Television series
United States of Tara
United States of Tara is Diablo Cody's half-hour family dramedy about a suburban mother with dissociative identity disorder, and the alters — teenage rebel, biker dad, prim homemaker — who take the wheel when things get too hard. Toni Collette shape-shifts scene to scene, funny and frightening at once. It's for people who want their comfort-viewing to have real teeth in it.
If you liked this
Weeds2005
Another suburban parent hiding a wild second life from the neighbours, played for pitch-black laughs. Mary-Louise Parker's Nancy is just as compelling and just as impossible to root for cleanly as Tara.
But The tone drifts increasingly toward crime-caper as seasons go on, losing some of the domestic intimacy that hooked you.

Shameless2011
Six kids raising themselves under one unreliable, magnetic parent — the same mix of grubby comedy and genuine heartbreak, stretched across eleven seasons and a much bigger, louder family.
But It runs long and the later seasons wear thin; commit and you're in for years, not weeks.

Nurse Jackie2009
Edie Falco plays a woman running an entire second self nobody at home fully sees, compartmentalising a hidden life scene by scene with the same wit and dread.
But The addiction storyline can feel repetitive by mid-series, circling the same relapse beats.

The wildcard
Something you would not have found on your own.
The Three Faces of Eve1957
Same condition, treated as tragic case study rather than domestic comedy — this is where the whole idea of 'alters' as dramatic device actually started.
The film that put dissociative identity disorder into the popular imagination decades before Tara, with Joanne Woodward's Oscar-winning performance switching between three distinct women in real time — still genuinely astonishing.
But Clinical, dated in its psychiatry and its gender politics, and entirely without Tara's humour — a serious, sometimes stiff 1950s message picture.

More like this (8)
Six Feet Under2001
The gold standard for a family dramedy that takes death, grief and dysfunction seriously while still being wickedly funny. If Tara's tonal balancing act appealed, this invented the balance.
But Slower and more melancholic than Tara — it wants you to sit in discomfort rather than laugh your way out of it.

Enlightened2011
Laura Dern is magnificent as a woman trying to become a better version of herself in real time, cringe-comedy and genuine tenderness fused together the way Tara's alters fuse into one household.
But Only two short seasons and a slow, meditative pace — it asks for patience Tara never does.

Transparent2014
A family reorganising itself around a parent's hidden self coming forward, with the same generous, non-judgmental eye on everyone who has to adjust.
But More overtly political and less plot-driven; some episodes prioritise mood over momentum.

Crazy Ex-Girlfriend2015
A mental-health condition treated with real clinical seriousness underneath the jokes and the show-stopping musical numbers — daring in exactly the way Tara is daring.
But The musical format is a hard sell if you don't like people breaking into song mid-scene.

Orange Is the New Black2013
A big ensemble mixing comedy and real pain, constantly rotating who gets to be the centre of attention — the group-alter structure of Tara's household, scaled up to a prison.
But Less focused on one character's inner life; the ensemble sprawl means less time with any single relationship.

Big Little Lies2017
Suburban mothers, immaculate surfaces, and the violence and secrecy underneath them — a much glossier, starrier take on the gap between how a family looks and what's actually happening inside it.
But Considerably darker and more expensive-looking; the wit is drier and there's none of Tara's warmth.

Crazy, Not Insane2020no page yet
It's the non-fiction spine of Tara's premise: real case histories of alters forming to survive trauma, minus any of the show's warmth or jokes.
Alex Gibney's documentary follows a real forensic psychiatrist who spent decades arguing that dissociated identities can form in response to childhood trauma — the theory underneath Tara's comedy, laid out as unsettling fact.
But It's a documentary about killers and courtroom testimony, not a family — bleak, procedural, and a genuine tonal gear-change from anything comic.
Hereditary2018
Same actress playing the same basic nightmare — a mother whose selfhood fractures and endangers the family around her — reimagined in the most extreme register possible.
Toni Collette again playing a mother whose family is being taken over by something inside her she can't fully control — except here it's supernatural horror, and there is no laughing your way out of it.
But Genuinely terrifying and bleak where Tara is warm; go in knowing this is horror cinema at its most merciless, not a cousin sitcom.

People
Cast
Writing
- Diablo CodyCreator
Production
- Jonathan TalbertAssociate Producer
- Steven MesnerAssociate Producer
- Brett BaerCo-Executive Producer
- Dave FinkelCo-Executive Producer
- Rolin JonesCo-Executive Producer
- Toni ColletteCo-Executive Producer
- Lisa VinnecourCo-Producer
- Richard T. SchorCo-Producer
- Craig GillespieConsulting Producer
- Craig WrightConsulting Producer
- Jill SolowayConsulting Producer
- Alexa JungeExecutive Producer
- Brett BaerExecutive Producer
- Craig ZiskExecutive Producer
- Darryl FrankExecutive Producer
- Dave FinkelExecutive Producer
- Diablo CodyExecutive Producer
- Jill SolowayExecutive Producer
- Justin FalveyExecutive Producer
- Steven SpielbergExecutive Producer
- Dan KaplowProducer
- Brett BaerSupervising Producer
- Dave FinkelSupervising Producer
- Elizabeth BenjaminSupervising Producer
- Ron FitzgeraldSupervising Producer