Film

Unfinished Business

A scrappy underdog comedy about a small-business owner chasing a deal across Europe with his misfit team. It's broad, chaotic, and leans hard into fish-out-of-water humiliation—the kind of film that treats the whole world as a punchline. For fans of ensemble comedies who don't mind their humour loud and unsubtle.

TMDb rating2.7

Should you watch it?

Watch it if you want your R-rated comedy loose, rude and built around physical nerve, with a sentimental streak that sneaks up on you once the chaos settles.

Skip it if you need tight plotting or consistent jokes, because this is scattershot, leans hard on its cast's charm when gags miss, and its raunch can feel strained.

What it asks of you: Ninety-one minutes, brisk and unfussy, with little interest in slowing down; it keeps its foot on the accelerator and wants you laughing rather than reflecting.

Not sure? Find tonight's pick in a minute.

If you liked this

The Internship2013

Vince Vaughn and Owen Wilson reunite for another fish-out-of-water romp about misfits infiltrating a gleaming corporation. Same DNA: likeable guys getting demolished by circumstances, earnest underneath the chaos.

But The script feels assembled from corporate-speak bingo cards, and the product placement is suffocating. It's less funny than it thinks it is.

The Internship poster

Wedding Crashers2005

Peak ensemble comedy energy: Vaughn and Wilson at their most magnetic, improvising around a paper-thin plot. Proves the formula works when the supporting cast is strong and the tone stays light.

But It's almost twenty years old and the gender dynamics haven't aged brilliantly. Some gags land differently now than they did then.

Wedding Crashers poster

Old School2003

Will Ferrell, a frat house, and anarchic set pieces. Another middle-aged-guy-in-chaos comedy that actually *commits* to the absurdity and surrounds its star with comedians who elevate everything.

But It's relentlessly crude and stupid in a very specific way. If that sensibility doesn't speak to you, nothing here will.

Old School poster

Not sure tonight? Get a pick in a minute, starting from Unfinished Business

The wildcard

Something you would not have found on your own.

Four Rooms1995

Both deploy mismatched characters into hostile environments where things spiral wildly out of control. But where *Unfinished Business* is trying to be a real movie, *Four Rooms* is deliberately performing failure.

A bellhop must survive New Year's Eve in a hotel with increasingly deranged guests played by indie-comedy legends. It's a contained chaos-spiral—the same frantic energy as *Unfinished Business*, but from the pre-9/11 indie-comedy tradition that valued weirdness over earnestness.

But Deliberately anti-narrative and stagey; if you want plot momentum, you won't find it. Some bits land better than others, and it takes real patience.

Four Rooms poster
More like this (8)

DodgeBall: A True Underdog Story2004

Vince Vaughn at his most likeable, leading a team of underdogs in a sport nobody cares about. Faster-paced and sharper than similar films, with real comedians playing every role.

But The plot is thinner than tissue paper. It's held up entirely by charm and comic timing, which won't be enough if you're in the wrong mood.

DodgeBall: A True Underdog Story poster

The Hangover2009

A ragtag group wakes up destroyed and must piece together what happened. Tighter plotting and stronger comedic architecture than most ensemble comedies, with genuine character work underneath the chaos.

But The comedy is at the expense of nearly every character: women, trans people, people with Down syndrome. It's funny, but not kind.

The Hangover poster

Due Date2010

Robert Downey Jr. and Zack Galifianakis as mismatched road-trip buddies. The odd-couple dynamic is genuinely appealing, and the supporting cast saves it from terminal predictability.

But It's a messy screenplay that never quite settles on what it wants to be. Long stretches feel like filler between set pieces.

Due Date poster

Game Over, Man!2018

Three aging friends on a ridiculous quest; low expectations and Netflix's freedom from theatrical restraint mean it swings for the fences. Dumb, energetic, surprisingly sweet about friendship.

But The premise is tissue-thin and it overstays its welcome by twenty minutes. Patience required.

Game Over, Man! poster

Horrible Bosses2011

Jason Bateman, Charlie Day, and Jason Sudeikis as working stiffs plotting the impossible. Smart enough for adults, dumb enough to be fun, with real comedians bringing energy to every scene.

But The plot mechanics are contrived and the film knows it. You have to meet it on its terms or it collapses.

Horrible Bosses poster

The Package2013

Four guys on a road trip with a severed penis in a cooler. Absolutely committed to its stupidity, and somehow manages warmth and character work between the gross-out gags.

But It's deeply crude and many people will find it annoying rather than funny. Also genuinely difficult to find.

The Package poster

Severance2022

Both are fundamentally about worker exploitation and corporate absurdity, but where *Unfinished Business* is lightweight and comedic, *Severance* treats it as horror.

A corporate thriller disguised as a workplace mystery: employees at a mysterious company undergo a procedure that separates their work and personal memories. It's gorgeously strange, tonally precise, and asks serious questions about what a company owes its workers.

But Deliberately paced and atmospheric in ways mainstream comedy never is. If you're watching for laughs, you won't find many. Season 2 hasn't aired yet, so you'll be waiting.

Severance poster

The Death of Dick Long2019

Same ensemble structure and blue-collar sensibility as *Unfinished Business*, but instead of chasing a triumph abroad, these guys are running from consequences at home. One looks outward with hope, the other inward with reckoning.

Three working-class guys in small-town Alabama deal with a crisis that forces them to confront who they are. It's devastatingly funny and painful simultaneously—a dark comedy that doesn't soften its blows, made by someone who loves and respects his characters.

But The setup is crude, the tone is uneven by design, and it ends in a place of real sadness. This isn't escapism; it demands something from you.

The Death of Dick Long poster

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