Television series
Made in Heaven
Other titles called Made in Heaven: the 1987 film.
Made in Heaven uses Delhi's luxury wedding industry as a lens on contemporary Indian life, where old traditions collide violently with modern desires. It's sharp, unflinching drama about class, gender, and the lies we tell ourselves. For anyone interested in how societies actually work beneath their surfaces.
Should you watch it?
Watch it if you like social satire wrapped in lavish wedding spectacle, where the glitter works as a lens on the hypocrisies underneath, and you're happy to settle into slow-building character work to get there.
Skip it if you want breezy romance, because the frothy surface gives way quickly to heavy material like dowry demands and virginity testing.
What it asks of you: Sixteen episodes of about an hour across two seasons make for a real commitment, and the pace is unhurried, letting class and family pressure build quietly rather than in bursts.
Not sure? Find tonight's pick in a minute.
If you liked this
Delhi Crime2019
A meticulous procedural about a real crime that cuts to the heart of power, corruption, and complicity in modern Delhi. Shares Made in Heaven's unflinching look at the city's brutal realities.
But Slower-paced than most crime shows, and deeply uncomfortable. Not here to entertain you.
The Newsroom2012
Idealistic professionals navigate institutional rot and personal contradiction. Both shows trust their audience to follow complex moral questions without easy answers or resolutions.
But The dialogue can feel overly written, and the show is occasionally more interested in being right than being true.
Scandal2012
Glamorous surfaces concealing betrayal, power games, and moral compromise. Both shows understand that wealth and status don't solve human problems—they amplify them.
But Scandal leans harder into soap opera mechanics than Made in Heaven does. The plotting sometimes wins over character.
Not sure tonight? Get a pick in a minute, starting from Made in Heaven
The wildcard
Something you would not have found on your own.
Bombay Velvet2015
Both use India's aspirational spaces—weddings, nightclubs—as stages where desire, class, and moral compromise collide. Both films ask: what are you willing to sacrifice for the life you want?
A visually intoxicating film noir set in 1960s Mumbai, about ambition, love, and corruption in a city transforming itself. Uses glamour and style to examine power in ways Made in Heaven explores through weddings.
But The narrative is baroque and sometimes opaque. You need to surrender to the mood rather than follow a tight plot.
More like this (7)
Quantico2015
Fast-paced ensemble drama where personal ambition clashes with institutional loyalty. Strong female leads navigating systems designed to exclude them.
But Less interested in exploring class and tradition than its premise suggests. Plot often overrides nuance.
Four Rooms1995
A tightly constructed Indian film about one night in a Mumbai hotel, where class divisions and desire collide. Similar precision about how money shapes every interaction.
But The perspectives are narrow—mostly concerned with wealthy guests. Feels like a single narrative puzzle rather than a wide view.
Lipstick Under My Burkha2017
Four women in India navigate desire, family obligation, and the gap between public and private selves. Funny, angry, and deeply human about women's compromises.
But The tone shifts between comedy and heartbreak, which some find jarring. Less polished than prestige drama.
Sacred Games2018
An ambitious, sprawling drama about power, legacy, and corruption across decades of Mumbai. Shares Made in Heaven's willingness to show how systems grind people down.
But The scope is vast and sometimes unwieldy. Easier to admire than to love.
Fleabag2016
A protagonist confronting the gap between who she is and who she pretends to be, with family expectations and class anxiety humming underneath. Clever without being cold.
But British context and a very different tone—lighter and faster. The wit sometimes distances you from the pain.
The Mindy Project2012
A woman navigating career ambition, romantic expectation, and family pressure with humor and honesty. Understands that being professional and wanting a life are not opposing forces.
But Much lighter in tone. Treats its conflicts as funny problems rather than systemic ones.
Holy Spider2022
Both unflinch when showing how religious and cultural traditions are deployed to control and harm women. Both suggest that 'tradition' is often a cover for something uglier.
A tense Iranian thriller about a serial killer hunting sex workers, and the corruption that protects him. Brutal examination of how tradition is weaponized to justify violence against women.
But Genuinely disturbing and angry. Not cathartic—leaves you unsettled. Requires moral seriousness.
People
Writing
- Reema KagtiCreator
- Zoya AkhtarCreator
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