Television series
Coma
Other titles called Coma: the 1978 film.
- Social drama
- Crime thriller
- Very dark
A taut British thriller about a suburban man pushed to a breaking point by teenage violence in his neighbourhood. When a confrontation goes catastrophically wrong, the drama pivots from social realism into moral reckoning. Claustrophobic, angry, and genuinely unsettling—for viewers drawn to character-driven tension over spectacle.
Should you watch it?
Watch it if you like a slow-burn domestic thriller where ordinary decency gets tested by a neighbourhood that won't leave it alone, and you'll tolerate characters who make bad calls.
Skip it if you want a lighter evening, or you find the moral squeeze of ordinary people pushed to their limit too bleak to sit through in one sitting.
What it asks of you: Four hour-long episodes, each one tightening the screw, so it rewards steady attention rather than background viewing; the dread builds in conversations and glances more than in set-piece action.
Not sure? Find tonight's pick in a minute.
If you liked this
Bodyguard2018
A British political thriller with the same propulsive intensity and moral ambiguity. Watkins' counterpart here is similarly ordinary and trapped, facing impossible choices that spiral outward.
But The final act divides viewers sharply. Some find it revelatory; others feel betrayed by where it lands.

Three Billboards Outside Ebbing, Missouri2017
A woman pushed past reason by grief and injustice, taking brutal action. It captures that same explosive moment when civility shatters, and the messy consequences that follow.
But Tonal shifts between dark comedy and genuine tragedy. The humour can feel jarringly out of step with the weightier material.

Utopia2014
A British conspiracy thriller that starts small and claustrophobic, then expands into something genuinely unsettling. Exceptional at building dread from ordinary circumstances.
But Cancelled after two seasons. The ending will feel deliberately unresolved, and some viewers resent committing to an incomplete story.

Not sure tonight? Get a pick in a minute, starting from Coma
The wildcard
Something you would not have found on your own.
You Were Never Really Here2017
Both explore what happens when a man's protectiveness becomes indistinguishable from violence—when the role of defender collapses into something else entirely.
A film about rage, protection, and violence that accumulates like pressure in a sealed room. Shot and paced like a nightmare. Joaquin Phoenix delivers something close to pure fury.
But Relentlessly bleak and structurally fractured. Long sequences without dialogue, visual storytelling that demands active viewing. Many will find it exhausting.

More like this (7)
The Killing2011
Danish noir about a detective consumed by a single case. Shares Coma's bleakness and its refusal to offer easy moral resolution—everyone is compromised.
But Glacially paced. If you need plot momentum or emotional release, this methodical approach will frustrate rather than grip.

Southcliffe2013
A limited series examining a community shattered by violence. Seamus Walsh examines culpability, grief, and how neighbourhoods fracture. Devastatingly intelligent.
But Extremely heavy and deliberately bleak. No catharsis, no heroes. Demands emotional investment in a story that offers no comfort.

In the Flesh2013
A British genre drama that uses zombie mythology to explore prejudice, mob violence, and the cruelty of ordinary people. Same vein of social anger, utterly original execution.
But The genre framing might seem to undercut the seriousness. Some viewers struggle to take metaphor seriously when it's literalised as horror.

The Outsider2020
An HBO series about a town convinced of guilt. Examines how communities turn against their own, how certainty corrupts justice. Sombre and hypnotic.
But Supernatural elements appear midway through. If you're watching for grounded social drama, the genre shift will feel incongruous.

MINDHUNTER2017
A procedural about profilers hunting serial killers. Exceptional character work and a palpable sense of moral instability—everyone involved is being changed by proximity to darkness.
But Cancelled after two seasons on a cliffhanger. The ensemble's personal dramas sometimes dwarf the investigation itself.

Eyewitness2016
Uses the aftermath of a violent moment as a crucible for examining complicity, silence, and how ordinary people become entangled in something darker than themselves.
A Canadian limited series about two men who stumble onto a crime they don't fully understand. Builds moral complexity through uncertainty rather than revelation. Beautifully constructed.
But A seven-episode story that refuses to rush. Pacing is deliberate to the point of stasis for some viewers. Very slow-burn.

Let the Right One In2008
Both examine the moment when a child becomes implicated in violence through protection—when love and harm become impossible to separate.
A Swedish horror film about a boy and a vampire, but really about alienation, protection, and the violence lurking beneath suburban quiet. Coldly beautiful and deeply unsettling.
But Horror framing might seem to trivialise its emotional core. The vampire mythology is used metaphorically, not spectacularly, so expect something far quieter than typical genre fare.

People
Cast
Writing
- Alex SmithCreator
- Ben EdwardsCreator
Production
- Alex SmithExecutive Producer
- Ash AtallaExecutive Producer
- Marianna AbbottsExecutive Producer