Film
Stuck on You
- Comedy
- Light-hearted
Conjoined twins from Martha's Vineyard dream of different things: one craves Hollywood stardom, the other wants a quiet life. When they accidentally land on a TV show, their sibling dynamic becomes its unlikely saving grace. It's a Farrelly Brothers comedy that treats its central conceit with genuine warmth alongside the expected absurdity—surprisingly heartfelt for a film about bodies that won't cooperate.
If you liked this
There's Something About Mary1998
The Farrelly Brothers at their confident peak: crude, inventive, and weirdly romantic. Cameron Diaz is luminous, the gags land hard, and it somehow cares about its characters beneath the mayhem.
But The gross-out humor hasn't aged perfectly, and if you find the Farrellys' sensibility grating, this won't change your mind.

Dumb and Dumber1994
Jim Carrey and Jeff Daniels in perfect comedic sync, playing two lovable idiots on a cross-country road trip. It's silly without being mean, and the chemistry between them carries you through the absurdity.
But The humor is deliberately lowbrow and repetitive by design. If you need sophistication or character depth, you're in the wrong place.

The Odd Couple1968
Jack Lemmon and Walter Matthau as opposites forced to share an apartment; the template for every buddy comedy that followed. Perfectly pitched, endlessly quotable, and their exasperation with each other is genuinely moving.
But It's a '60s farce, so the pacing and sensibility feel theatrical and occasionally creaky by modern standards.

Not sure tonight? Get a pick in a minute, starting from Stuck on You
The wildcard
Something you would not have found on your own.
Freaks1932
Both films center on people with unusual bodies navigating a world unprepared for them, but Freaks insists on their full humanity and agency in ways that remake how you see difference itself.
Tod Browning's 1932 masterpiece uses actual circus performers with disabilities in a narrative that treats them with profound dignity. It's shocking not for exploitation but for its refusal to condescend; a genuine moral and artistic achievement that still stings.
But The exploitation cinema context is queasy even with good intentions, and the 1930s filmmaking pace tests modern patience. This demands emotional maturity from the viewer.

More like this (8)
Bridesmaids2011
A female-led ensemble comedy with real stakes and character development alongside the set pieces. Kristen Wiig and the supporting cast find depth in what could have been disposable.
But The humor goes grotesque in ways that divide people; some find it liberating, others just uncomfortable.

I Love You, Man2009
A bromance comedy that actually respects the emotional core of male friendship. Paul Rudd and Jason Segel have genuine chemistry, and it's genuinely funny without sacrificing sincerity.
But It's very earnest in places, which some will read as saccharine. The tonal shifts between comedy and sentiment aren't always smooth.

Forgetting Sarah Marshall2008
Jason Segel writes and stars in a film about romantic heartbreak that's both hilarious and surprisingly tender. The supporting cast is excellent, and it balances humor with actual emotion.
But The resort setting means a lot of scenes in swimwear; some jokes land harder than others, and the sweetness might feel thin if you're in the wrong mood.

Trading Places1983
Eddie Murphy and Dan Aykroyd in a tightly plotted comedy where class and race are the actual engine, not decoration. Smart, fast-paced, and both leads are clearly having fun.
But Dated attitudes occasionally show through, despite the film's intelligence. Some of the humor feels broad by modern standards.

Tommy Boy1995
Chris Farley and David Spade as a dimwit and a straight man on a cross-country sales trip. It's built entirely on their chemistry, which is undeniable, and the goodwill never stops flowing.
But Farley's comedy style is exhausting for some; if you find shouting and pratfalls more tiring than funny, this will wear you out.

The Grand Budapest Hotel2014
Wes Anderson's most accessible film: a caper comedy with impeccable design and an ensemble cast firing on all cylinders. Funny, touching, and visually immaculate.
But Anderson's stylization is overwhelming for viewers who find his work precious or emotionally cold; the artificiality is the whole point.

Synecdoche, New York2008
Both are comedies (barely) about the gap between who we are and who we perform; the difference is Kaufman explodes the gap until you can see infinity through it.
Charlie Kaufman's one directorial feature: an ambitious, formally inventive exploration of performance, identity, and the lies we tell ourselves. Philip Seymour Hoffman's quietly devastating work anchors a film that could have been pretentious but somehow transcends it.
But It's willfully obscure and structurally difficult; narrative clarity takes a backseat to mood and metaphor. You need to sit with confusion.

Pee-wee's Big Adventure1985
Both films star an actor playing someone whose fundamental weirdness is the actual thing being celebrated rather than corrected, and both find unexpected tenderness in that refusal to normalize.
Tim Burton and Paul Reubens created something that shouldn't work but does: surrealist comedy on a tiny budget with tremendous heart. It's visually inventive, genuinely funny, and oddly moving in its portrait of loneliness and connection.
But Pee-wee's persona is not for everyone; his voice and physicality wear on some people instantly. The humor is associative rather than linear.

People
Cast
Matt DamonBob
Greg KinnearWalt
Eva MendesApril
Pat Crawford BrownMimmy- Ray 'Rocket' ValliereRocket
- Tommy SonginTommy

CherCher
Jackie FlynnHoward
Seymour CasselMorty O'Reilly
Griffin DunneGriffin Dunne
Directing
- Bobby FarrellyDirector
- Peter FarrellyDirector
Writing
- Bobby FarrellyScreenplay
- Peter FarrellyScreenplay
- Bennett YellinStory
- Bobby FarrellyStory
- Charles B. WesslerStory
- Peter FarrellyStory
Production
- Rick MontgomeryCasting
- Garrett GrantCo-Producer
- Marc S. FischerExecutive Producer
- Bobby FarrellyProducer
- Bradley ThomasProducer
- Charles B. WesslerProducer
- Kris MeyerProducer
- Mark CharpentierProducer
- Peter FarrellyProducer