Television series
She Spies
- Spy action
- Light-hearted
A 2002 syndicated spy romp where three ex-con women are drafted into covert ops for the government. It's high-energy, cheerfully absurd action-comedy that doesn't take itself seriously for a second—think *Charlie's Angels* filtered through a Saturday morning cartoon sensibility. Made for people who want their espionage served silly and their heroes scrappy.
If you liked this
Alias2001
Spy thrills with real emotional stakes and a charismatic lead discovering her entire life was a lie. Complex mythology, genuine character arcs, and excellent action sequences that actually matter to the story.
But It's serialized and demands commitment across five seasons. If you're after breezy fun without narrative threads to follow, this gets increasingly dark and labyrinthine.

Totally Spies!
Animated French-American spy comedy about three teenage girls on missions. Exactly the same playful tone and humor as *She Spies*, with actual chemistry between the leads and genuinely inventive spy-gadget scenarios.
But It's aimed at kids, so the stakes never feel real. Some of the 2000s pop-culture references have dated badly. Only 26 minutes per episode means less time to sink in.
Charlie's Angels2000
The DNA is all here: three capable women, ridiculous action choreography played for laughs, and a vibe that refuses to apologize for being fun. Glossy, energetic, and absolutely committed to its own absurdity.
But The humor is broad and the plotting is tissue-thin. If you want character depth or coherent story logic, you'll be frustrated within twenty minutes.

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The wildcard
Something you would not have found on your own.
Barbarella1968
Both are female-led action-comedies that celebrate spectacle and humor over plausibility, with heroines who are competent, confident, and never played as objects of mockery. Both refuse to apologize for being entertaining over meaningful.
Jane Fonda in a space-age adventure-comedy that invented the template *She Spies* would follow: impossibly beautiful woman, preposterous sci-fi plots, gleeful sexuality, and action sequences played as pure spectacle. Campy without being ironic.
But The 60s aesthetic and sexual politics feel genuinely dated now. It's deliberately silly in a way that requires patience—if you're not committed to that register, it's just embarrassing.

More like this (8)
Dark Angel2000
Jessica Alba as a genetically enhanced ex-con hiding in Seattle, balancing espionage work with ordinary life. Smart sci-fi backbone, great action, and a world that feels lived-in despite the high concept.
But Cancelled after two seasons on a cliffhanger. The mythology sometimes collapses under its own weight, and the show got more serious as it went on, losing some of its early charm.

The Librarians2014
A group of misfits recruited to protect magical artifacts and save the world. Tone-deaf humor, affectionate chaos, and an almost *She Spies*-like willingness to be ridiculous while still delivering adventure and heart.
But The humor doesn't always land and leans hard on anachronistic pop-culture references. The first season especially feels like it's still finding its feet.

Baywatch1989
Three seasons of pure 90s adventure-comedy energy before it became a global phenomenon. Gorgeous people in implausible situations, sincere action mixed with genuine humor, and the kind of charm that made it a worldwide obsession.
But The production values haven't aged gracefully and the show is deeply of its era. Rewatching as an adult, some of the dated attitudes come into sharp focus.

Zapped!1982
Scott Baio discovers psychic powers and uses them for college shenanigans and adventure. Lighthearted 80s action-comedy that shares *She Spies*' refusal to take itself seriously and commitment to pure entertainment.
But Deeply dated special effects and comedy sensibilities. The plot is thin even by 80s standards and it's hard to stay engaged if you're looking for substance.

Agent Cody Banks2003
Frankie Muniz as a teenage CIA operative. Spy-comedy action made for a younger audience, but genuinely funny, well-choreographed, and full of the same kind of scrappy charm that defines *She Spies*.
But It's fundamentally a kids' movie, so the intelligence level never ventures beyond that ceiling. The plot is predictable and the antagonists are paper-thin.

Undercover Brother2002
A parody spy film from the same era with the same comedic DNA: absurd plots, game cast, action sequences played for laughs. Smart enough to know what it's doing but silly enough to just have fun doing it.
But The humor relies heavily on 70s blaxploitation references that don't all land. The story is slight and it's more sketch-comedy energy than coherent narrative.

Xena: Warrior Princess1995
Both are syndicated adventure shows built on chemistry between female leads, both balance humor and action without cynicism, and both got better as they found their voice. *Xena* proved that a cheap, silly show could also be genuinely smart.
Lucy Lawless as a reformed warlord doing good deeds with her best friend Gabrielle. Syndicated action-adventure that blends genuine mythology with campy humor, earnest character bonds, and production ingenuity that punches way above its means. Unexpectedly moving.
But The early seasons are rough around the edges and the tone whipsaw between serious drama and slapstick is jarring. You need to accept deliberately cheap effects and overwrought sword-fighting as part of the charm.

Red Sonja1985
Like *She Spies*, it's a female action hero in an unserious vehicle—but *Red Sonja* does this in grimy fantasy instead of contemporary espionage. Both prove that Hollywood was willing to greenlight women-led action adventure, even when the scripts were thin.
Brigitte Nielsen as a warrior princess in a high-fantasy action-adventure. Gloriously trashy 80s sword-and-sorcery that wears its B-movie heart proudly. Arnold Schwarzenegger as comic relief. Pure genre entertainment executed with commitment.
But The dialogue is stilted, the plot is negligible, and the special effects are unconvincing even by 1985 standards. It's only fun if you're willing to embrace its complete lack of sophistication.

People
Cast
Writing
- Craig Van SickleCreator
- Joe LevecchiCreator
- Steven Long MitchellCreator
- Vince ManzeCreator
Production
- Jack BernsteinCo-Executive Producer
- Jeff RenoConsulting Producer
- Ron OsbornConsulting Producer
- Joe LevecchiExecutive Producer
- Vince ManzeExecutive Producer
- André NemecProducer
- David CallowayProducer
- Josh AppelbaumProducer
- Mark M. DodsonProducer