Film
American Mary
- Body horror
- Very dark
American Mary is a revenge thriller wrapped in body-horror aesthetics, following a broke medical student who turns underground body-modification into her weapon and livelihood. It's visceral, wickedly smart, and unapologetically feminist in its violence. For viewers who want their exploitation cinema to mean something.
Should you watch it?
Watch it if you like body horror that treats its ugliness as a critique of money and desperation, with a cool, clinical eye and a heroine who is never quite easy to read.
Skip it if you want gore for its own sake or a fast, plot-driven ride, since this is a slow, chilly character study that moves at a clinician's pace.
What it asks of you: Expect an unhurried build across its runtime, with the tension tightening slowly and a tone that stays cool rather than winking at the audience.
Not sure? Find tonight's pick in a minute.
If you liked this
Teeth2008
A brilliant, darkly funny creature-feature about female bodily autonomy and consent, weaponizing female anatomy as revenge. Sharp social commentary wrapped in genuine horror surprises.
But Body-horror involving female genitalia will understandably not appeal to everyone, and the tone occasionally lurches between comedy and dread.

Raw2017
A cannibalistic coming-of-age film that uses visceral body-horror to explore female awakening, desire, and loss of control. Stunning cinematography elevates the grotesque into art.
But Relentlessly bleak and physically repellent at points; it's less a thriller than a slow-burn psychological descent that won't offer catharsis.

Prevenge2017
A pregnant woman is driven by her unborn child to seek violent revenge. Darkly comic, wildly inventive, and genuinely weird in ways that feel both absurd and intentional.
But The tonal whiplash between body-horror comedy and genuine menace confuses some viewers; the plot is almost a secondary concern.

Not sure tonight? Get a pick in a minute, starting from American Mary
The wildcard
Something you would not have found on your own.
The Bodyguard1992
Both feature women using the body—and male desire itself—as a tool of control; both suggest that appearing passive can be the ultimate predatory strategy.
A glossy erotic thriller featuring a brilliant woman at its center—not as victim, but as architect of seduction and manipulation. It's trashy, confident, and surprisingly intelligent about power dynamics.
But The 90s aesthetic and sexual content feel dated now; it's also fundamentally interested in glamour and eroticism rather than horror, which is a tonal 180.

More like this (7)
Excision2012
A deeply disturbed teen's medical obsession spirals into psychological and sexual horror. Unforgettable, transgressive, and anchored by an extraordinary lead performance.
But It's genuinely unpleasant to sit with, and the ending is deliberately nihilistic rather than satisfying. Extremely graphic sexual content.

Martyrs2008
A relentless French-Canadian revenge narrative that uses extreme suffering to interrogate meaning, belief, and redemption. Technically masterful and genuinely haunting.
But Among the most brutal films ever made; graphic violence and torture inflicted on women may feel gratuitous rather than purposeful depending on your read.

The Love Witch2016
A stylish, campy thriller about female agency and desire, wrapped in pastel aesthetics and 1960s visual language. Fun in ways that let you breathe between the darkness.
But The retro homage occasionally overwhelms the story, and the tone is deliberately theatrical rather than grounded, which undercuts dramatic tension.

Revenge2017
A visceral rape-revenge film that treats its heroine with intelligence and respect, delivering cathartic action violence with a sharp critique of masculine brutality.
But It's very much a genre exercise; if you've seen the template before, the familiarity of the revenge arc may feel predictable despite strong execution.

A Girl Walks Home Alone at Night2014
A vampire film shot in black-and-white that feels like a dream, transforming the bloodsucker into a feminist avenger in a decaying American landscape.
But Deliberately paced and dreamy to the point of alienation; if you want plot momentum or clarity, the visual poetry will feel like obstruction.

We Are Still Here2015
An intelligent haunted-house film that uses its premise to explore grief, rage, and class resentment, with genuinely unsettling practical effects and a committed cast.
But The final act veers into a different register than the atmospheric setup, and some will find the tonal shift jarring rather than bold.

In a Violent Nature2024
Both transform the body—here through violence and resurrection, there through modification—into an instrument of reclamation; both insist the 'monster' has a legitimate grievance.
A stunning found-footage slasher that inverts the POV, following the killer as protagonist through gorgeous Canadian wilderness. Technical mastery and a moral argument hiding in genre form.
But The gimmick—rooting for the slasher—only works if you accept the film's reframing; traditional slasher fans wanting heroes and heroines will find it alienating and pointless.

People
Cast
Katharine IsabelleMary Mason
Antonio CupoBilly Barker
Tristan RiskBeatress Johnson
David LovgrenDr. Grant
Paula LindbergRuby Realgirl
Clay St. ThomasDr. Walsh
John Emmet TracyDetective Dolor
Twan HollidayLance Delgreggo
Paul AnthonyRat
Nelson WongDr. Black- Travis WattersMr. Realgirl
- Marius SoskaDr. Janusz
Directing
- Jen SoskaDirector
- Sylvia SoskaDirector
- Brad JubenvilleFirst Assistant Director
- Lara FoxScript Supervisor
- Sara Irvine-EricksonSecond Assistant Director
Writing
- Jen SoskaWriter
- Sylvia SoskaWriter
Production
- Caterina ScrivanoAssociate Producer
- Ann ForryCasting
- Agnes SoskaCo-Executive Producer
- Marius SoskaCo-Executive Producer
- Jen SoskaCo-Producer
- Sylvia SoskaCo-Producer
- Kathryn GriffithsExecutive Producer
- Riaz TyabExecutive Producer
- Tom RaycoveExecutive Producer
- John WittmayerLocation Manager
- Evan TylorProducer
- John A. CurtisProducer
- Kent FabianProduction Coordinator
- Robyn WienerProduction Manager
- Kathryn GriffithsPublicist