Film
St Trinian's
- Comedy
- Light-hearted
A cheerfully anarchic British comedy where a girls' school full of enthusiastic misfits plots an art heist to save their school from closure. It's silly, colourful, and deeply committed to the bit—less interested in narrative logic than in finding the next joke. For anyone who enjoyed Clueless or Heathers, or who just wants ninety minutes of pure comic chaos with a heart underneath.
If you liked this
Clueless1995
A sharp, witty ensemble comedy about teen scheming and social hierarchy. Like St Trinian's, it's clever enough to respect its audience while staying utterly unpretentious about having fun. The DNA is everywhere.
But The fashion and slang are deliberately '90s—if period details pull you out of films, this will feel dated in ways St Trinian's avoids.

Heathers1989
A wicked ensemble comedy about dangerous school politics with a similar willingness to let chaos reign. It's sharper and darker, but shares that delightful energy of watching smart people behave badly together.
But It's genuinely brutal—people die—and the tone is cynical in ways St Trinian's would never attempt. Harder to watch casually.

The Happiest Days of Your Life1950
The immediate ancestor of St Trinian's itself: a British comedy about chaos when a girls' school and boys' school are forced to share premises. Alastair Sim is magnificent. It has the same anarchic energy and period charm.
But It's black and white and genuinely old—pacing and humour feel mannered to modern eyes. The setup is the whole film.

Not sure tonight? Get a pick in a minute, starting from St Trinian's
The wildcard
Something you would not have found on your own.
Kes1970
Both are about children reclaiming agency and control in an institution that wants to crush them. One finds it in humour and heists, the other in a hawk and defiance. Same engine, opposite registers.
A gritty British film about a working-class boy finding freedom through a trained hawk. Structurally similar to St Trinian's—both are about outsiders finding power by breaking rules—but this is deadly serious, filmed in documentary style, about real hardship and real stakes.
But It's bleak and angry, with genuine violence and cruelty. If you came for colour and chaos, this will feel punishing. There are no jokes.

More like this (8)
Bend It Like Beckham2002
A British ensemble comedy about girls breaking rules and defying expectations. Warm, funny, with real heart under the jokes. Proves you can be both silly and sincere without the film collapsing.
But The sports angle might feel like a constraint if you don't care about football, and the culture-clash plot is fairly familiar.

Girls Just Want to Have Fun1985
An '80s teen comedy about girls staging an audacious scheme to compete on TV despite their strict parents. It's anarchic, colourful, and commits entirely to the idea that girls causing trouble is the whole point of the movie.
But The plot is gossamer-thin and the '80s aesthetic—fashion, music, tone—is very much of its moment. It's aggressively cheerful.

Angus, Thongs and Perfect Snogging2008
A British teen comedy from the same era, about girls navigating school chaos with energy and humour. It's equally committed to nonsense and has a similar warm ensemble spirit.
But The romantic subplot matters more than it should, and the humour is occasionally uneven—not every joke lands.

The Devil Wears Prada2006
Another ensemble comedy where style, scheming, and female friendship are the real subject. It's sharper and more sophisticated, but shares St Trinian's sense that watching smart women collaborate is endlessly entertaining.
But It's fundamentally about aspiration and success in a way St Trinian's isn't—the tone is cooler, less anarchic.

Matilda1996
A family comedy about children outwitting adults in a chaotic school setting. It's got the same energy of intelligent kids treating authority as a puzzle to solve, and Danny DeVito's commitment to chaos is infectious.
But It's aimed younger—if you want the jokes to land for adults watching, this might feel slight. The sentiment is heavier than the comedy.

Tank Girl1995
An aggressively weird punk-rock action comedy where a woman and her friends cause maximum chaos. It's anarchic in the same way St Trinian's is—more interested in style and attitude than plot coherence.
But It's genuinely strange and badly paced. The tone whiplashes from comic to violent. Some people find it brilliant; others find it unwatchable.

The Fits2016
Both centre on a girl joining a mischievous group and finding herself through collective identity. St Trinian's does it with heist comedy; this does it through hypnotic image and sound.
A hypnotic, largely silent film about a girl joining a competitive dance team, shot like visual poetry. It has St Trinian's energy—young people finding identity and power through a group—but renders it in impressionistic, modern style that feels completely fresh.
But There's almost no dialogue and no traditional plot. It's abstract and mood-driven. If you need a clear narrative and jokes every few minutes, this will feel like watching paint dry.

The School of Rock2003
Both use education and institutional rule-breaking as the frame for something warmer—belonging, self-discovery, the pleasure of being part of a tribe that gets you. Comedy with genuine affection underneath.
Jack Black as a musician infiltrating a prep school to teach kids his way. It's similarly anarchic about authority—an adult enabling children to break rules—and finds genuine heart without abandoning the comedy. It proves the formula works.
But Jack Black's performance is either magnetic or exhausting depending on your tolerance. The film is more sentimental than St Trinian's, which might feel like a betrayal if you wanted pure chaos.

People
Cast
Talulah RileyAnnabelle Fritton
Rupert EverettCamilla Fritton / Carnaby Fritton
Gemma ArtertonKelly Jones
Colin FirthGeoffrey Thwaites
Lena HeadeyMiss Dickinson
Jodie WhittakerBeverly
Russell BrandFlash Harry
Anna ChancellorMiss Bagstock
Juno TempleCelia
Tamsin EgertonChelsea Parker
Antonia BernathChloe
Amara KaranPeaches
Directing
- Terence MaddenAdditional Third Assistant Director
- Barnaby ThompsonDirector
- Oliver ParkerDirector
Writing
- Ronald SearleCharacters
- Ronald SearleNovel
- Nick MoorcroftScreenplay
- Piers AshworthScreenplay
Production
- Lucy BevanCasting
- Mark HubbardCo-Producer
- James SpringExecutive Producer
- Nigel GreenExecutive Producer
- Oliver ParkerExecutive Producer
- Rupert EverettExecutive Producer
- Barnaby ThompsonProducer