Film
Tour de Pharmacy
A mockumentary that skewers professional cycling's doping culture with absurdist energy and a stacked comedy cast. It's fast, silly, and best enjoyed if you already find the sport's steroid-soaked history darkly funny. Made for people who appreciate comedians taking swings at easy targets.
Should you watch it?
Watch it if you enjoy sketch-style absurdity that plays a mockumentary straight-faced, and you're happy to laugh at a sport's dirty laundry through cheerfully ridiculous bits.
Skip it if you want a sober, serious account of cycling's doping problem, since this treats the subject as a playground for silly laughs.
What it asks of you: Forty minutes is all it takes, and it moves at a brisk clip, so you can hold it in one sitting while keeping your attention on the gags.
Not sure? Find tonight's pick in a minute.
If you liked this
The Toys That Made Us2017
Similar mockumentary energy applied to beloved consumer products. Each episode balances genuine nostalgia with gentle ribbing of the industry's absurdities, in digestible thirty-minute chunks.
But It's reverential underneath the jokes—if you want sharper satire, this leans too affectionate and earnest.

I Love You, Man2009
Andy Samberg at his charming best in a comedy that actually has a heart. The friendship between leads feels genuine even as the script mines it for laughs.
But It's a straightforward romantic-comedy structure, not experimental. If you want form to match the subject's absurdity, you'll find this too conventional.

Popstar: Never Stop Never Stopping2016
Andy Samberg again, this time in a music mockumentary with an identical sensibility—zippy editing, celebrity cameos, and jokes that pile up faster than plot. Made for Lonely Island fans.
But It's extremely broad and occasionally juvenile. The satire doesn't cut deep; it mostly just punches the same target repeatedly.

Not sure tonight? Get a pick in a minute, starting from Tour de Pharmacy
The wildcard
Something you would not have found on your own.
Pumping Iron1977
Both use the documentary form to expose a sport's vanity and self-deception, letting the audience enjoy the absurdity while the athletes remain sincere.
The granddaddy of sports mockumentaries—except it's not entirely mock. This looks like a straight documentary of bodybuilding's 1970s competitive scene, but it's really a character study shaped by filmmakers who understand comedy in editing and presentation. Arnold Schwarzenegger at his most charming and manipulative.
But It moves slowly by modern standards and requires genuine interest in the sport beneath the comedy. The satire is subtle; if you want jokes telegraphed, you'll miss half of it.

More like this (8)
The Other Guys2010
Will Ferrell and Mark Wahlberg's comic chemistry carries a buddy-cop mockumentary style that's genuinely funny. Absurdist humor with actual stakes and character work underneath.
But Longer and slower than Tour de Pharmacy, with occasional stretches that feel like they're killing time between the big set pieces.

What We Do in the Shadows2014
A mockumentary that understands how to build character while staying hilarious. The filmmakers find humor in specificity rather than broad target-painting.
But It's quieter and drier than the comedy you're expecting. The jokes require patience and a tolerance for understated delivery.

Hot Rod2007
Andy Samberg's feature debut: willfully stupid, unapologetically earnest about its ridiculous plot, and genuinely charming. A cult comedy that knows exactly what it is.
But It's aggressively low-concept and drags in places. The humor is extremely specific; if it doesn't land early, it won't land at all.

Tropic Thunder2008
A satire of action-movie excess and vanity that actually uses star power intelligently. Broader than Tour de Pharmacy but with more structural ambition and genuine edge.
But The satire can feel obvious in retrospect. Some gags have aged into awkwardness; others are trying so hard they collapse under their own weight.

MacGruber2010
A ridiculous SNL sketch expanded into a feature with surprising heart. It commits entirely to its dumb premise and gets genuinely weird in places most comedies wouldn't dare.
But It's messier and more self-indulgent than you might want. The commitment to bit-stretching can feel exhausting if you're not already on its wavelength.

The Kentucky Fried Movie1977
An anthology of comedy sketches that influenced everyone doing this stuff now. Fast, silly, and unapologetically ridiculous—a spiritual ancestor to what Tour de Pharmacy is attempting.
But It's a product of the '70s and shows it. Some sketches land more than others; the pacing is deliberately chaotic rather than controlled.

Hoop Dreams1994
Both examine how athletic systems corrupt their participants, but from opposite angles—one as comedy, one as heartbreak. Together they tell the whole story.
A three-hour documentary about basketball recruitment, family pressure, and institutional exploitation that reads like tragedy. It's the serious version of what Tour de Pharmacy jokes about—the doping, the cheating, the bodies broken by systems that don't care.
But It's devastating and demands your full attention. No laughs, no relief, no shortcuts. If you want to be entertained rather than unsettled, this is the wrong choice.

Senna2010
A sport where substance use and bodily extremity define competition, told through a visual medium that refuses conventional documentary realism. Like Tour de Pharmacy, it's about how we mythologize athletic excess—but it believes in the myth.
An animated documentary about Formula One driver Ayrton Senna that uses rotoscope to make documentary footage look like a graphic novel. It's about obsession, nationality, and the willingness to sacrifice everything for victory. Visually stunning and emotionally complex.
But It's serious in a way that might feel heavy after a broad comedy. The animation style is labor-intensive but not always beautiful; some find it distracting rather than revelatory.

People
Cast
Orlando BloomJuJu Pepe
Andy SambergMarty Hass
John CenaGustav Ditters
Jeff GoldblumMarty Hass Present Day
J.J. AbramsJ.J. Abrams
Mike TysonMike Tyson
Lance ArmstrongLance Armstrong
Kevin BaconDitmer Klerken
James MarsdenRex Honeycut
Dolph LundgrenGustav Ditters Present Day
Freddie HighmoreYoung Adrian Baton
Julia OrmondAdriana Baton
Directing
- Jake SzymanskiDirector
- Andrew KentFirst Assistant Director
- Ruby StillwaterFirst Assistant Director
- Elizabeth SeafordScript Supervisor
- Andrew KentSecond Assistant Director
- Kevin ZelmanSecond Assistant Director
- Heidi HinzmanSecond Second Assistant Director
Writing
- Brian WilcoxStoryboard
- Murray MillerWriter
Production
- Susie FarrisCasting
- Kathleen ParkerCasting Associate
- Jake SzymanskiCo-Executive Producer
- Andy SambergExecutive Producer
- David BernadExecutive Producer
- Murray MillerExecutive Producer
- Rich KingExtras Casting
- Ethan CushingLine Producer
- Alex GootterLocation Assistant
- Spencer CoatesLocation Manager
- Sarah MaloneyPost Producer
- M. Elizabeth HughesProducer
- Aaron GrossmanProduction Assistant
- Andrew SitterProduction Assistant
- Graham GeraghtyProduction Assistant
- Jennifer KumisProduction Assistant
- Jess TuckerProduction Assistant
- Jesse CohnProduction Assistant
- Quentin FrismandProduction Assistant
- Sirroc DooleyProduction Assistant
- Tessa MartsProduction Assistant
- Jess KrabyProduction Supervisor
- Lance LanfearUnit Production Manager