Film
The Phantom of the Open
- Biopic
- Light-hearted
A warm, funny film about Maurice Flitcroft, a self-taught golfer who gatecrashed the 1976 British Open qualifying and spectacularly failed—then became a beloved symbol of joyful refusal to accept limits. Mark Rylance is luminous as the dreamer. It's feel-good without being saccharine, rooted in character and genuine affection for the absurd.
Should you watch it?
Watch it if you like gentle underdog comedies where kindness and stubborn self-belief carry more weight than the sporting result, and you enjoy Mark Rylance playing a man who seems not to notice the joke.
Skip it if you need brisk pacing or sharp, cynical satire, since this is warm and unhurried, and its gentle sweetness may feel too soft if you want the comedy to bite.
What it asks of you: Settle in for a modest 106 minutes that take their time, moving at an easy amble with a mild, affectionate tone rather than gags every few seconds.
Not sure? Find tonight's pick in a minute.
If you liked this
Finding Forrester2000
Sean Penn and Michael Sean Grifter shine in this warm story about an unlikely friendship between a recluse and an ambitious kid. Like Phantom, it celebrates stubborn idealism and the courage to try things you're not supposed to.
But The plot moves exactly where you expect it to. Some of the emotional beats feel a touch engineered.

The Full Monty1997
Unemployed British men find dignity and joy through an absurd plan. It has the same blend of humor and genuine heart, the same celebration of misfits refusing to be invisible, and it actually makes you care about all of them.
But The tone wobbles between comedy and seriousness; it doesn't always land the balance evenly. Some jokes have aged unevenly.

Rush2013
Ron Howard's film about two F1 drivers is about obsession, self-belief, and refusing to quit. The visual storytelling is gorgeous, the rivalry is electric, and it understands why people pursue impossible things.
But If you don't care about Formula 1, the technical detail might feel excessive. It's also considerably darker in tone than Phantom.

Not sure tonight? Get a pick in a minute, starting from The Phantom of the Open
The wildcard
Something you would not have found on your own.
Local Hero1983
Both are British films about ordinary men who refuse to play by the rules, and both find their deepest heart in the love of those around them—family, community, the people who've chosen to believe in you.
Bill Forsyth's film about an American oil executive sent to a Scottish village to buy land for a refinery becomes a meditation on what matters. It's wry, tender, and deeply humane—about belonging and the things that can't be bought.
But Nothing much happens; it moves at village pace. If you're looking for narrative drive or clear conflict, you'll find it frustratingly unhurried.

More like this (7)
The Straight Story1999
David Lynch made a film about a 73-year-old man riding a lawnmower across Iowa to reconcile with his brother. It's gentle, strange, and deeply moving—about quiet determination and the small heroisms of ordinary life.
But Almost nothing happens. If you need plot momentum or conventional conflict, this will feel glacially paced.

A League of Their Own1992
Women form a baseball team during WWII and prove themselves against every odd. It's funny, genuinely moving, rooted in real history, and celebrates people doing extraordinary things in unglamorous circumstances.
But At two and a half hours, it occasionally sags in the middle. Some of the dramatic arcs feel a bit overwrought.

Paddington 22017
A British film about kindness, optimism, and trying your best even when the world seems stacked against you. It's funny for adults and children, gorgeously made, and genuinely moving without being sentimental.
But It's a family film. If you resist talking animals or whimsy, the whole thing will feel resistant to you.

The Farewell2019
Awkwafina delivers a career-defining performance in this film about family, culture, and the small refusals that matter. It's touching and funny, and it understands the weight of being caught between worlds.
But The emotional resonance depends on connecting with specific family dynamics. If the setup doesn't move you, the rest won't either.

The Pursuit of Happyness2006
Will Smith plays a struggling man fighting for a better life while raising his son. It's sincere about hardship without collapsing into sentimentality, and the relationship between father and son anchors everything.
But It leans on inspiration a bit heavily for some tastes. The film occasionally prioritizes uplift over complexity.

Hunt for the Wilderpeople2016
Taika Waititi's film about an old man and a foster kid on the run in the New Zealand bush is funny, strange, and genuinely touching. It has Phantom's spirit of stubborn grace against the world.
But The tonal shifts between comedy and darkness are abrupt. The ending might feel too neat given everything that comes before.

The Loneliest Whale: The Search for 522021
Both explore the beautiful strangeness of pursuing something most people think is pointless—and both understand that sometimes the pursuit itself, not the prize, is the point.
A documentary about an obsessive search for a whale that sings at a frequency no other whale recognizes. It's strange and moving, about longing, connection, and the things we pursue without quite knowing why.
But The science is sometimes speculative and the emotional narrative is constructed. If you resist anthropomorphism or prefer rigorous documentary, it'll feel manipulative.

People
Cast
Mark RylanceMaurice Flitcroft
Sally HawkinsJean Flitcroft
Jonah LeesJames Flitcroft
Christian LeesGene Flitcroft
Jake DaviesMichael Flitcroft
Mark Lewis JonesCliff
Johann MyersWillie
Rhys IfansKeith Mackenzie
Ash TandonLloyd Donovan
Ian PorterDick Nelson
Nigel BettsTony Marsh
Afsaneh DehrouyehJosie
Directing
- Craig RobertsDirector
Writing
- Scott MurrayBook
- Simon FarnabyBook
- Simon FarnabyScreenplay
- Scott MurrayWriter
- Simon FarnabyWriter
Production
- Shaheen BaigCasting
- Alison ThompsonExecutive Producer
- Christelle ConanExecutive Producer
- Christine LanganExecutive Producer
- Craig RobertsExecutive Producer
- Emma DuffyExecutive Producer
- James SwarbrickExecutive Producer
- Mark GooderExecutive Producer
- Mark RylanceExecutive Producer
- Mary BurkeExecutive Producer
- Peter ToucheExecutive Producer
- Rose GarnettExecutive Producer
- Simon FarnabyExecutive Producer
- Kate GloverProducer
- Nichola MartinProducer
- Tom MillerProducer