Film
CODA
A hearing teenager in a deaf fishing family has to choose between her own voice and the ears her parents depend on. It's a coming-of-age film with real music and real sign language, funny and unguarded rather than saccharine, anchored by a note-perfect deaf cast. Good for anyone who wants a cry that earns itself.
If you liked this
Sing Street2016
Same engine of a kid discovering music can be a way out, with irresistible original songs and a sibling relationship that carries real weight under all the joy.
But It's slighter and sweeter than CODA, more pop confection than family drama, if you want the harder edges.

Billy Elliot2000
A working-class kid's talent collides with family loyalty and economic reality, exactly CODA's shape, transposed to a mining town and ballet shoes.
But The strike-era Britain backdrop and broader accents take some adjusting to if you're not used to the period or place.

October Sky1999
A son's dream versus a father's expectations, set against a dying industry, with the same ache of wanting more without betraying where you came from.
But More conventional and less funny, and the father-son dynamic is simpler than the Rossis' three-way family bond.

The wildcard
Something you would not have found on your own.
A Quiet Place2018
Both put sign language and a deaf family member at the structural heart of the story; here silence is survival instead of identity, but the communication itself is the drama.
A family survives an apocalypse by communicating the way Ruby's does at home, in sign, with a deaf daughter (played by a deaf actress) at the emotional center of the tension.
But It's a horror thriller about monsters that hunt by sound, tonally about as far from CODA's warmth as you can get.

More like this (8)
Little Miss Sunshine2006
A family that's loud, broke, and completely devoted to each other, stumbling toward a goal that matters more for what it costs them than what it wins.
But The quirky-indie tone and dark comedy sit differently than CODA's earnestness; it laughs at its people more than it cries with them.

The Full Monty1997
Working-class dignity, community, and a family's survival wrapped in comedy that never forgets the desperation underneath it.
But It's about unemployed steelworkers stripping for cash, not music or coming-of-age, so the plot parallel is thinner.

Juno2007
A teenager making a huge, adult decision while everyone around her figures out how to actually support her, told with warmth under the wit.
But The stylised dialogue and quirk can feel like a performance rather than a real voice, depending on your patience for early-2000s indie cadence.

The Fighter2010
A talented sibling trying to break free of a chaotic, loving, suffocating family that both makes and threatens their future.
But Grittier and angrier than CODA, with boxing violence and family dysfunction that leans dark rather than tender.

Brooklyn2015
The quiet devastation of choosing your own life over the family who needs you, handled with the same unhurried emotional honesty.
But Slower and more restrained, with none of CODA's humor or music, if you want something livelier.

Sound of Metal2020no page yet
A musician losing his hearing is the mirror image of Ruby's story, and it's just as serious about what deafness actually means, day to day.
But Much heavier and more isolating, with little of CODA's family warmth or comic relief.
Children of a Lesser God1986no page yet
It's the film that made Matlin who she is, and thirty-five years later CODA hands her the mother role in the same conversation about deaf autonomy versus hearing assumptions.
Marlee Matlin's Oscar-winning breakout, a fierce, unsentimental romance about a deaf woman who refuses to be spoken for by the hearing world around her.
But Slower, more theatrical, and from a very different era of filmmaking about disability, some of which now reads as dated.
Sound and Fury2000
Where CODA imagines a hearing daughter's guilt over leaving her deaf family, this documentary shows deaf parents living the flip side, terrified of losing their child to the hearing world.
A real deaf family tears itself apart over whether to give a child a cochlear implant, an unscripted, genuinely wrenching documentary about exactly the identity question CODA fictionalizes.
But No music, no romance, no uplift arc, just a hard, unresolved family argument with real people and real stakes.

People
Cast
Emilia JonesRuby Rossi
Marlee MatlinJackie Rossi
Troy KotsurFrank Rossi
Eugenio DerbezBernardo Villalobos
Ferdia Walsh-PeeloMiles
Daniel DurantLeo Rossi
Amy ForsythGertie
Kevin ChapmanBrady
John FioreTony Salgado
Lonnie FarmerArthur
Courtland JonesMs. Simon
Molly B. ThomasAudra
Directing
- Sian HederDirector
- David MendozaFirst Assistant Director
- Jillian RoacheScript Supervisor
- Pete WatermanSecond Assistant Director
- Cameron K. MortonSecond Second Assistant Director
Writing
- Éric LartigauOriginal Film Writer
- Stanislas Carré de MalbergOriginal Film Writer
- Thomas BidegainOriginal Film Writer
- Victoria BedosOriginal Film Writer
- Sian HederScreenplay
Production
- Ashley WaldronArt Department Production Assistant
- Mikhail LavrentyevArt Department Production Assistant
- Frankie FerrariAssistant Location Manager
- Ryan HarvieAssistant Production Coordinator
- Eric JehelmannAssociate Producer
- Kristie LutzAssociate Producer
- Stéphane CélérierAssociate Producer
- Valérie GarciaAssociate Producer
- Deborah AquilaCasting
- Lisa ZagoriaCasting
- Tricia WoodCasting
- Meghan SchumanCasting Assistant
- Melissa MorrisCasting Associate
- Ged DickersinCo-Producer
- Hester HargettCo-Producer
- Marie de CenivalCo-Producer
- Ardavan SafaeeExecutive Producer
- Sarah Borch-JacobsenExecutive Producer
- Kyle CrandExtras Casting
- Raphael RainvilleFinishing Producer
- Tameka HoweFirst Assistant Accountant
- Cameron ZickrickKey Set Production Assistant
- Angela PeriLocal Casting
- Lisa LobelLocal Casting
- Chris StavreLocation Assistant
- Tim GormanLocation Manager
- Sarah DizioLocation Production Assistant
- Susan HaleyPayroll Accountant
- Howard BaralPost Production Accountant
- Jonathan YoungPost Production Accountant
- Marynes MierezPost Production Accountant
- Virginia PrasadPost Production Accountant
- Fabrice GianfermiProducer
- Jérôme SeydouxProducer
- Patrick WachsbergerProducer
- Philippe RousseletProducer
- Gabrielle GenesteProducer's Assistant
- Kim MillerProducer's Assistant
- Sabrina JosephProduction Accountant
- Feifei LingProduction Coordinator
- Sam ReynoldsProduction Secretary
- Jill SaccoProduction Supervisor
- Francesca ViscontiSupervising Producer
- Ged DickersinUnit Production Manager