Television series
Wayne
Wayne is a scrappy, earnest comedy-action series about a blue-collar teenager and his girlfriend tearing across America in a beat-up car to retrieve a stolen vehicle. It's *Natural Born Killers* meets *Daria*—funny, kindhearted, genuinely tense, and unconcerned with polish. For people who like their heroes broke and their dialogue smart.
If you liked this
Daria1997
Sharp-witted dialogue, a misfit couple navigating the world together, and a genuine affection for flawed characters. Daria and Jodie's dry observation of chaos feels kindred to Wayne and Del's competent anarchy.
But Animated high school comedy from the '90s; the aesthetic takes adjustment, and the pacing is deliberately deadpan rather than kinetic.
Manifest2018
A show that commits completely to its premise and doesn't blink, even when things get weird. Wayne has that same stubborn sincerity—it believes in itself even when circumstances are absurd.
But Mainstream mystery-drama that became convoluted; if you need airtight plot logic, this will frustrate you.
Fleabag2016
A chaotic protagonist who breaks the fourth wall and breaks every social rule, but you root for her anyway. The balance of humor and genuine stakes mirrors Wayne's best moments.
But Much darker and lonelier in tone; Fleabag's emotional devastation doesn't lighten the way Wayne's does, which some find depressing rather than cathartic.
Not sure tonight? Get a pick in a minute, starting from Wayne
The wildcard
Something you would not have found on your own.
Hacks2021
Both center on mismatched pairs whose love for each other is the only solid thing in a collapsing world. Both find comedy in people who are too stubborn to quit.
A scrappy protagonist and a cantankerous mentor who genuinely need each other, bound by loyalty and shared refusal to quit. Funny and wounding in equal measure, and the city keeps trying to kill their hope.
But The humor is often cruel—it celebrates people behaving badly as long as they're clever about it. If you need characters to learn lessons, the moral compass spins.
More like this (7)
Bumblebee2018
An action-comedy with real heart underneath. A scrappy hero, a loyal sidekick, low stakes that somehow feel urgent, and actual character growth without sacrificing fun.
But Superhero prequel; if you have no patience for the broader universe, the references feel like fan service rather than story.
Attack the Block2011
Young, broke South London teenagers face down aliens with improvised weapons and unshakeable loyalty. Funny, thrilling, and genuinely fond of its characters despite their rough edges.
But Thick British accents and street dialect; some viewers find it difficult to parse, and the B-movie premise is deliberately low-budget.
Kim's Convenience2016
Comedy about family, class, and small-business struggle that finds laugh-out-loud moments in real hardship. Warm without being sappy, specific without being precious.
But Gentle, character-driven sitcom rhythm; if you want constant jokes or high stakes, it plays quieter than that.
The Righteous Gemstones2019
Danny McBride's chaos-agent energy applied to a family constantly one crisis away from ruin. Violent, funny, messy, and completely committed to its characters' ridiculousness.
But Profane and chaotic to the point of sensory overload; the crude humor and constant shouting exhaust some viewers.
Thunderbolt and Lightfoot1974
Clint Eastwood and Jeff Bridges as an unlikely duo on a criminal road trip. Vintage '70s action-comedy with genuine affection between the leads that predates the whole genre.
But A heist film from 1974; if you need modern pacing and clarity, the slow-burn setup and period style feel sluggish.
Grave of the Fireflies1988
Both understand that loyalty between two people can be the entire story. Both treat that bond as simultaneously the most ordinary and most sacred thing.
Animated, but devastating. Two siblings on a devastating journey, holding onto each other and small joys while the world burns. A masterpiece about love sustaining people through impossible circumstances.
But This is war film that treats death seriously. It's beautiful and it will break you. Not an evening watch; a commitment.
Terminal2018
Both are road movies (one literal, one metaphorical) where the destination matters less than the person sitting next to you. Both believe ordinary people are enough.
Tom Hanks trapped in an airport, speaking no English, befriending a young woman, solving small problems with ingenuity and heart. Whimsical and odd, but genuinely moving about making a life in impossible spaces.
But Deeply strange tone, neither funny nor dramatic but somewhere unsettling between them. Polarizing; many find it precious or meandering.
People
Cast
Writing
- Shawn SimmonsCreator
Production
- Gwenn Smith-RobsonAssociate Producer
- Sarah Jane CunninghamCo-Executive Producer
- Suzie V. FreemanCo-Executive Producer
- Lauren HousemanCo-Producer
- Greg CoolidgeExecutive Producer
- Iain B. MacDonaldExecutive Producer
- Kirk WardExecutive Producer
- Paul WernickExecutive Producer
- Rhett ReeseExecutive Producer
- Shawn SimmonsExecutive Producer
- Daniel HankProducer
- John RyanProducer