Television series
Our House
- Thriller
- Missing-person mystery
- Crime
- Very dark
A four-part thriller where a woman returns home to find strangers occupying her house and her husband vanished. Tightly wound and propulsive, *Our House* fractures a marriage and a mystery across parallel timelines, demanding you piece together who did what and why. For viewers who like their twists earned and their tension sustained.
Should you watch it?
Watch it if you like domestic thrillers that tighten slowly around one ordinary home, where the dread comes from a familiar kitchen turned strange rather than from car chases.
Skip it if you need a slow-burn mystery that trusts its silences, since this is brisk, plot-first television that prefers momentum to subtlety and a few stretches feel more contrived than convincing.
What it asks of you: Four episodes of roughly forty-six minutes each make this a single evening's commitment. The pace is quick and the tension rarely lets up, so give it full attention.
Not sure? Find tonight's pick in a minute.
If you liked this
The Fall2013
Stella Gibson versus a serial killer in Belfast, but it's really about two brilliant people circling each other across 14 episodes. Tense, methodical, morally complicated—and Cillian Murphy is hypnotic.
But The pacing is deliberate rather than fast, and it sometimes lets the camera linger on violence in ways that can feel gratuitous.

Liar2017
A woman accuses a man of assault; he denies it. A six-part structure that keeps flipping your certainty about who's lying. Excellent use of ambiguity as a weapon rather than a cop-out.
But Some viewers find the moral murkiness frustrating rather than compelling, especially in the second season.

Bodyguard2018
Six episodes of immaculate tension: a war veteran becomes a bodyguard to a controversial politician. Jed Mercurio understands how to escalate without ever feeling manipulative. Genuinely thrilling.
But The finale divides people sharply. Some find it brilliant; others feel it cheats on the setup.

Not sure tonight? Get a pick in a minute, starting from Our House
The wildcard
Something you would not have found on your own.
The Trap2023
Both pivot on a marriage fractured by a crime, but where *Our House* gradually reveals what happened, *The Trap* suggests the truth might not exist at all. Same architecture, inverted philosophy.
Josh O'Connor and Ceri Kaye play a woman and man who may or may not be telling the truth about their relationship. A ten-part puzzle told through fragmented narration, CCTV footage, and testimony. It's about the unreliability of memory and perspective—morally vertiginous in ways *Our House* only hints at.
But The format is deliberately disorienting and refuses to hold your hand. If you want clarity, this actively resists it.

More like this (8)
Deep Water2016
A troubled marriage implodes across eight episodes with genuine moral complexity. Both partners are likeable and awful in turn. Quietly devastating and very British in its restraint.
But Nothing explosive happens. If you want plot fireworks rather than character erosion, you'll find it slow.

Sherlock2010
Three-part seasons that treat crime-solving like a puzzle box. Clever without being smug, and the relationship between the two leads does genuine work beneath the mystery scaffolding.
But Later seasons feel overstuffed, and the show sometimes loves its own cleverness more than its story.

The Night Manager2016
A former soldier pursues an arms dealer through Europe. Six episodes of Le Carré adaptation with Tom Hiddleston and Olivia Colman. Gorgeous cinematography married to real stakes.
But It's more stylish than urgent at times, and the plot unfolds at a measured pace that isn't for everyone.

Happy Valley2014
A Yorkshire sergeant hunts a killer while managing her own fractured family. Sarah Lancashire is extraordinary. Tense, funny, human—it juggles multiple storylines without dropping a single one.
But The violence is visceral and some viewers find the tone's shifts between dark comedy and brutality jarring.

Broadchurch2013
A child is murdered in a small village; two detectives tear through secrets to find the killer. Seven episodes of increasing claustrophobia. Each suspect feels genuinely possible until they don't.
But The twist ending frustrates some viewers as unsatisfying, and the tone can feel suffocating rather than suspenseful.

MINDHUNTER2017
Two FBI agents invent profiling by interviewing serial killers in the 1970s. Slow-burn character study wrapped in true-crime atmosphere. Methodical and mesmerizing in its own way.
But It's cerebral rather than action-driven, and the lack of traditional plot momentum will bore viewers wanting faster payoffs.

Goodnight Mommy2015
Both use the domestic space as a trap and exploit the gap between what characters know and what viewers suspect. The family home becomes unknowable, and everyone inside it becomes suspect.
An Austrian horror film about two boys whose mother returns from facial surgery changed—or is she? Visually stunning and genuinely unsettling. It builds dread through atmosphere rather than jump scares, and the twist is earned through meticulous detail.
But It's in German, deliberately paced, and contains images of body horror that linger uncomfortably. Not a comfort watch.

You're Next2013
Both weaponize the idea of the home as a space where danger is intimate rather than external. In *Our House* the threat arrives disguised; here it arrives unmasked but unstoppable. Same anxiety, different direction.
A masked killer infiltrates a family home and discovers his victim is far more resourceful than anticipated. It wears the costume of a home invasion film but is genuinely funny beneath the carnage. Smart, propulsive, and doesn't waste a frame.
But It's a gorefest dressed as a thriller, so if you're squeamish, the violence is frequent and explicit. Some find the tonal shifts between horror and comedy jarring.

People
Cast
Writing
- Simon AshdownCreator
Production
- Belinda CampbellExecutive Producer
- Tom MullensProducer