Film
The Death & Life of John F. Donovan
- Drama
- Slow-burning
A melancholic exploration of celebrity, loneliness, and a transformative correspondence between a famous actor and a troubled boy. Xavier Dolan's film moves between past and present, wrestling with how connection across vast distances can save a life—and how that same connection can be misread by the world. For anyone moved by quiet stories about being seen.
If you liked this
Moonlight2016
Three chapters of a Black man's life, told with visual poetry and restraint. Like Donovan, it's about intimacy across distance and the grace of being truly known by another person when it matters most.
But Very slow, almost wordless at times. If you need plot momentum or explicit emotion to engage, this will feel glacial.

Carol2015
Two women across a social divide connected by letters, longing, and the risk of visibility. It shares Donovan's tenderness about forbidden connection and its devastating cost to both people.
But The pacing is deliberate and the ending won't satisfy if you want rescue. It's as much about the longing as the outcome.

Call Me by Your Name2017
A summer correspondence—largely unspoken—between two men that reshapes both their lives. Like Donovan, it's about how ephemeral moments of true connection can echo across years and change everything.
But Sensual and slow. The emotional payoff is internal. Some find it self-indulgent; others find it profound.

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The wildcard
Something you would not have found on your own.
My Own Private Idaho1991
Both films understand that the most dangerous connections are those that can't be publicly named, and both treat that prohibition as the tragedy it is.
A young hustler and a runaway navigate Seattle's underworld, held together by devotion and delusion. Like Donovan, it's about the intensity of connection between two men from impossibly different worlds, and how that connection warps when witnessed by others.
But Shot in Super 8, deliberately fractured narrative, unsparing about bodies and sex and addiction. Deliberately difficult and not interested in making you comfortable.

More like this (7)
The Farewell2019
A family gathering around a secret, about what we can and cannot say to each other, and the gap between public presentation and private grief. It understands shame and love living in the same room.
But The tone is unusual—part dark comedy, part heartbreak. If you want clarity about how to feel, you won't get it.

Manchester by the Sea2016
Grief, shame, and the quiet ways a person can be trapped by their own past. It's about connection interrupted and the long work of living with that loss.
But Relentlessly sad. There is no catharsis, no redemption arc. Some find it cathartic; others find it punishing.

Lion2016
A man searches across continents for his lost brother, only to find that reunion doesn't erase the distance. About family, identity, and how being found doesn't always heal the original wound.
But The emotional climax is muted. It's more interested in the complexity of reunion than in making you feel resolved.

A Ghost Story2017
Haunting and strange, about love persisting across time and the ache of being unable to reach the person you've lost. Like Donovan, it takes the metaphysical seriously.
But Aggressively weird. A twenty-minute scene of someone eating pie. Not for anyone wanting realism or conventional narrative.

Lean on Pete2018
A boy on his own, finding companionship with a horse and a drifter. It's about survival and the small graces that make survival possible, without ever asking for credit.
But Sparse and quiet to the point of loneliness. Very little happens in the way plot usually happens. Some see depth; others see vacancy.

Lamb2021
Both films honor the unspeakable by making it visible, letting us sit with what cannot be named or solved.
An Icelandic couple's grief manifests as something magical and devastating. Entirely in a different register from Donovan—spare, mythic, almost fable-like—but equally about how we remake our relationships with the dead to survive.
But Slow, metaphorical, and cryptic. More interested in mood than explanation. If you want clarity about what's happening, you'll be frustrated.

The Act of Killing2012
Both films are about the weight of being watched and the terrible honesty that sometimes comes when someone finally has to account for how they've treated another human being.
A documentary where perpetrators of genocide recreate their crimes, laughing. Brutal and impossible to look away from. Its power comes from the same place Donovan finds its sorrow: watching someone forced to confront what they've done to another person.
But Morally nauseating. You are watching men perform evil for the camera without shame. Some will find it essential witnessing; others will find it complicit.

People
Cast
Kit HaringtonJohn F. Donovan
Natalie PortmanSam Turner
Jacob TremblayRupert Turner
Susan SarandonGrace Donovan
Kathy BatesBarbara Haggermaker
Ben SchnetzerRupert Turner (21 y.o.)
Thandiwe NewtonJournalist
Jared KeesoJames Donovan
Chris ZylkaWill Jefford Jr.
Amara KaranMiss Kureshi
Emily HampshireAmy Bosworth
Michael GambonMan in Diner
Directing
- Xavier DolanDirector
- Florelle Del BurgoThird Assistant Director
Writing
- Xavier DolanIdea
- Jacob TierneyWriter
- Xavier DolanWriter
Production
- Carmen CubaCasting Director
- Barry RyanCo-Producer
- Peter CarltonCo-Producer
- Anick PoirierExecutive Producer
- Elisha KarmitzExecutive Producer
- Joe IaconoExecutive Producer
- Nathanaël KarmitzExecutive Producer
- Patrick RoyExecutive Producer
- Nicholas DeWittLocation Assistant
- Benoît MathieuLocation Manager
- Lyse LafontaineProducer
- Nancy GrantProducer
- Xavier DolanProducer
- Christian FluetProduction Accountant
- Liana DeeProduction Accountant
- Masha ZhakProduction Assistant
- Yves DesjardinsProduction Coordinator