Film
The Muppets Take Manhattan
- Comedy
- Backstage musical
- Light-hearted
The Muppets graduate and chase their Broadway dreams in 1980s Manhattan. It's a love letter to theatrical ambition wrapped in vaudeville charm—genuinely funny, dizzyingly colourful, and utterly convinced that a frog and a pig can become stars. For anyone who believes in the transformative power of chaos and felt puppet feet.
Should you watch it?
Watch it if you love a loose, backstage-musical scrappiness where the jokes fly fast and the songs land on a sincere, slightly goofy heart, the way the best Muppet bits do.
Skip it if you want a tight plot with steady stakes; this one wanders from gag to gag and its New York detour can feel more like a string of sketches than a story.
What it asks of you: About ninety minutes of light, cheerful attention, with quick cuts between songs, pratfalls and winking asides, and little demand beyond keeping up with the next bit.
Not sure? Find tonight's pick in a minute.
If you liked this
It's a Wonderful Life1946
A foundational meditation on purpose and belonging that understands what it means to fight for something that matters. The Muppets film shares its conviction that ordinary characters deserve their moment of grace.
But Black and white, seventy-eight years old, and built on sentiment rather than laughs. It demands patience and emotional sincerity.

Singin' in the Rain1952
Pure theatrical joy: a backstage musical about making it in entertainment, bursting with dance, optimism, and the idea that talent and persistence can crack the world open.
But The early Hollywood setting feels distant, and if you don't care about the mechanics of song-and-dance numbers, you'll find long stretches slow.

The Muppet Movie1979
The film that started it all: Kermit and friends on a cross-country journey to Hollywood, with genuine heart, Jim Henson's unbridled creativity, and some of the finest celebrity cameos ever filmed.
But If you find puppets inherently creepy or off-putting, no amount of charm will change that. Some pacing lags in the middle third.

Not sure tonight? Get a pick in a minute, starting from The Muppets Take Manhattan
The wildcard
Something you would not have found on your own.
Pennies from Heaven1981
Both use the musical-within-the-story as their engine, but where Muppets Manhattan believes in the power of staging the dream, Pennies shows that staging is all there ever is—and it's not enough.
A dark, deeply strange musical set during the Depression about failed dreams and the gap between fantasy and reality. The Muppets film is optimistic about show business; this one is its inverse—a brilliant negation showing what happens when the dream doesn't come true.
But It's bleak, sexually explicit, and abandons sentiment for genuine despair. Watching it feels like emotional damage.

More like this (7)
A Chorus Line1985
An ensemble of unknowns auditioning for their shot at Broadway. The film captures the vulnerability and ambition of performers willing to bare themselves for art, with genuine emotion beneath the song-and-dance.
But The movie version sanitizes the original musical and loses some punch. If you haven't seen the stage version, you may not feel the weight of what's been lost.

Smash2012
A serialised drama about theatrical ambition, featuring two competing Broadway-bound musicals, complex egos, and the real cost of chasing stardom. It understands that backstage is where the real drama lives.
But The show was cancelled mid-arc, so it ends abruptly. The tone can lurch between soap opera and genuine introspection in ways that jar.

The Music Man1962
The greatest musical ever filmed about charm, conviction, and the power of performance to transform a small town. Every frame sings with confidence in the possibility of spectacle.
But Over two hours long and rooted in a different era of filmmaking. If you're impatient with pure entertainment without modern irony, it will feel stale.

Little Shop of Horrors1986
A musical love story about underdogs and dental assistants with genuine warmth beneath the campy monster-plant premise. It believes in its own absurdity with total commitment.
But The tonal whiplash between romantic comedy and creature-feature horror alienates some viewers. The ending divides audiences harshly.

The Producers1968
Two con men try to produce the world's worst Broadway musical as a tax scheme. It's about theatrical chaos, ambition, and the idea that failure might be more interesting than success.
But The humour is broad and dated, and the whole enterprise turns on a distasteful premise played for laughs that land unevenly now.

Being John Malkovich1999
Both films explore what it means to perform identity and chase fame, but Malkovich asks whether the self you're performing is real, while Muppets Manhattan never doubts that it is.
A wildly inventive meditation on performance, identity, and the drive to become someone else. It shares the Muppets film's energy about theatrical reinvention, but approached from a nightmare angle: what if you could literally step into another person's life?
But The premise is genuinely unsettling, and the film is philosophical rather than plot-driven. It stops trying to entertain you partway through and asks hard questions instead.

The Adventures of Baron Munchausen1988
Both films are love letters to the power of staging and imagination, but Munchausen is surrealist and cost-irrelevant where Muppets is optimistically grounded in real-world hustle.
Terry Gilliam's ravishing fever dream about the power of imagination to reshape reality. A broke theatre troupe stages an impossible spectacle—pure visual storytelling that trusts that wonder and commitment can make the impossible real.
But Visually dense to the point of incomprehensibility. The narrative is deliberately non-linear and the whole thing feels expensive and broken.

People
Cast
Jim HensonKermit the Frog / Rowlf / Dr. Teeth / Waldorf / Swedish Chef / Ernie / Granny / Horse & Carriage Rider / Link Hogthrob / The Newsman (voice)
Frank OzMiss Piggy / Fozzie / Animal / Bert / Cookie Monster / Ocean Breeze Soap Board Member / Sam the Eagle (voice)
Dave GoelzGonzo / Chester - Rat / Bill - Frog / Zoot / Beauregard / Dog / Dr. Bunsen Honeydew / Penguin (voice)
Steve WhitmireRizzo the Rat / Gill - Frog / Baby Kermit / Chicken / College Student in Audience / Dog / Lew Zealand (voice)
Richard HuntScooter / Statler / Janice / Beaker / Dog (voice)
Jerry NelsonCamilla / Lew Zealand / Floyd / Bear / Chicken / Crazy Harry / Dog / Dr. Julias Strangepork / Granny / Penguin / Pops / The Count (voice)
Juliana DonaldJenny
Lonny PriceRonnie
Louis ZorichPete
Art CarneyBernard Crawford
James CocoMr. Skeffington
Dabney ColemanMartin Price
Directing
- Frank OzDirector
Writing
- Jim HensonCharacters
- Frank OzScreenplay
- Jay TarsesScreenplay
- Tom PatchettScreenplay
- Jay TarsesStory
- Tom PatchettStory
Production
- Jim HensonExecutive Producer
- David LazerProducer
- Stephen HendricksonProduction Designer
Recommended by
Style Wars, The Great Muppet Caper, The Jim Henson Hour, The Stupids, Battle for Brooklyn, The Nightcleaners, You've Been Trumped