Television series

Requiem

Name: Requiem
Genre: Drama, Thriller, Mystery
Released: 2018
Cast: Lydia Wilson, Joel Fry, James Frecheville, Tara Fitzgerald, Richard Harrington

Other titles called Requiem: the 2006 film.

A woman inherits her mother's death and discovers nothing she was told about her own identity is true. Requiem braids psychological mystery with the unsettling possibility of something genuinely supernatural—but it refuses to confirm which. Hypnotic, eerie, and built on the dread of not-knowing. For viewers who want unease over answers.

TVMaze rating

3.6

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The Fall2013

A psychological cat-and-mouse between investigator and suspect, built on atmosphere and moral ambiguity. Like Requiem, it trusts the space between what you see and what you understand. Darkly compelling.

But The pacing is deliberate to the point of glacial, and some find the constant tonal shifts between procedure and psychology exhausting.

MINDHUNTER2017

Two seasons of meticulous, obsessive investigation into the psychology of criminals. It shares Requiem's fascination with how deeply a person can be wrong about themselves and others. Intellectually gripping.

But It's slower than its premise suggests, and the character work sometimes overshadows narrative momentum. Also now feels abandoned after the creator stepped back.

Broadchurch2013

A small-town murder where everyone might be guilty and truth becomes mud. Like Requiem, it understands that the mystery matters less than watching certainty crack. Brilliantly tense.

But The first season is masterful; the sequels diminish the impact. If you watch all three, the law of diminishing returns applies hard.

Not sure tonight? Get a pick in a minute, starting from Requiem

The wildcard

Something you would not have found on your own.

We Need to Talk About Kevin2011

Both use fractured storytelling and inherited shame to question whether identity is something we own or something done to us.

A mother interrogates her own culpability and identity after her son commits atrocity. Like Requiem, it uses non-linear narrative to ask: how well do we know anyone, and what does it mean to inherit their sins? Haunting and disorienting.

But It's intentionally fragmented and difficult, with a central act of violence that's genuinely hard to watch. Toni Collette's grief is so raw it becomes almost unbearable.

Penny Dreadful2014

Gothic, literary, and genuinely weird—it builds dread through atmosphere and suggestion rather than jump-scares. Shares Requiem's willingness to leave the supernatural deliberately unresolved. Darkly beautiful.

But The middle season meanders, and some episodes prioritize style over coherence. It's also more operatic than Requiem, which won't suit everyone.

The Haunting of Hill House2018

A family's trauma and a house's strangeness blur together. Like Requiem, it asks whether horror is external or internal—and refuses to choose. Emotionally devastating.

But The supernatural elements eventually tip toward the concrete in ways Requiem never does. Some viewers find the sentimentality overwhelming.

The Invisible Man2020

Psychological terror from someone you can't see. Like Requiem, it turns the supernatural into a tool for exploring paranoia, control, and identity. Tautly done.

But The social-commentary subtext is heavy-handed at times, and the third act becomes more conventional thriller than psychological study.

The Night House2021

A widow in a modernist house haunted by possibility. Shares Requiem's ambiguity about whether the strangeness is grief or something actual. Beautifully unsettling.

But It's a one-woman character piece disguised as a ghost story. Demanding role, minimal plot—needs patient viewing and emotional investment.

Ozark2017

A marriage and identity shredded by circumstances. While more crime-focused than Requiem, it shares the same fascination with how quickly people become strangers to themselves.

But It runs four seasons and the quality flattens considerably. The finale is divisive, and the middle half sags under its own weight.

A Dark Song2016

Both use isolation and ritual to explore grief and the possibility that we're not who we think we are—without ever confirming what's real.

A woman and an occultist perform a months-long ritual in a house. Experimental, hypnotic, supernatural without special effects. It builds the same sense of something-is-happening-and-we-don't-understand-it that Requiem sustains.

But The pacing is glacial, dialogue is sparse, and nothing is explained. Long stretches feel like watching someone sit in silence. Only for viewers comfortable with metaphysical mystery over plot.

Les Invisibles2012

Both examine how identity becomes something imposed and hidden—and how survival sometimes means forgetting who you were, a wound that never fully closes.

A French documentary of a 1944 safe house for Jewish children during the Nazi occupation. No thriller machinery, but it has Requiem's obsession with hidden identity, inherited trauma, and the weight of secrets. Devastating.

But It's a documentary, not narrative drama—some find the interview format less immediate than fiction. Also brutally heavy subject matter with no catharsis.