Film
After the Sunset
A sun-soaked heist comedy where Pierce Brosnan and Salma Hayek play retired thieves living in the Bahamas, tempted by one final score while an FBI agent circles. Charming, lightweight, and unapologetically fun—a film that knows exactly what it is and doesn't pretend to be more.
Should you watch it?
Watch it if you want a light, glossy caper where the fun is watching seasoned rogues banter and bluff their way through a con, with a playful cat-and-mouse game against the lawman on their heels.
Skip it if you need taut, relentless thrills, since this is a loose, chatty affair that lets its heist simmer and leans on its stars' easy chemistry more than on suspense.
What it asks of you: Settle in for a relaxed, unhurried watch of under two hours, where the story lingers on banter and scheming before the pieces click into place.
Not sure? Find tonight's pick in a minute.
If you liked this
Ocean's Eleven2001
The gold standard: a heist film that balances clever plotting with genuine charisma. A large ensemble pulls off something audacious while clearly having a blast doing it.
But Nearly two decades old now, and its slickness can feel dated. Some find the constant winking at the audience exhausting.

Romancing the Stone1984
Adventure, romance, and comedy in exotic locales with real chemistry between leads. It's brisk, unpretentious, and proves that smart fun doesn't require cynicism.
But The gender politics haven't aged perfectly. Some action beats feel a bit creaky by modern standards.

The Pink Panther2006
Steve Martin as a bumbling detective with genuine heart beneath the slapstick. A heist-adjacent caper that prioritizes character and charm over plot mechanics.
But Heavy reliance on physical comedy that won't land for everyone. The film's sweetness can feel saccharine if you're in the wrong mood.

Not sure tonight? Get a pick in a minute, starting from After the Sunset
The wildcard
Something you would not have found on your own.
The Bellboy1960
Same playful con-artist energy and same sun-soaked tropical setting, but Lewis gets at the anarchic joy of the premise where Sunset plays it safe.
Jerry Lewis's only directorial effort: a wordless physical comedy-thriller set in a Miami Beach hotel where nothing is quite what it seems. Pure cinema, playful and inventive.
But Completely silent except for music. Jerry Lewis's physical comedy is hilarious or irritating depending on your tolerance—there's no middle ground.

More like this (7)
The Thomas Crown Affair1999
Suave art-heist film with Pierce Brosnan (same lead, different flavor) and Rene Russo with genuine chemistry. Stylish, sexy, and cleverly plotted.
But Dated '90s visual style and a few clunky twists. The tone can wobble between sophisticated and overwrought.

Entrapment1999
Sean Connery and Catherine Zeta-Jones on a globe-trotting heist. Old-fashioned adventure film with strong leads and locations that feel genuinely exotic.
But The plot is paper-thin and the big twist doesn't hold up. Feels more interested in looking cool than making coherent sense.

Gambit2012
Colin Firth and Cameron Diaz in a breezy con-artist film that plays like a magic trick. Fast, funny, and remarkably clever for something so light.
But The humor is extremely British and verbal—broad comedy fans may find it too arch. The ending lands differently depending on taste.

The Whole Nine Yards2000
Bruce Willis and Matthew Perry in a crime-comedy hybrid with genuine warmth and surprising depth. Funny without winking, character-driven without being heavy.
But Dark humor involving actual violence—the tone balance isn't for everyone. Some find the premise uncomfortable.

Going in Style2017
Michael Caine, Alan Arkin, and Morgan Freeman rob a bank. The specificity of these three actors doing a heist is worth the price of admission alone.
But Feels more like a sitcom than a proper heist film. The plot mechanics don't bear scrutiny and the action is perfunctory.

Sexy Beast2001
The mirror image: where After the Sunset indulges the dream of guilt-free retirement with a final score, Sexy Beast reveals what happens when that dream is real and the cost of living it.
Ben Kingsley as a terrifying crime boss who disrupts Ray Winstone's idyllic life in Spain. A brutal, thrilling deconstruction of the retired-crook fantasy that explores why it never works.
But Shocking violence and sexual content. The tone is bleak and punishing—the opposite of fun or escapist entertainment.

A Woman Is a Woman1961
Both are about commitment tested by temptation, but Godard works in color and song rather than action, finding the same emotional truth in romance rather than heist mechanics.
Godard's musical comedy about desire and deception in Paris. Bold color, bright artifice, characters who sing their feelings. Light as air but obsessed with real questions about fidelity and want.
But Subtitled French New Wave film from 1961. If you want plot and narrative momentum, look elsewhere—this is pure mood and style.

People
Cast
Pierce BrosnanMax Burdett
Salma Hayek PinaultLola Cirillo
Woody HarrelsonStan Lloyd
Don CheadleHenri Mooré
Naomie HarrisSophie
Troy GarityLuc
Russell HornsbyJean-Paul
Rex LinnAgent Kowalski
Michael BowenFBI Driver
Mark MosesLakers FBI Agent
Obba BabatundéZacharias
Jeff GarlinRon
Directing
- Brett RatnerDirector
- James M. FreitagFirst Assistant Director
- Bac DeLormeSecond Assistant Director
- Jonathan McGarrySecond Assistant Director
- Conrad E. PalmisanoSecond Unit Director
Writing
- Craig RosenbergScreenplay
- Paul ZbyszewskiScreenplay
- Paul ZbyszewskiStory
Production
- Chris PollackAssociate Producer
- Keith GoldbergAssociate Producer
- Victoria ThomasCasting Director
- Jody LevinExecutive In Charge Of Post Production
- Erik HolmbergExecutive In Charge Of Production
- Kent AltermanExecutive Producer
- Patrick J. PalmerExecutive Producer
- Toby EmmerichExecutive Producer
- Alissa FergusonProducer
- Beau FlynnProducer
- James M. FreitagProducer
- Jay SternProducer
- Tripp VinsonProducer
- Dana BelcastroProduction Executive
- Patrick J. PalmerUnit Production Manager
- Steven P. SaetaUnit Production Manager