Film
Water & Power: A California Heist
A taut documentary about California's hidden water oligarchs—the wealthy landowners and corporations who control the state's most vital resource and profit enormously while farming communities and ordinary people go thirsty. It's investigative journalism that reads like a thriller, methodical and furious, for anyone who's ever wondered who actually owns water.
Should you watch it?
Watch it if you enjoy investigative documentaries that follow the money and build a case patiently, with a sharp eye for how ordinary people get caught in the machinery of power.
Skip it if you need a personal arc or real warmth; this one leans on paperwork, legal argument and talking heads, and anger can read more like a briefing than a story.
What it asks of you: Under ninety minutes of sustained, sober attention; it moves in a steady, unhurried line and expects you to keep track of names, dates and dollar figures.
Not sure? Find tonight's pick in a minute.
If you liked this
Chinatown1974
The template for California noir: corruption, water rights, and the powerful eating the powerless. Polanski's masterpiece captures the same historical truths Water & Power exposes, just filtered through 1940s fiction.
But It's a classic everyone says you should watch, which can feel like homework. The pacing is deliberate in ways modern viewers sometimes find slow.

The Big Lebowski1998
It pivots on a kidnapping plot rooted in water rights and California real estate schemes. The Coen Brothers use that absurd machinery to say something true about power and theft.
But The comedy can overwhelm the critique if you're in the mood for straight argument rather than satire. It's deliberately scattered.

The China Syndrome1979
Paranoid corporate thriller about what happens when ordinary people stumble onto institutional corruption. Same moral engine: the powerful will do anything to keep their secrets.
But Feels dated in its production design. The thriller mechanics matter more than the environmental message to some viewers.

Not sure tonight? Get a pick in a minute, starting from Water & Power: A California Heist
The wildcard
Something you would not have found on your own.
Mulholland Drive2001
Both are portraits of California corruption, but where Water & Power shows you the machinery, Mulholland Drive shows you how it *feels* to be caught in it—the emotional truth beneath the facts.
Lynch's fractured LA nightmare is obliquely about the same California—a place where power and illusion are indistinguishable, and ordinary people are consumed by systems they can't name. It reaches the same truth through dream logic instead of evidence.
But It's deliberately disorienting and refuses to explain itself. If you need narrative clarity or linear answers, this will frustrate you to silence.

More like this (7)
Food, Inc.2008
Another exposé of agricultural systems controlled by a few corporations. It shares Water & Power's investigative DNA and will deepen your outrage about who controls American food and resources.
But Covers familiar ground if you've already absorbed environmental criticism. Feels somewhat preachy to those who disagree with its premises.

The Informant!2009
Corporate whistleblower thriller with real fury underneath the Soderbergh style. It captures that moment when someone realizes the system is rigged and decides to fight back.
But Tonally strange—mixes comedy with seriousness in ways that can feel jarring. Not everyone enjoys that register shift.

Spotlight2015
Methodical investigation of institutional corruption and cover-up. Like Water & Power, it's about patience, documentation, and the power of connecting dots others want hidden.
But Deliberately unglamorous procedural. If you need dramatic confrontations or a flashy climax, this won't deliver them.

The Yes Men Fix the World2009
Activist pranksters expose corporate hypocrisy through elaborate hoaxes. Different tone than Water & Power, but same underlying mission: make powerful institutions uncomfortable.
But Some stunts feel juvenile, and the film's effectiveness depends on whether you find the pranks clever or annoying. Style over substance for some viewers.

An Inconvenient Truth2006
Another environmental documentary that traces how power and capital shape policy. It shares Water & Power's structure: follow the money, watch the pattern emerge.
But Heavily centered on one person's presentation, which some find preachy. The film has dated in parts, and its proposals now feel incomplete.

Erin Brockovich2000
Both films prove that environmental theft and water crime are criminal acts worth prosecuting, but Roberts's film shows the human victory Water & Power suggests is still being fought for.
The rare mainstream thriller about an environmental justice case that actually won. It's a procedural about uncovering corporate malfeasance through sheer documentation, with a scrappy underdog who refuses to play by the rules.
But Julia Roberts carries it, and her charisma can overshadow the systemic issues. It's sometimes too Hollywood-ending—real cases rarely feel this satisfying.

Rogue River1951
This is where the story started—the 1950s fight over resource control and land that became the foundation for modern California corruption. Water & Power is the same battle, decades later, still raging.
A forgotten Western about real people fighting real developers over water rights in Oregon. It's pulp filmmaking with genuine stakes, shot on location, with the specificity Water & Power brings to contemporary California.
But It's obscure for a reason—the pacing is uneven and the craft is rough. It looks its age and requires patience with minor cinema craft to appreciate what it's trying to do.

People
Directing
- Marina ZenovichDirector
Writing
- Mark AraxStory Consultant
Production
- Richard PerelloCo-Executive Producer
- Juliette EisnerCo-Producer
- P.G. MorganConsulting Producer
- Alex GibneyExecutive Producer
- Erica SashinExecutive Producer
- Kevin Tao MohsExecutive Producer
- Lynne KirbyExecutive Producer
- Marina ZenovichExecutive Producer
- Stacey OffmanExecutive Producer
- Tim PastoreExecutive Producer
- Gayle Lynn FieldsLine Producer
- Whitney JohnsonLine Producer
- Ted GesingProducer
- Isaac BoldenSupervising Producer