Film
The Nut Job
- Slapstick
- Light-hearted
A scrappy squirrel gets banished to the city and discovers a nut store to heist. It's a colorful, fast-moving animated adventure with gentle lessons about friendship and community. Genuinely funny in places, occasionally grating, but charming enough for kids who like animal characters and elaborate schemes.
Should you watch it?
Watch it if you have a soft spot for broad slapstick and a grumpy underdog who sulks his way toward decency, served up in a quick, sugary caper.
Skip it if you tire easily of frantic cartoon noise, since this one leans on loud, repetitive gags and offers little emotional depth beneath the chaos.
What it asks of you: At eighty-five minutes it is brisk and bright, moving quickly from one squabble to the next, with little pause for quiet, asking that you keep up with the chatter.
Not sure? Find tonight's pick in a minute.
If you liked this
Over the Hedge2006
A similarly irreverent animal heist with great voice work and visual gags. It's smarter than it looks, balancing comedy for adults with genuine adventure stakes that feel real.
But The animation style is dated now, and the environmental message can feel preachy if you're not in the mood for it.

The Secret Life of Pets2016
Urban animal mayhem with a similar energy—expressive characters, humor that lands on multiple levels, and a genuinely inventive middle section that justifies the whole premise.
But It's basically a feature-length concept without much emotional weight. The plot is thin and the sentiment feels obligatory.

Ratatouille2007
A small animal trying to make it in a hostile human world with wit, style, and genuine stakes. The heist elements crackle, and the voice work is impeccable throughout.
But It's a masterpiece, which means *The Nut Job* will feel like a rough sketch. Very high bar to clear.

Not sure tonight? Get a pick in a minute, starting from The Nut Job
The wildcard
Something you would not have found on your own.
Fantastic Mr. Fox2009
Both are animal heists told with precise visual comedy, but Anderson treats the form as a portrait rather than a vehicle.
Stop-motion heist about a clever animal outsmarting humans. Wes Anderson's precise visual language and deadpan voice work create something far more sophisticated than *The Nut Job*, but with the same core pleasure: a small creature versus impossible odds.
But It's deliberately stylized and slow-paced. If you want zippy action and broad jokes, this film's mannered tone will feel pretentious and cold.

More like this (8)
Madagascar2005
Wisecracking animals in over their heads, zipping through set pieces with real momentum. The voice cast performs with infectious energy and there's surprising heart underneath the chaos.
But The humor is scattershot—some jokes kill, others crash hard. It can feel like it's trying too hard to be cool.

Zootopia2016
A city full of animals with an intricate plot that actually *means* something. Smart writing, gorgeous animation, and voice performances that convey real character beneath the comedy.
But It's so densely packed with detail and humor that it can feel exhausting. Some viewers find the message heavy-handed.

Ice Age2002
Mismatched animal buddies forced together during a survival crisis. The humor is accessible and the emotional core genuinely works, without ever getting saccharine.
But The voice acting is uneven and the animation hasn't aged gracefully. The jokes lean heavily on slapstick, which won't land for everyone.

Kung Fu Panda2008
An unlikely hero training montage with real humor and surprisingly effective action sequences. Jack Black's energy is perfect and the film never takes itself too seriously.
But The plot is paint-by-numbers. If you've seen any underdog sports movie, you know exactly what's coming.

The Croods2013
Colorful, propulsive animation with family chaos and adventure. The visual jokes are creative and it moves so fast you don't have time to think about the plot.
But Beneath the energy, there's almost nothing there. The characters are sketches and the dialogue can feel thin and recycled.

Sing2016
Ensemble animal cast in a city setting with genuine warmth. It's optimistic without being cloying, and the musical numbers are genuinely fun.
But It's aggressively wholesome and the plot is scattered across too many characters. Some storylines disappear entirely.

Hilda2018
Both follow an underdog outsider navigating danger and building unexpected allies, but *Hilda* gives that story real thematic weight and genuine stakes.
A series about a young person navigating a hostile world filled with monsters and solving problems through wit and friendship. The animation is gorgeous, humor is sharper, and it trusts its audience's intelligence without abandoning heart.
But It's darker and more genuinely unsettling than *The Nut Job*. The early episodes can feel slow, and it's aimed at older kids and teens than younger children.

Redacted2007
Both are about a group forced together for survival and self-interest, but *Redacted* asks what happens when the stakes become truly real and the bonds break under pressure.
A found-footage film about a squad of American soldiers in Iraq told through their own eyes—raw, fractured, and devastating. It's the opposite register entirely, but Brian De Palma's formal control and moral clarity create something unforgettable.
But It's brutal, angry, and intentionally difficult to watch. There are no jokes, no comfort, and no easy answers. Not entertainment in any conventional sense.

People
Cast
Will ArnettSurly (voice)
Brendan FraserGrayson (voice)
Liam NeesonRaccoon (voice)
Katherine HeiglAndie (voice)
Stephen LangKing (voice)
Maya RudolphPrecious (voice)
Jeff DunhamMole (voice)
Gabriel IglesiasJimmy (voice)
Sarah GadonLana (voice)- James RankinFingers (voice)
Scott YapheLucky (voice)
Joe PingueJohnny (voice)
Directing
- Peter LepeniotisDirector
Writing
- Daniel WooStory
- Peter LepeniotisStory
- Jeff DicksonStory Supervisor
- Lorne CameronWriter
- Peter LepeniotisWriter
Production
- Ahn JaeExecutive Producer
- Daniel WooExecutive Producer
- Hoe Jin HaExecutive Producer
- Hong KimExecutive Producer
- Hyungkon KimExecutive Producer
- Mike KarzExecutive Producer
- Tom YoonExecutive Producer
- William BindleyExecutive Producer
- Graham MoloyProducer
- Jung Woo-kyungProducer