

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The wildcard

Something you would not have found on your own.

Moonlight2016

Both films insist that marginalized communities and their stories deserve visual splendour. Both are acts of radical love dressed in formal beauty.

A film that shares In the Heights' commitment to telling a specific community's story with luminous visual poetry. Both argue that the lives of overlooked people deserve cinema's full beauty and attention.

But It's a quiet, contemplative character study rather than a musical celebration. The tone is elegiac and sometimes devastating. No songs, no joy—just profound tenderness and loss.

Moonlight poster
More like this (6)

Dear Evan Hansen2021

Another contemporary musical that takes emotional sincerity seriously. It's about young people searching for connection and meaning in their lives, with a strong New York setting.

But It's much darker and more anxious in tone. There's no community embrace here, only isolation. The pacing is slower and more internal.

Dear Evan Hansen poster

The Farewell2019

A film deeply concerned with family obligation, cultural identity, and what it means to belong to two places at once. Quieter than In the Heights but hitting the same emotional core.

But It's a drama without songs or spectacle. If you came for the musical numbers and color, you'll find this deliberately restrained and melancholic.

The Farewell poster

Encanto2021

Another Lin-Manuel Miranda project celebrating Latin American family and culture through irresistible music. It shares In the Heights' warmth, humour, and the idea that home is complicated.

But It's animated and aimed at families. The emotional stakes feel lower, and the ending is more neatly resolved than In the Heights allows.

Encanto poster

A Star Is Born2018

A musical drama about ambition, love, and the cost of following your dreams. It has the same willingness to let joy and tragedy coexist in one story.

But It's centred on two isolated individuals rather than a community. The mood is much darker and the ending is genuinely bleak in ways In the Heights avoids.

A Star Is Born poster

tick, tick... BOOM!2021

Andrew Garfield in Lin-Manuel Miranda's directorial debut: a small, fierce musical about an artist terrified he's running out of time. It shares In the Heights' New York specificity and Miranda's ear for character-driven song.

But It's claustrophobic where In the Heights is expansive. One apartment, one anxious mind. If you want spectacle and community, this is the opposite approach.

tick, tick... BOOM! poster

Minari2021

Both centre characters caught between where they came from and where they're building a life. Both ask: what do we owe community, and what do we owe ourselves?

A film about immigration, family aspiration, and the dream of staying rooted in a place. It captures the same tension between old identity and new life, but through a quiet Korean-American family story.

But It's slow and meditative where In the Heights is kinetic. It's in English and Korean, set in rural Arkansas, and entirely without musical numbers. The frustration here is real and unresolved.

Minari poster

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