Film
In the Heights
- Drama
- Light-hearted
A radiant musical about community, dreams, and the weight of belonging in Washington Heights. Jon M. Chu's film transforms Lin-Manuel Miranda's stage hit into something purely cinematic: a love letter to a neighborhood told through colour, movement, and song. It's joyful and occasionally heartbreaking, made for anyone who's ever felt pulled between where they are and where they're from.
Should you watch it?
Watch it if you want a musical that runs on rhythm, neighborhood warmth and big group numbers, and you don't mind a story that's more about community than about plot twists.
Skip it if you find sung-through musicals tiring or want a tight, fast story; at 143 minutes it spends real time on lively set pieces and quieter character moments.
What it asks of you: Settle in for a long, busy film that moves between bursts of dance and gentle, slower scenes of everyday life, with its emotional payoff arriving gradually rather than all at once.
Not sure? Find tonight's pick in a minute.
If you liked this
West Side Story2021
Spielberg's recent reimagining captures the same lyrical storytelling about New York communities and impossible love. Like In the Heights, it finds the poetry in cultural specificity and urban space.
But It's slower and more elegiac than the lighter moments of In the Heights. If you want continuous energy, this will feel deliberately paced.

Crazy Rich Asians2018
Another contemporary musical-comedy that celebrates a specific culture while telling a smart, funny love story. It has the same infectious joy and commitment to representation without apology.
But The wealth fantasy is the opposite of In the Heights' grounded community. The tone skews lighter and more satirical throughout.

Hairspray2007
A feel-good musical ensemble about a specific time and place, with a huge heart and a strong social conscience. It matches In the Heights' ability to be both entertaining and earnest about belonging.
But It's set in 1962 Baltimore, so the cultural specificity is different. The comedy is broader and the songs aren't as musically adventurous.

Not sure tonight? Get a pick in a minute, starting from In the Heights
The wildcard
Something you would not have found on your own.
Moonlight2016
Both films insist that marginalized communities and their stories deserve visual splendour. Both are acts of radical love dressed in formal beauty.
A film that shares In the Heights' commitment to telling a specific community's story with luminous visual poetry. Both argue that the lives of overlooked people deserve cinema's full beauty and attention.
But It's a quiet, contemplative character study rather than a musical celebration. The tone is elegiac and sometimes devastating. No songs, no joy—just profound tenderness and loss.

More like this (6)
Dear Evan Hansen2021
Another contemporary musical that takes emotional sincerity seriously. It's about young people searching for connection and meaning in their lives, with a strong New York setting.
But It's much darker and more anxious in tone. There's no community embrace here, only isolation. The pacing is slower and more internal.

The Farewell2019
A film deeply concerned with family obligation, cultural identity, and what it means to belong to two places at once. Quieter than In the Heights but hitting the same emotional core.
But It's a drama without songs or spectacle. If you came for the musical numbers and color, you'll find this deliberately restrained and melancholic.

Encanto2021
Another Lin-Manuel Miranda project celebrating Latin American family and culture through irresistible music. It shares In the Heights' warmth, humour, and the idea that home is complicated.
But It's animated and aimed at families. The emotional stakes feel lower, and the ending is more neatly resolved than In the Heights allows.

A Star Is Born2018
A musical drama about ambition, love, and the cost of following your dreams. It has the same willingness to let joy and tragedy coexist in one story.
But It's centred on two isolated individuals rather than a community. The mood is much darker and the ending is genuinely bleak in ways In the Heights avoids.

tick, tick... BOOM!2021
Andrew Garfield in Lin-Manuel Miranda's directorial debut: a small, fierce musical about an artist terrified he's running out of time. It shares In the Heights' New York specificity and Miranda's ear for character-driven song.
But It's claustrophobic where In the Heights is expansive. One apartment, one anxious mind. If you want spectacle and community, this is the opposite approach.

Minari2021
Both centre characters caught between where they came from and where they're building a life. Both ask: what do we owe community, and what do we owe ourselves?
A film about immigration, family aspiration, and the dream of staying rooted in a place. It captures the same tension between old identity and new life, but through a quiet Korean-American family story.
But It's slow and meditative where In the Heights is kinetic. It's in English and Korean, set in rural Arkansas, and entirely without musical numbers. The frustration here is real and unresolved.

People
Cast
Anthony RamosUsnavi
Corey HawkinsBenny
Leslie GraceNina Rosario
Melissa BarreraVanessa
Olga MeredizAbuela Claudia
Daphne Rubin-VegaDaniela
Gregory Díaz IVSonny
Marc AnthonyGapo
Jimmy SmitsKevin Rosario
Stephanie BeatrizCarla
Dascha PolancoCuca
Noah CatalaGraffiti Pete
Directing
- Anthony KeatingAdditional Second Assistant Director
- Jon M. ChuDirector
- Joseph P. ReidyFirst Assistant Director
- Alexandra TorterototScript Supervisor
- John SilvestriSecond Assistant Director
- Anna SwandoSecond Second Assistant Director
- Rachel JarosSecond Second Assistant Director
Writing
- Lin-Manuel MirandaIdea
- Lin-Manuel MirandaLyricist
- Lin-Manuel MirandaMusical
- Quiara Alegría HudesMusical
- Quiara Alegría HudesScreenplay
Production
- Doyle LewisAssistant Location Manager
- Leila NurseAssistant Location Manager
- Sarah Brady StackAssistant Location Manager
- Gregory ZukAssociate Producer
- Grant WilfleyBackground Casting Director
- Melissa BraunBackground Casting Director
- Bernard TelseyCasting
- Tiffany Little CanfieldCasting
- Grace WardCasting Assistant
- Leigh Ann SmithCasting Assistant
- Kristian CharbonierCasting Associate
- Joseph P. ReidyCo-Producer
- David NicksayExecutive Producer
- Jeffrey SellerExecutive Producer
- Jill FurmanExecutive Producer
- Kevin McCollumExecutive Producer
- Kevin McCormickExecutive Producer
- Scott HedleyExecutive Producer's Assistant
- Olimpia T. RinaldiFirst Assistant Accountant
- Jessi PartridgeLocation Coordinator
- Samson JacobsonLocation Manager
- Anthony BregmanProducer
- Lin-Manuel MirandaProducer
- Mara JacobsProducer
- Quiara Alegría HudesProducer
- Scott SandersProducer
- Thomas BiancoProduction Accountant
- Javier BenaventeProduction Assistant
- Olivia Del CampoProduction Coordinator
- David NicksayUnit Production Manager
- Maggie EngelhardtUnit Production Manager
Recommended by
West Side Story, Rent, Wicked, tick, tick... BOOM!, The Phantom of the Opera at the Royal Albert Hall, Hairspray Live!, West Side Story, Evita, Annie Live!, The Wiz Live!, Newsies