Film
Get Crazy
- Comedy
- Light-hearted
A chaotic 1983 comedy about a small-time concert promoter fighting off corporate sabotage on New Year's Eve, packed with music acts, celebrity cameos, and the particular madness of backstage rock and roll. It's scrappy, loud, and deeply silly—a love letter to live music from the people who'd do anything to keep it alive.
If you liked this
This Is Spinal Tap1984
The gold standard for rock comedy: mockumentary precision about absurd musicians in absurd situations. Same era, same anarchic energy, completely timeless.
But It's deliberately deadpan and slow-burn. If you need obvious jokes delivered at volume, you'll miss the best bits.

Rock of Ages2012
A joyride through 80s rock with theatrical ambition, singalongs, and genuine affection for the era and its excess. Also unashamed about loving the music.
But It swings hard for heartfelt emotion between the spectacle, and not everyone wants their rock comedy to mean something.

FM1978
An earlier sibling in the chaos-at-the-radio-station genre, stuffed with real musicians and the same love of music as salvation. Feels like it'd sit perfectly next to Get Crazy.
But Episodic and loose to the point of formlessness. Plot takes a backseat to vibes and cameos.

Not sure tonight? Get a pick in a minute, starting from Get Crazy
The wildcard
Something you would not have found on your own.
Under the Rainbow1981
Both are backstage comedies about the mayhem of mounting a massive entertainment event, where the machinery of the industry crashes against human stubbornness and desire.
A surreal comedy about a Hollywood hotel during the making of The Wizard of Oz, with similar ensemble chaos, backstage madness, and the collision of show business ambition with actual humans. Same anarchic DNA.
But It's far weirder and less grounded than Get Crazy. The plot dissolves into pure absurdism halfway through.

More like this (8)
Almost Famous2000
A rock industry story that captures the genuine magic of music alongside the sleaze and ego. Cameron Crowe's love for the subject is infectious and real.
But It's sentimental in a way Get Crazy isn't. If you're after pure comedy chaos, this goes tender.

Ghostbusters II1989
Similar spirit of comedy ensemble chaos, celebrity cameos, and New Year's Eve apocalypse energy. Silly without winking at you constantly.
But The script coasts on the first film's charm. It works but it knows it doesn't have to try too hard.

The Running Man1987
Schwarzenegger in a dystopian game show with spectacular set pieces and Dweezil Zappa on synth. Trashy spectacle with style and genuine wit underneath.
But It's violent and bleak in ways that don't mix easily with Get Crazy's party mood. Tonal whiplash possible.

Eat the Rich1987
A punk-influenced British satire about class and corruption with the same scabby DIY energy and willingness to be genuinely weird and crude.
But It's aggressively weird and politically pointed. Could feel like a slog if you're just after concert footage and rom-com beats.

Roadie1980
Meat Loaf leads a loose comedy about roadies and concert life. Real rock acts, genuine affection for the behind-the-scenes chaos, earnestly weird.
But Even looser and slower than Get Crazy. Some will find it charmingly rambling; others will find it tests patience.

The Decline of Western Civilization1981
Penelope Spheeris' documentary-comedy hybrid captures the LA punk scene with energy and real feeling. A different format but the same anarchic rock spirit.
But It's half documentary, half chaos—no plot to hang onto. Some punk acts are genuinely hard to listen to.

Phantom of the Paradise1974
Both make rock music and live performance sacred, but Phantom sees the industry as genuinely demonic—a darker mirror of Get Crazy's scrappy idealism.
Brian De Palma's rock opera horror-comedy hybrid: a Faust story set in a concert hall, with a genuine love for music and spectacle colliding with genuine darkness. Rock and horror done with style and invention.
But It's genuinely unsettling and violent. Closer to psychological horror than comedy, even when it's funny.

Privileged2008
Both use 1980s chaos as their stage—one external and musical, one internal and social—but both are really about survival and loyalty when the system wants you to fail.
A British TV film about an upper-class teenager stuck in a working-class world. Shifts register completely but shares the same 80s texture, class anxiety underneath the surface, and human chaos as its real subject.
But It's a quiet, almost documentary-realist character study. Almost nothing like Get Crazy in mood or pace.

People
Cast
Malcolm McDowellReggie Wanker
Allen GarfieldMax Wolfe
Daniel SternNeil Allen
Gail EdwardsWilly Loman
Miles ChapinSammy Fox
Ed Begley Jr.Colin Beverly
Stacey NelkinSusie Allen
Bill HendersonKing Blues
Lou ReedAuden- Howard KaylanCaptain Cloud
- Lori EastsideNada
Lee VingPiggy
Directing
- Allan ArkushDirector
Writing
- Danny OpatoshuWriter
- David TaylorWriter
- Henry RosenbaumWriter
Production
- Judith WeinerCasting
- Herbert F. SolowExecutive Producer
- Hunt LowryProducer