Film
Anyone but You
- Romantic comedy
- Light-hearted
A glossy romantic comedy about two people who hit it off spectacularly, then crash just as hard, before pretending to be a couple at a wedding in Australia. It's bright, tropically photographed, energetically performed, and built for watching with someone you like. Perfect if you want charm and banter without anything that asks you to think.
If you liked this
Set It Up2018
Two assistants scheme to set up their awful bosses as a couple. It has the same DNA: snappy dialogue, charismatic leads with real chemistry, and a premise that's an excuse for witty sparring rather than anything substantial.
But The rom-com formula is visible from orbit. If you've seen the genre done once, you've seen the bones of this.

Crazy, Stupid, Love.2011
A marriage falls apart and reassembles across one glittering summer, with actual emotional stakes hidden inside the comedy. It's more structurally ambitious than most rom-coms, and the supporting cast is genuinely excellent.
But It's longer than it needs to be, and the tonal shifts between adult heartbreak and rom-com hijinks don't always land smoothly.

The Proposal2009
Sandra Bullock and Ryan Reynolds have the same effortless banter chemistry. It's set somewhere beautiful, it moves fast, and it knows exactly what it is: ninety minutes of attractive people being funny at each other.
But The plot relies on contrived coincidence, and it doesn't pretend to be anything other than a fantasy of how romance works.

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The wildcard
Something you would not have found on your own.
Forgetting Sarah Marshall2008
Both films use destination beauty and ensemble comedy to soften a premise about people pretending—but where Anyone but You leans entirely into lightness, this one admits that romantic failure actually hurts.
A man's girlfriend leaves him for a rock star, and he runs into them at a Hawaiian resort. It's a rom-com, but it's also genuinely funny and occasionally genuinely sad—the kind of film where the jokes land because the character pain is real, not despite it.
But It's raunchy in ways that can feel dated and broad. Some of the male vulnerability might feel jarring if you want pure escape.

More like this (8)
Hitch2005
Will Smith as a dating coach winds up coaching the guy trying to date the woman he loves. It's a high-concept rom-com that actually executes the concept with style and personality, plus genuine warmth underneath the scheme.
But Some of the seduction advice will make you uncomfortable, and the tone can feel dated in places.

10 Things I Hate About You1999
A teen rom-com with real wit and charm, built on Shakespeare's bones. The leads have genuine chemistry, and it's funny without being mean—a rare balance in the genre.
But It's set in high school, so you're watching teenagers. If that instantly kills it for you, that's fair.

The Wedding Date2005
Debra Messing hires a male escort to be her date to a wedding, and they discover each other over the course of the film. It's glossy and funny, with real emotional moments and excellent supporting characters.
But The premise is built on mild sex work, which some find uncomfortable. It also doesn't particularly challenge its own setup.

When Harry Met Sally...1989
The template for modern rom-coms, and it still works. Two people who should be together spend the whole movie being too stubborn to notice. The script crackles, the chemistry is real, and it genuinely lands its emotional moments.
But It's forty years old and it shows. Expectations around dating and relationships have shifted since then.

Legally Blonde2001
Elle Woods goes to Harvard Law to win back her ex and ends up finding herself instead. It's funnier and smarter than its premise suggests, with heart that doesn't feel cheap.
But The early-2000s fashion and cultural references date it, and it's built on some gender stereotypes that probably shouldn't still land as punchlines.

Sweet Home Alabama2002
Reese Witherspoon returns to her small Alabama hometown to finalize her divorce and discovers she's still in love with her ex-husband. It has a good cast, nice Southern scenery, and moves with genuine charm.
But The plot is aggressively straightforward, and the stakes never feel real. It's competent without being particularly memorable.

Love, Weddings & Other Disasters2020
Both are wedding-adjacent comedies that understand romance works best when surrounded by other people's chaos. But this one treats the relationships as complicated rather than just obstacles to overcome.
A sprawling ensemble comedy about four different couples navigating love and marriage in New York, all culminating at a wedding. It's warm without being saccharine, funny without trying too hard, and genuinely about how people actually talk to each other.
But The ensemble structure means no single story gets deep focus. If you want a tight two-person narrative, this scattered approach might feel meandering.

Moonlight2016
Where Anyone but You plays with pretense as comedy, this examines the weight of pretending to be someone you're not. The destination wedding rom-com and the slow-burn tragedy are almost mirror images of each other.
A man's life unfolds across three moments: childhood, adolescence, adulthood—three films' worth of story compressed into one. It's quiet, beautiful, structurally daring, and about what it costs to hide who you are. The romance is real and devastating.
But It's the opposite of escapist. It's slow, serious, and asks you to sit with grief. There is no soundtrack swells or witty banter.

People
Cast

Glen PowellBen
Mia ArtemisBarista
Nat BuchananMiranda Clerk
GaTaPete
Alexandra ShippClaudia
Hadley RobinsonHalle
Rachel GriffithsInnie
Deborah Faye LeeFlight Attendant- Lance KerfufflePeter Gluck
- Taryn GluckOlivia von Stauffenberg
Directing
- Will GluckDirector
- James McGradyFirst Assistant Director
- Jody BloseScript Supervisor
- Jay CorrySecond Assistant Director
- Ruby TuckerSecond Second Assistant Director
- Jess BentleyThird Assistant Director
- Victoria LiuThird Assistant Director
Writing
- Ilana WolpertScreenplay
- Will GluckScreenplay
- Ilana WolpertStory
- William ShakespeareTheatre Play
Production
- Cameron HayesAssistant Accountant
- Dan HartAssistant Accountant
- Dayle CogdonAssistant Accountant
- Morgan WoodbryAssistant Accountant
- William TraegerAssistant Accountant
- Alexander JamesAssistant Production Coordinator
- Michael KaragiannakisAssistant Production Coordinator
- John OrtCasting
- Kathleen ChopinCasting
- Nikki BarrettCasting
- Caroline Pommert-AllegranteCasting Associate
- Kelly GrahamCasting Associate
- Alyssa AltmanExecutive Producer
- Catherine BishopExecutive Producer
- Charlie CorwinExecutive Producer
- Jacqueline MonettaExecutive Producer
- Jonathan DavinoExecutive Producer
- Mark O'ConnorExecutive Producer
- Natalie SellersExecutive Producer
- Sidney KimmelExecutive Producer
- Sydney SweeneyExecutive Producer
- Claudia KershawExtras Casting
- Morgan SmallboneExtras Casting
- Vanessa GalvezFinishing Producer
- Michael ClarkinFirst Assistant Accountant
- Suvipra VaidyaGrip Production Assistant
- Mathew PanayiotouLocation Assistant
- Rebecca MatthesLocation Coordinator
- Elsey IsraelLocation Manager
- Emily MorrisonLocation Manager
- James LitchfieldLocation Manager
- Jeremy PeekLocation Manager
- Jeff KirschenbaumProducer
- Joe RothProducer
- Will GluckProducer
- Raymond ZhangProduction Accountant
- Kate LarmerProduction Assistant
- Shadi SoheiliProduction Assistant
- Shaelyn DowningProduction Coordinator
- Clare ShervingtonProduction Manager
- Alicia PartonProduction Secretary
- Sam RieselProduction Trainee
- Lehi TahauUnit Manager
- Jane GriffinUnit Production Manager