Film

Your Mother Your Mother Your Mother

Name: Your Mother Your Mother Your Mother
Genre: Crime, Thriller, Action
Released: 2026
Cast: Mahershala Ali, John Cho, Giancarlo Esposito, Abubakr Ali, Laith Nakli

A hitman grapples with faith, fatherhood, and conscience after tragedy forces him to choose between his violent world and his children's safety. Mahershala Ali anchors this morally complex thriller with quiet intensity, trading spectacle for the weight of impossible choices. For viewers who prize character study over action and can sit with moral ambiguity.

TMDb rating

3.7

If you liked this

A Prophet2009

A masterclass in how crime and faith intertwine. Follows a man's transformation in prison with the same unflinching look at identity, survival, and spiritual crisis that makes this film breathe.

But French, subtitled, and deliberately paced. The violence is real but never gratifying, which some find austere rather than gripping.

Godfather of Harlem2019

Explores a criminal kingpin's relationship to faith, family, and legacy with the same moral complexity. Forest Whitaker commands the screen much as Ali does here, anchoring a web of consequence.

But Sprawling across two seasons with multiple plotlines. If you want a tight, focused story, this diffuses it.

Killer Joe2012

Matthew McConaughey as a contract killer drawn into family dysfunction. Brutal, uncomfortable, and laser-focused on how violence and desperation corrode everything they touch.

But Deliberately transgressive and deeply upsetting. Not interested in making anyone comfortable, and the sexual violence is unflinching.

Not sure tonight? Get a pick in a minute, starting from Your Mother Your Mother Your Mother

The wildcard

Something you would not have found on your own.

Moonlight2016

Both films prioritize what's unsaid over what's shown. Both examine masculinity, faith, and love through a lens that honors complexity over judgment. Both trust actors to hold contradictions.

Three chapters of a Black man's interior life—his faith, desire, violence, and fatherhood—told with silence and grace. Like this film, it refuses easy answers and trusts the audience to sit with contradiction.

But Deliberately slow and poetic. Some find its approach precious; others want more plot and less meditation.

Lantana2001

An ensemble thriller where a hitman's death fractures multiple lives and marriages. Explores how secrets, faith, and moral compromise bind people together in ways they don't understand.

But Shifts between characters and timelines. Some find it frustratingly oblique; the payoff isn't cathartic, it's disquieting.

The Assassination of Jesse James by the Coward Robert Ford2007

A meditation on violence, reputation, and faith masquerading as a Western. Casey Affleck and Brad Pitt perform a slow-motion moral collapse with extraordinary precision.

But Glacially slow and steeped in 19th-century ennui. The violence is sparse, and some find it overlong and pretentious.

The Assassination of Jesse James by the Coward Robert Ford poster

Brick2006

A high school noir where moral codes matter as much as plot. Rian Johnson's tight direction and the ensemble's commitment to character over spectacle mirrors this film's approach.

But Deliberately stylized dialogue and a puzzle-box plot that can feel affected. Not everyone connects with its tonal ambition.

The Drop2014

Tom Hardy as a Brooklyn bartender caught between codes of loyalty, faith, and conscience. Understated and devastating, driven entirely by performance and moral weight rather than incident.

But Deceptively quiet. Long stretches with minimal plot. The payoff is subtle and some find it unsatisfying.

A Good Day to Die Hard2013

Bruce Willis as a father and son reunite amid chaos. Action-heavy, yes, but grounded in the friction between duty and family love—the same core tension that animates this film.

But Relies heavily on spectacle and franchise momentum. If you want character over explosions, this tips the balance wrong.

Witness1985

Both hinge on a man protecting children while negotiating two irreconcilable value systems. Both ask whether faith can coexist with violence when your children's lives depend on it.

Harrison Ford as a cop hiding in an Amish community, forced to reconcile his violent world with a faith-based one. A rare mainstream film that genuinely dramatizes the collision between faith and the necessity of protection.

But A 1985 product—pacing and sensibility will feel dated. The romance subplot distracts from the moral core some viewers come for.