Film
CyberTracker
A 1994 action film where Don Wilson plays a secret agent-turned-bodyguard caught between a corrupt senator, his henchman, and an army of android police officers. It's lean, propulsive B-movie entertainment—the kind of thing that knows exactly what it is and doesn't waste your time. For anyone who loves '90s action without pretension.
If you liked this
Terminator 2: Judgment Day1991
The obvious touchstone: relentless action, a nearly invincible android antagonist, and genuine stakes. Spielbergian spectacle with a human heart underneath. It's the film CyberTracker reaches toward.
But Three hours, and the dialogue can be clunky. The special effects, while groundbreaking, feel dated now in ways that matter more than you'd expect.

Total Recall1990
Schwarzenegger in a Verhoeven fever dream: paranoia, action, and ideas crashing together. It asks 'what is real?' while never slowing down for an answer. Peak '90s sci-fi action.
But The plot is deliberately convoluted and the tone veers wildly. If you want clarity, you won't find it.

RoboCop1987
The template for all of this: man versus machine, institutional corruption, and violence that means something. Verhoeven's masterpiece does satire and action simultaneously without breaking a sweat.
But Gore. Real, substantial gore. It's not a superhero film dressed as action—it's visceral and sometimes hard to watch.

Not sure tonight? Get a pick in a minute, starting from CyberTracker
The wildcard
Something you would not have found on your own.
Hardware1990
Both use androids as social anxieties made flesh: CyberTracker fears authoritarian control, Hardware fears technology consuming us. Same DNA, completely different register.
A music-video director's (Richard Stanley) debut: a killer android in a dystopian scrapscape, shot like a fever dream with industrial music and visual texture. It's cyberpunk as atmosphere instead of plot, and it's hypnotic.
But Very slow. Very interested in mood over narrative momentum. The story is minimal—some would call that a feature, others a major flaw.

More like this (8)
Hard Target1993
John Woo's first American film: Jean-Claude Van Damme hunted by a conspiracy, with Woo's signature slow-motion gunplay and balletic violence. Stylish, efficient, utterly alive.
But Van Damme's acting is Van Damme's acting. If that's a dealbreaker, it's a dealbreaker.

Universal Soldier1992
Van Damme and Lundgren as reanimated soldiers weaponized against each other. Straightforward action with an interesting high concept and real effort in the execution.
But Uneven pacing and the emotional core doesn't quite land. You're here for fights, which it delivers.

Cyborg1989
Jean-Claude Van Damme in a post-apocalyptic wasteland, fighting for a cyborg woman. Cheesy, earnest, and weirdly beautiful in its low-budget commitment to its own vision.
But The dialogue is rough and the budget shows everywhere. That's part of the charm, but it's not for everyone.

Nemesis1992
Albert Pyun's underseen gem: Olivier Gruner as a cop betrayed and rebuilt as a cyborg assassin. Cyberpunk atmosphere on a shoestring, more style than logic, and it commits fully.
But Bizarre tonal shifts and the plot barely holds together. You need to surrender to its strangeness to enjoy it.

Trancers1984
Tim Thomerson time-travels from 2247 to 1985 to stop a killer. It's scrappy, clever, and genuinely fun—low budget sci-fi that punches above its weight.
But The effects are dated even by 1984 standards. If you can't afford to smile at that, skip it.

American Cyborg: Steel Warrior1993
Raw, bizarre post-apocalyptic action with a practical effects approach and genuine weirdness. It fails often, but fails interestingly, and never stops swinging.
But The acting is rough, the script is stranger than it means to be, and it's genuinely incoherent in places. This one requires patience and goodwill.

Lockout2012
Both are efficient B-movies that know their own limitations and exploit them: quick, propulsive, unconcerned with prestige. CyberTracker plays it straight; Lockout winks. Same blueprint, opposite approach.
Guy Pearce as a wisecracking operative rescuing the president's daughter from a space prison. It's Escape from New York remade as a comic-book comedy, and it's impossibly charming and funny.
But The tone is light and jokey throughout. If you want your action serious, this won't satisfy.

Ghost in the Shell1995
Both ask what happens when humans are replaced or augmented by machines, but Ghost in the Shell makes it metaphysical rather than political. CyberTracker is a conspiracy thriller; this is philosophy wrapped in a trench coat.
Anime masterpiece about a cyborg special-ops agent questioning her own consciousness. Philosophical, visually stunning, and the action sequences are pure choreography. It moves slowly but inevitably.
But Subtitles, and the pacing is contemplative rather than thrilling. You're not rushing anywhere; this film will take its time with you.

People
Cast
Don WilsonEric Phillips
Richard NortonRoss
Stacie FosterConnie Griffith
Joseph RuskinJ. Craig Rounds
John ApreaSenator Dilly
Abby DaltonChief Olson
Steve BurtonJared- David BarnathanMarcus
- Lisa LarosaAlly
- Christina ZilberKate
- Duchess DaleBecca
Directing
- Richard PepinDirector
- Scott HohnbaumFirst Assistant Director
- Alexander H. GaynerSecond Assistant Director
- Amy SydorickSecond Second Assistant Director
- Gilbert Alexander Wadsworth IIISecond Unit Director
- Scott McAboySecond Unit Director
Writing
- Joe HartWriter
Production
- Scott McAboyAssociate Producer
- Adriana MichelCasting
- Don WilsonCo-Producer
- Paul MaslakCo-Producer
- Alan B. BursteenExecutive Producer
- Jerry P. JacobsLine Producer
- Scott McAboyLine Producer
- Joseph MerhiProducer
- Richard PepinProducer
- Gilbert Alexander Wadsworth IIIUnit Production Manager