Television series
Whose Line Is It Anyway?
Other titles called Whose Line Is It Anyway?: the 1998 series (The CW).
- Comedy
- Light-hearted
- Relentless
- Dip in and out
A British improvisation show where four comedians play absurdist games with no script, no net, and Clive Anderson presiding with cheerful bias. It's fast, clever, and dizzyingly fun—built on the principle that constraint breeds creativity. For anyone who loves comedy that lives in the moment.
Should you watch it?
Watch it if you enjoy watching quick minds build scenes from nothing and find delight in the small, silly accidents that happen when performers commit to a bad idea with total sincerity.
Skip it if you want a story that builds, characters you can follow across episodes, or a steady run of jokes; the appeal here is in the moment-to-moment play, which can feel loose.
What it asks of you: Each half-hour episode is a loose run of short games, so you can dip in anywhere, but the laughs come from attention to timing rather than from following a plot.
Not sure? Find tonight's pick in a minute.
If you liked this
Mock the Week2005
Fast-paced improv panel show with topical jokes and recurring games that reward sharp comedic instincts. The speed and format create genuine spontaneity, though the material lands harder than Whose Line.
But Heavily news-focused means jokes age quickly. Feels more cynical than anarchic, and the game structure is less inventive overall.

8 Out of 10 Cats Does Countdown2012
Takes the framework of Countdown and weaponises it for comedy. Jon Richardson and Sean Lock create a perfect dynamic, and watching comedians scramble with words is endlessly entertaining.
But British panel show in-jokes can feel impenetrable to newcomers. Depends heavily on a core group of regulars, so less variety than you might want.

Would I Lie to You?2007
Deceptively brilliant improv format where comedians bluff their way through stories. Rob Brydon and Lee Mack's chemistry is legendary, and the comedy emerges naturally from the game itself.
But Slower pace than Whose Line; some stories fall flat. The format is simpler, so it relies entirely on panellist chemistry and charm.

Not sure tonight? Get a pick in a minute, starting from Whose Line Is It Anyway?
The wildcard
Something you would not have found on your own.
I Think You Should Leave with Tim Robinson2019
Both celebrate comedians' ability to riff and follow ideas into chaos. Both use format freedom to find comedy in the spaces between structure.
Sketch show where Robinson improvises wildly embarrassing situations with genuine emotional stakes. It's Whose Line's anarchic DNA but weaponised for absurdist cringe-comedy that somehow lands as both hilarious and painful.
But Deeply uncomfortable; the comedy comes from secondhand embarrassment and social breakdown. Not reliably funny—some sketches feel gratuitously strange.

More like this (5)
The Hitchhiker's Guide to the Galaxy1981
Absurdist sci-fi comedy with the same anarchic energy and willingness to follow jokes anywhere, no matter how weird. Douglas Adams' writing is pure cleverness meeting silliness in perfect balance.
But Dated effects and pacing; feels like a curiosity piece rather than a finished show. The humour is very word-based and can feel precious.

Never Mind the Buzzcocks1996
Music panel show where the games matter less than the personalities sparring. Mark Lamarr's hosting and the panellists' off-the-cuff remarks create genuine spontaneous comedy.
But Deeply rooted in '90s music culture. Recent revival felt forced. Format is paper-thin; it survives entirely on host and panellist charisma.

QI2003
Stephen Fry's erudition collides with comedians' improvisation, creating moments of genuine surprise and delight. The show rewards quick thinking and lateral thought in ways that feel fresh.
But Fry's dominance means less space for the comedians to breathe. Becomes repetitive; the gimmick of 'interesting facts' wears thin after a few seasons.

Taskmaster2015
Absurdist task-based comedy where five comedians compete at deliberately ridiculous challenges. Greg Davies is a superb host, and the format consistently generates genuinely surprising moments.
But Sketch-like structure means less improvisation—more about prepared chaos. Tasks can be uneven; some feel like filler between the genuinely clever ones.

Have I Got News for You1990
Topical panel show that prizes quick wit and riffing above all else. Paul Merton and Ian Hislop's dynamic is comedy gold, and the format gives space for tangential brilliance.
But News-dependency makes it age poorly. Heavy reliance on panellist recognition; lacks the structural support Whose Line provides. Can feel smug.

People
Cast
Clive AndersonHost
Writing
- Dan PattersonCreator
Production
- Dan PattersonExecutive Producer
Recommended by
Taskmaster, Rowan & Martin's Laugh-In, The Carol Burnett Show, Your Show of Shows, Late Night with Jimmy Fallon, You Bet Your Life, Hypothetical, Mock the Week, Ask Us Anything, Celebrity Juice, Spicks and Specks, Hollywood Squares, @midnight, The 11 O'Clock Show