Film
Dungeons & Dragons: Honor Among Thieves
A fantasy heist caper with genuine charm and ensemble chemistry. Colorful, funny, and unafraid of its own absurdity—think *Ocean's Eleven* meets a tabletop campaign. It wants you to have fun watching it, and mostly succeeds. For anyone who enjoys adventure without exhausting earnestness.
Should you watch it?
Watch it if you like breezy, ensemble heist caper energy where the banter lands and the fantasy world is played for affectionate fun rather than grim lore.
Skip it if you want the fantasy to be serious or mythic, since this one leans on jokes and cheerful silliness, and at over two hours the lighter scenes can feel stretched.
What it asks of you: Settle in for about two and a quarter hours of mostly brisk, bright scenes that move from one set piece to the next without asking you to track dense backstory.
Not sure? Find tonight's pick in a minute.
If you liked this
The Princess Bride1987
The ur-text for adventure comedy: witty, quotable, genuinely thrilling, with a hero's journey that never takes itself too seriously. Pure watching pleasure across generations.
But If you need spectacle and modern action pacing, the quieter 80s sword-and-sorcery style might feel slow to you.

Ocean's Eleven2001
The template for likable ensemble heists. Slick, clever, infinitely rewatchable, and proof that a movie about beautiful people pulling off a con can be endlessly fun.
But Relies heavily on charm and banter; if you want plot surprises and emotional stakes, this prioritizes style over substance.

Stardust2007
Fantasy adventure with wit, romance, and genuine stakes. It knows it's fairy tale and leans into the joy of that—swashbuckling, surprising, and surprisingly moving.
But Tonal shifts between whimsy and darker moments can feel uneven if you're not on board with that kind of genre blend.

Not sure tonight? Get a pick in a minute, starting from Dungeons & Dragons: Honor Among Thieves
The wildcard
Something you would not have found on your own.
Barbarians Rising2016
Both follow a mismatched ensemble trying to survive against better-organized, more powerful enemies. The structure is nearly identical; only the humor changes.
A miniseries about Germanic tribes resisting Rome: brutal, genuinely thrilling, with a chaotic ensemble that mirrors D&D's party dynamic. It's adventure as consequence rather than joke, but has that same ragtag-band-against-impossible-odds DNA.
But Graphically violent and slow-burn; this is grim historical drama, not fantasy romp, so tonal whiplash is real if you're seeking Honor Among Thieves' lightness.

More like this (8)
Guardians of the Galaxy2014
Ragtag team, humor, heart, and a refusal to be grim. Proves that you can be funny and still care about the characters—and that a great soundtrack elevates everything.
But Heavy on quips and pop culture; if you prefer a cleaner dramatic line, the constant joking can feel like it's undercutting the stakes.

Knives Out2019
A heist-mystery that's clever without being smug, funny without winking at the audience. Ensemble cast, intricate plotting, and the pure pleasure of watching smart people enjoy themselves.
But If you solve mysteries by detective logic rather than character, the movie cares more about fun than fairness in its reveals.

The Adventures of Robin Hood1938
Technicolor adventure from cinema's golden age: swashbuckling, genuinely funny, beautifully staged action. Robin Hood is likable, the villains are fun, and it never drags.
But Older cinema means slower pacing and less cutting; some will find it quaint rather than thrilling.

Willow1988
Fantasy adventure with real craft: George Lucas production, Ron Howard directing, humor, spectacle, and genuine affection for its own world. Endlessly re-watchable comfort fantasy.
But Unabashedly 80s in its execution; the special effects and melodrama will feel dated if that registers as cheesy to you.

The Mummy1999
Indiana Jones-adjacent adventure that knows exactly what it is: fun, romantic, funny, thrilling. Brendan Fraser commits entirely to the tone, and that commitment is contagious.
But Self-aware almost to the point of parody; if you prefer adventure to take itself seriously, this will feel like it's winking too much.

Tropic Thunder2008
An ensemble action-comedy with real smarts: funny, chaotic, and full of unexpected character beats. Robert Downey Jr. and Ben Stiller elevate every scene they're in.
But Relies on satire and in-jokes; the humor is aggressive and meta, which can feel exhausting if you're not matching the film's energy.

Arcane: League of Legends2021
Both build their worlds around a band of people bound by loyalty rather than law. Adventure emerges from what they're willing to do for each other.
Animated series with fantasy world-building, ensemble heart, and visual beauty that rivals theatrical spectacle. It's adventure driven by character relationships rather than plot mechanics—intimate despite its scope.
But Animated, which some dismiss; also heavier and more emotionally demanding than D&D, with genuine tragedy rather than comic relief.

Seven Samurai1954
This is the original 'assemble a team, plan the heist, things go wrong, rely on each other' template. Everything else is riffing on Kurosawa's structure.
Kurosawa's masterpiece: a team assembled for one impossible job, banter and camaraderie alongside tension, payoff that earns its runtime. It invented the ensemble heist structure that Honor Among Thieves follows.
But Three-and-a-half hours, Japanese cinema from the 50s, and it has no interest in entertaining you quickly. It's serious about its world in ways D&D deliberately avoids.

People
Cast
Chris PineEdgin
Michelle RodriguezHolga
Justice SmithSimon
Sophia LillisDoric
Hugh GrantForge
Regé-Jean PageXenk
Chloe ColemanKira
Daisy HeadSofina
Kyle HixonGuard
Spencer WildingGorg
Will IrvineTobias
Nicholas BlaneChancellor Anderton
Directing
- Andrew CarstairsCrowd Assistant Director
- John Francis DaleyDirector
- Jonathan GoldsteinDirector
- Michael SalvenFirst Assistant Director
- Therese FrielSecond Assistant Director
- Thomas BentleySecond Assistant Director
- Sam Barry-ParkerSecond Second Assistant Director
- Ben SnowSecond Unit Director
- Brad MartinSecond Unit Director
- Gregg SmrzSecond Unit Director
- Scott BunceSecond Unit First Assistant Director
- Graham KinniburghThird Assistant Director
- Matthew BoothThird Assistant Director
- Sheena KellyThird Assistant Director
Writing
- John Francis DaleyScreenplay
- Jonathan GoldsteinScreenplay
- Michael GilioScreenplay
- Chris McKayStory
- Michael GilioStory
Production
- Victoria ThomasCasting
- Ashley AlexanderCo-Producer
- Diana GiorgiuttiCo-Producer
- Chris PineExecutive Producer
- Denis L. StewartExecutive Producer
- Greg MooradianExecutive Producer
- John Francis DaleyExecutive Producer
- Jonathan GoldsteinExecutive Producer
- Zev ForemanExecutive Producer
- Brian GoldnerProducer
- Jeremy LatchamProducer
- Nick MeyerProducer
- Denis L. StewartUnit Production Manager
- John NaclerioUnit Production Manager
Recommended by
Willow, Warcraft, Eragon, Artemis Fowl, The Fate of the Furious, The Hobbit: The Battle of the Five Armies, Dragon's Lair, The Hobbit: The Desolation of Smaug, Jack the Giant Slayer, Code Lyoko, Harry Potter and the Prisoner of Azkaban