Film

Amazon Women on the Moon

  • Parody
  • Light-hearted
  • Strange
  • Relentless

A wild sketch-comedy film disguised as late-night TV: a cheesy 1950s sci-fi movie interrupted by fake commercials, shorts, and specials. It's a glorified SNL episode from the pre-cable era, cynical about media and entertainment, anarchic in structure. For anyone who loves rapid-fire satire and doesn't mind when a joke completely misses.

TMDb rating3.0

Should you watch it?

Watch it if you love sketch-style comedy that jumps from one absurd bit to the next, where a fake commercial or a gag about TV clichés can be as funny as the main joke.

Skip it if you want a story that builds steadily, since this one is a loose run of uneven skits, and many of them land with a thud rather than a laugh.

What it asks of you: It runs about 84 minutes and moves in quick, restless bursts, so you need to be willing to shrug off the misses and keep switching channels in your head.

If you liked this

The Kentucky Fried Movie1977

The spiritual predecessor: sketch comedy pretending to be a movie, same anarchic energy, same "whatever sticks" approach to jokes. If you loved Amazon Women's chaos, this is where it came from.

But Deeply uneven. Some sketches are brilliant; others feel like they're testing your patience to see if you'll leave.

The Kentucky Fried Movie poster

Eating Raoul1982

Dark comedy that skewers media, consumerism, and sexual panic with the same gleeful offensiveness. Weird, specific, genuinely funny without being mean-spirited about it.

But The humour is extremely dry and the plot is deliberately thin. If you want narrative drive, you're watching the wrong film.

Eating Raoul poster

UHF1989

A feature-length sketch show about a pirate TV station, same DNA as Amazon Women but with a heart. Weird Al's best film, full of inspired lunacy that swings for the fences on every joke.

But It's silly in a very specific way. If you don't find Weird Al funny, nothing here will convert you.

UHF poster

Not sure tonight? Get a pick in a minute, starting from Amazon Women on the Moon

The wildcard

Something you would not have found on your own.

SCTV1976

Both are structured as fake television broadcasts satirizing entertainment itself. SCTV just commits more fully to the bit, letting absurdity breathe.

A sketch show that plays as real television. No host, no acknowledgement it's comedy—just weird shows, fake commercials, terrible talk shows. The full expression of what Amazon Women was trying to do, with 30 years of Canadian comedy brilliance behind it.

But TV sketch shows have pacing issues. Some bits die onstage. You have to be willing to sit with dead air, and modern viewers hate that.

SCTV poster
More like this (8)

The Groove Tube1974

The granddaddy of media satire. Fake TV broadcasts and commercials skewering 70s culture with genuine invention. Raw, weird, prophetic about what television would become.

But Feels genuinely dated now, and the satire is sometimes too specific to the moment. Harder to laugh at if you weren't there.

The Groove Tube poster

Dead Men Don't Wear Plaid1982

Carl Reiner's love letter to noir, made entirely as a parody. Densely packed with jokes, technically audacious, endlessly quotable. Smarter about its targets than most satire.

But It's in black and white by design, and the humour is often dry. Requires you to actually know noir to get half the gags.

Dead Men Don't Wear Plaid poster

Airplane!1980

Joke-per-second density with genuine wit underneath. Parody that loves what it's parodying, never feels mean. Structured chaos that actually lands most of the time.

But It's been imitated to death. If you've seen the knockoffs, Airplane! might feel less fresh than it deserves.

Airplane! poster

The Naked Gun: From the Files of Police Squad!1988

Same DNA as Airplane!, slightly tighter structure. Leslie Nielsen being absolutely committed to ridiculous material is a masterclass in comic performance.

But The parody target (cop movies) isn't as rich as airplane movies, and the formula gets thinner as it goes.

The Naked Gun: From the Files of Police Squad! poster

Pee-wee's Big Adventure1985

Tim Burton's fever dream of a road movie. Surreal, visually inventive, genuinely weird without trying too hard. Comedy that understands abstraction.

But Pee-wee Herman's persona is extremely specific and divisive. If he annoys you, nothing about this film will fix that.

Pee-wee's Big Adventure poster

Coming Soon1999

A late-90s satire of media, celebrity, and absurdity that's surprisingly sharp. Features the same sketch-show energy but with a plot tying it together. Often overlooked.

But The 90s references are dated, and the satire sometimes feels more exhausted than inventive. Distinctly of its moment in ways that don't age well.

Coming Soon poster

The Liquidator1965

Both films skewer entertainment and media through rapid-fire parody, but Liquidator does it in color through spy-movie tropes instead of sci-fi and TV format. A different era, same comedic impulse.

A British spy-comedy spoof made during peak 60s mod culture. The same DNA of parody-through-pastiche, but from an era when satire was still figuring out how to exist. Wildly inventive visually, genuinely hilarious.

But British 60s comedy is a very acquired taste. The humour is oblique, the pacing is weird by modern standards, and the cultural references are extremely specific.

The Liquidator poster

Dim Sum: A Little Bit of Heart1985

Both are films about regular life filtered through entertainment language. Amazon Women uses chaos and fake-TV to skewer media; Dim Sum uses intimacy to celebrate the mundane. Inverse approaches to finding humor in the everyday.

A genuinely warm family comedy about a San Francisco Chinese-American family. No sketch structure, no satire—just character, observation, specificity. A palate cleanser that proves comedy doesn't need to be chaotic to work.

But Quiet, grounded, deeply unglamorous. If you're craving the anarchic energy, this is the opposite direction entirely.

Dim Sum: A Little Bit of Heart poster

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