Film
Birdman or (The Unexpected Virtue of Ignorance)
Birdman follows Riggan Thomson, a washed-up movie star best known for a superhero franchise, trying to reclaim credibility with a Broadway play, all filmed to look like one unbroken, breathless take. It's backstage farce and psychological unraveling stitched together with drums and delusion — sharp, self-aware, occasionally overwhelming. Best for anyone who loves theatre, showbiz cruelty, or technical bravado for its own sake.
If you liked this
Whiplash2014
Same year, same obsession with punishing artistic perfection — a young drummer chasing greatness under a mentor who might destroy him, all propulsion and dread.
But The tension is relentless from the first scene; if you want anything gentle in between, this offers none.

Black Swan2010
Aronofsky's ballet nightmare shares Birdman's fascination with an artist's mind fracturing under the pressure of one perfect performance, shot with the same feverish energy.
But It leans harder into horror and body-shock imagery than Birdman ever does — not for the squeamish.

All That Jazz1979
Bob Fosse's fever-dream musical about a director staging his own show while his heart literally gives out is the spiritual grandparent of Birdman's showbiz self-mythologizing.
But It's a musical, unapologetically theatrical and stylistically dated — a big ask if you came for realism.

The wildcard
Something you would not have found on your own.
All About Eve1950
Birdman's whole engine — a fading star's terror of being replaced, theatre as blood sport — is All About Eve's plot, told seventy years earlier with venom instead of magic realism.
Theatre's original backstage knife-fight — an aging star watching a calculating ingenue angle for her spot, decades before Birdman turned the same anxiety into cinema.
But Black-and-white, stagey dialogue, 1950s pacing — a real adjustment if you're used to modern rhythms.

More like this (8)
Boogie Nights1997
Paul Thomas Anderson's ensemble tale of fading fame in the adult film industry has the same electric camera movement and tragicomedy around people mistaking relevance for love.
But Three-hour runtime and an entirely different world of vice — this one wanders more than it drives.

Synecdoche, New York2008
Charlie Kaufman's collapsing-theatre-set fable takes Birdman's blurred line between performance and reality to its most extreme, saddest, funniest conclusion.
But Deliberately disorienting and bleak; some viewers find it more punishing than illuminating.

The Artist2011
A silent film about an actor made obsolete by changing tastes — funny, melancholy, and quietly about the same fear of irrelevance eating Riggan alive.
But Silent and black-and-white, charming rather than urgent — a gentler register entirely.

Opening Night1977no page yet
Cassavetes' study of an actress unraveling before a play's premiere shares Birdman's backstage claustrophobia and blurred sanity, decades before it was fashionable.
But Loose, improvisational, and slow by design — patience required, no tidy answers offered.
The Disaster Artist2017
James Franco's affectionate comedy about the making of The Room turns creative delusion and self-belief into something as absurd and touching as Riggan's own crusade.
But Broader and warmer than Birdman's satire — less interested in cruelty, more in affection.

Living in Oblivion1995
A scrappy, funny 90s indie about a disastrous low-budget film shoot, capturing the same chaos and ego of making art under pressure, just with far less money.
But Small-scale and dated in its indie-film specifics; lacks Birdman's visual ambition entirely.

Victoria2015
Birdman's famous illusion of one unbroken shot is Victoria's literal reality — same formal daredevilry, swapped from theatre-world satire into pure genre adrenaline.
A real single continuous take, no stitching, following a young woman through one increasingly disastrous night in Berlin — proof the trick Birdman fakes so beautifully can actually be done.
But It's a crime thriller, not a backstage drama — tense in a completely different, more physically dangerous way.

Tropic Thunder2008
Both use a star's own typecast baggage against him — Keaton mocking his Batman past, Stiller mocking action-hero vanity — but Tropic Thunder plays it as trash instead of tragedy.
A vain action star trying to reclaim credibility drags himself into an absurd, ego-driven disaster — the same actor-vanity engine as Birdman, cranked up to gleeful stupidity.
But Broad, crude, and deliberately dumb where Birdman is anxious and literary — a totally different comic register.

People
Cast
Michael KeatonRiggan
Emma StoneSam
Edward NortonMike
Andrea RiseboroughLaura
Naomi WattsLesley
Amy RyanSylvia
Lindsay DuncanTabitha
Merritt WeverAnnie
Jeremy ShamosRalph
Damian YoungGabriel
Kenny ChinKorean Grocer
Directing
- Alejandro G. IñárrituDirector
- Adam SomnerFirst Assistant Director
- Peter KohnFirst Assistant Director
- Eva Z. CabreraScript Supervisor
- Amy LauritsenSecond Assistant Director
- Catherine FeenySecond Second Assistant Director
Writing
- Raymond CarverShort Story
- Alejandro G. IñárrituWriter
- Alexander DinelarisWriter
- Armando BoWriter
- Nicolás GiacoboneWriter
Production
- Alexander DinelarisAssociate Producer
- Christina WonAssociate Producer
- Drew P. HouptAssociate Producer
- Nicolás GiacoboneAssociate Producer
- Francine MaislerCasting
- Christopher WoodrowExecutive Producer
- Molly ConnersExecutive Producer
- Sarah E. JohnsonExecutive Producer
- Matthew WellsPost Production Coordinator
- Alejandro G. IñárrituProducer
- Arnon MilchanProducer
- James W. SkotchdopoleProducer
- John LesherProducer
- William C. NixonProduction Assistant
Recommended by
Whiplash, 8½, Synecdoche, New York, All About Eve, All That Jazz, La La Land, Listen to Me Marlon, Call My Agent! The Movie, Millennium Actress, Stardust Memories, The Square, Confessions of a Superhero, Bo Burnham: Make Happy