Film
The November Man
Pierce Brosnan plays a retired CIA assassin dragged back into the game to protect a witness—only to discover his former protégé is now the enemy. It's slick, competent spy-thriller comfort food: clean action, international intrigue, and two professionals who know exactly what they're doing. For anyone who wants Bond-adjacent thrills without overthinking it.
If you liked this
Atomic Blonde2017
Charlize Theron as a 1980s MI6 agent infiltrating East Berlin, with fight choreography that's genuinely stunning. It's stylish, brutal, and far smarter than the premise suggests.
But The plot is deliberately convoluted—you're often meant to be confused alongside the protagonist, which some find frustrating rather than clever.

The Spy Who Came In from the Cold1965
An unglamorous Cold War spy thriller that invented the template. Betrayal, moral ambiguity, and Richard Burton as a burnt-out operative—it's where the disillusionment in The November Man comes from.
But Methodical and grey. If you want spectacle or romance, this is the opposite. It moves deliberately.

Mission: Impossible - Fallout2018
Tom Cruise doing increasingly impossible stunts while actual spy-craft happens around him. Henry Cavill as the antagonist you're unsure about. Kinetic, gorgeous, and genuinely thrilling without being dumb.
But Two hours forty; it's a commitment, and the plot requires you to have seen the previous films to fully land.

Not sure tonight? Get a pick in a minute, starting from The November Man
The wildcard
Something you would not have found on your own.
Passenger 571992
Both are expert-versus-expert thrillers where the professional's competence is the entire appeal. Style and efficency over substance.
Wesley Snipes on a hijacked plane—absurd, kinetic, utterly committed to its own pulpy logic. It's the spiritual ancestor of The November Man's clean, efficient action and its refusal to take itself too seriously. A reminder that action cinema used to be fun.
But Dated in ways that range from charming to awkward. The dialogue is purple and the plot has holes you could fly a 747 through.

More like this (7)
Bridge of Spies2015
Spielberg and Hanks on Cold War espionage: tense, humane, fascinated by negotiation rather than violence. Tom Donovan is a lawyer solving crises through principle, which is its own kind of spy thriller.
But Deliberately paced. The excitement is intellectual—if you came for action beats, you'll feel the long stretches waiting.

The Good Shepherd2006
DeNiro directing and starring as an idealistic CIA officer whose career becomes a slow moral catastrophe. Sweeping, ambitious, a genuine epic about institutional betrayal and personal cost.
But Nearly three hours and deliberately dense. It asks you to track decades and dozens of characters. Some call it bloated.

Red Notice2021
Dwayne Johnson, Ryan Reynolds, and Gal Gadot in a heist-thriller that's agile, funny, and surprisingly affectionate about old-school espionage competence. Pure entertainment with wit.
But Relies heavily on star chemistry; if the banter doesn't land for you, there's not much underneath.

Sicario2015
Denis Villeneuve's masterclass in tension. Emily Blunt as an idealistic FBI agent dragged into something far darker, with Benicio Del Toro as the mystery at its center. Morally unsettling and visually hypnotic.
But It's grim and offers no heroes or easy answers. The ending doesn't give you the catharsis you might want.

Munich2005
Spielberg and Brosnan on assassination and revenge after the 1972 Olympics. A rare Hollywood film that actually questions whether killing is justice. Methodical and genuinely unsettling.
But Heavy, slow, and morally unresolved. It won't thrill you so much as exhaust you.

Tinker Tailor Soldier Spy2011
Gary Oldman as George Smiley, hunting a Soviet mole in the Cold War. Oblique, literary, deeply intelligent—the anti-action spy film that proves espionage is about information and human failure.
But Deliberately cryptic. It trusts you to follow without explanation. If you need clarity, this will frustrate you.

Spy Game2001
Mentor-and-student relationship at the core, told as a duel of wits between intelligence professionals who respect each other even as enemies.
Robert Redford and Brad Pitt in a CIA origin story told via interrogation room flashbacks. It's lighter than The November Man—almost comedic about espionage's moral murk—but structured as a stylish puzzle. Underrated and propulsive.
But Tonally inconsistent; it's never sure if it's a thriller or a lark, which some read as confused filmmaking.

People
Cast
Pierce BrosnanPeter H. Devereaux
Luke BraceyDavid Mason
Olga KurylenkoAlice Fournier
Bill SmitrovichHanley
Amila TerzimehićAlexa
Lazar RistovskiArkady Federov
Eliza TaylorSarah
Akie KotabeMeyers
Will PattonPerry Weinstein
Patrick KennedyEdgar Simpson
Dragan Marinković 'Maca'Denisov
Miloš TimotijevićFederov's Chief of Staff
Directing
- Roger DonaldsonDirector
- Marina LešićScript Supervisor
Writing
- Karl GajdusekScreenplay
- Michael FinchScreenplay
Production
- Charles M. BarsamianAssociate Producer
- Mary VernieuCasting
- Nancy BishopCasting
- Keith ArnoldCo-Producer
- Steve ShapiroCo-Producer
- Alan PaoExecutive Producer
- Ankur RungtaExecutive Producer
- Brandt AndersenExecutive Producer
- Corey LargeExecutive Producer
- Grant CramerExecutive Producer
- Haroon SaleemExecutive Producer
- Kevan Van ThompsonExecutive Producer
- Kevin RobledoExecutive Producer
- Kevin Scott FrakesExecutive Producer
- Myles NestelExecutive Producer
- Pierce BrosnanExecutive Producer
- Raj Brinder SinghExecutive Producer
- Remington ChaseExecutive Producer
- Ryan KavanaughExecutive Producer
- Scott FischerExecutive Producer
- Stepan MartirosyanExecutive Producer
- Vishal RungtaExecutive Producer
- Anđelija VlaisavljevićLine Producer
- Beau St. ClairProducer
- Sriram DasProducer