Film
Disciples of the 36th Chamber
A 1985 kung fu comedy following a young fighter trained by Shaolin monks to take down corrupt officials. Lean, energetic, and frequently hilarious, it balances fight choreography with slapstick humour and genuine warmth. Perfect if you want martial arts spectacle seasoned with jokes and heart rather than brooding intensity.
If you liked this
The 36th Chamber of Shaolin1978
The essential predecessor that established the Shaolin training narrative and introduced Gordon Liu as the righteous warrior-monk. Extraordinary fight design and a satisfying structure that builds to genuine mastery. Essential context and a stone-cold classic.
But Slower paced than modern action films, with subtitles and a meditative section that some find indulgent rather than earned.

Drunken Master1978
Jackie Chan's explosive combination of acrobatic kung fu and comedy, with fight choreography that doubles as slapstick. Charismatic and inventive—proof that action and humour amplify each other when done this well.
But The first half drags before the brilliant payoff. Some gags land harder than others, and the tonal shifts can feel sudden.

Police Story1985
Jackie Chan at peak physical commitment: stunt work that still shocks, fights that unfold like puzzles, and genuine stakes beneath the humour. A masterclass in using practical effects and real locations to build tension and spectacle.
But The plot is thin and occasionally sexist. Long stretches of slower scenes between action set-pieces. Requires patience to appreciate the craft.

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Crows Zero2007
Both use comedy and genuine character investment to sweeten action rather than separate it into clean genre bins. *Crows Zero* proves the template works in radically different context—Japanese high schools instead of Shaolin temples, modern instead of historical, but the same logic of humour as humanisation.
A transfer student infiltrates a brutal high school gang culture. Japanese delinquent aesthetic meets balletic, almost operatic fight choreography. Hyperstylised, funny, and tactilely inventive—action as visual art rather than simple violence.
But Tone is bizarre and tonal shifts are jarring: high school melodrama suddenly erupts into gang ultraviolence. Subtitled. The 2007 date feels jarring if you're coming from '80s kung fu.

More like this (5)
Shaolin Wooden Men1976
Brutal Shaolin training sequences and a minimalist structure that lets fight choreography speak. Claustrophobic and intense, with choreography designed to test everything the hero has learned.
But Almost no plot to speak of. Very repetitive—walls of wooden dummies absorb endless combat. Requires tolerance for meditative, grinding action.

Return to the 36th Chamber1980
Gordon Liu again, this time against a tyrannical factory owner. Smarter script than most sequels, with inventive fight sequences using industrial settings as part of the choreography. Sneaky social commentary wrapped in entertainment.
But Pales beside the original and lacks the elegance of the training sequences that made it work. Feels stretched to fill feature length.

Crippled Avengers1978
Five fighters with animal-style techniques hunt each other in a locked-room mystery. Gorgeous widescreen compositions, ingenious fight logic, and a twisty plot that respects the audience. Atmospheric and tactically brilliant.
But Deliberately enigmatic ending that frustrates some viewers. Slower burn than the kinetic action films. Subtitles required and some scenes are genuinely hard to follow.

Executioners from Shaolin1977
A couple of Shaolin masters flee persecution and train in secret to avenge their fallen brothers. Combines intimate family drama with spectacular choreography. Lau Kar-leung directs and performs—a technical and emotional high-wire act.
But Darker and more vengeful in spirit than lighter kung fu films. Slower middle section. The emotional weight may feel at odds with the genre conventions.

The Chinese Boxer1970
A Chinese fighter rises to challenge a Japanese boxing champion during occupation. Raw, brutal fight choreography and genuine historical tension. Feels lived-in and dangerous in a way that later films romanticize.
But Low production values and acting that hasn't aged gracefully. Pacing is slack outside the fight sequences. Some dated racial attitudes. Very rough around the edges.

People
Cast
Hsiao HoFong Shiyu
Gordon Liu Chia-huiMonk San Te
Lily LiMiao Tsui Hua
Jason Pai PiaoGovernor
Lau Kar-leungManchu Gym Chief
Mak Wai-CheungFong Maiyu
Ching MiaoFong De
Lee Hoi-SangTiger Lei
Yuen QiuLi Xiao Huan
Chan ShenSchool Officer Sha Duo'er
Yang Chi-ChingChief Yang
Wong Ching-HoShiyu's Teacher
Directing
- Chan Yau-ManAssistant Director
- Lam Hak-MingAssistant Director
- Lau Kar-leungDirector
- Chu KaiScript Supervisor
Writing
- Lau Kar-leungScreenplay
Production
- Mona Fong Yat-WahProducer
- Wan Pak-NamProduction Coordinator
- Lawrence Wong Ka-HayProduction Manager
- Wong Hon-ChungUnit Manager