Film
Son of Flubber
- Comedy
- Science fiction
- Light-hearted
A 1963 Disney comedy where a bumbling professor invents gravity-defying substances while his long-suffering wife watches the chaos unfold. It's earnest slapstick with practical effects, aimed squarely at families who enjoy bright technicolor mishaps and gentle satire of bureaucratic stupidity. Charming if you're in the mood for wholesome absurdity.
Should you watch it?
Watch it if you enjoy gentle, slapstick-tinged science comedy where a bumbling inventor's gadgets run amok and domestic squabbles are played for warm laughs, the kind of old-fashioned Disney silliness that suits a rainy afternoon.
Skip it if the plot is thin and repetitive, with the bureaucratic obstruction and marital bickering circling the same ground, and the gags lean on mugging more than wit.
What it asks of you: A brisk hundred minutes of broad, cheerful farce, with unhurried lab tinkering and chatty domestic scenes between the bigger set pieces; little demands close tracking beyond the next gag.
Not sure? Find tonight's pick in a minute.
If you liked this
The Absent-Minded Professor1961
The original Flubber film that started it all. Fred MacMurray as Ned Brainard is pitch-perfect, and the rubber-ball physics gags still land with genuine ingenuity and warmth.
But The special effects, while inventive for 1961, look their age. If you need modern visual polish, you'll find it dated rather than charming.

Chitty Chitty Bang Bang1968
Similar DNA: whimsical inventor, practical effects wizardry, a blend of comedy and wonder that trusts the audience to giggle at the same things. Dick Van Dyke's energy matches MacMurray's deadpan.
But It's a musical, and a long one. If you're not ready for songs every fifteen minutes, you'll feel the runtime.

The Love Bug1968
Another Disney comedy built on a single fantastic premise executed with warmth and practical ingenuity. Herbie the Beetle has the same earnest personality as Flubber itself.
But It leans more on romantic subplot than pure invention comedy. The pacing can feel slack in the middle third.

Not sure tonight? Get a pick in a minute, starting from Son of Flubber
The wildcard
Something you would not have found on your own.
Barbarella1968
Both treat outlandish invention as an excuse for color and movement rather than plot. The universe bends to visual gags and character whimsy, not physics.
Jane Fonda in a candy-colored space romp built entirely on practical sets and absurdist logic. Like *Son of Flubber*, it's science fiction as an excuse for visual nonsense and good cheer rather than ideas.
But It's camp, genuinely so, and plays as a deliberate send-up. Some viewers find that exhausting; others can't look away.

More like this (8)
Bedknobs and Broomsticks1971
Angela Lansbury and David Tomlinson in a fantasy adventure that shares *Son of Flubber*'s faith in practical magic and its willingness to stop the plot for a beautiful sequence.
But It's nearly two and a half hours, and the animated section divides audiences sharply. Some find it magical; others find it indulgent.

The Parent Trap1961
Disney's other great Fred MacMurray vehicle from the same era. Lighter on gadgetry but equally warm about family chaos and mischief that ends in love.
But The twin-switching plot is transparent to modern eyes. You'll see every beat coming from a long way off.

Mary Poppins1964
A masterpiece of the same school: magical nonsense grounded in character and genuine emotion, with technical wizardry that delights without showing off.
But Julie Andrews' perfection and the sheer craft can feel intimidating if you're just looking for a romp. It demands respect, not just attention.

The Computer Wore Tennis Shoes1969
Kurt Russell as a student who becomes a human computer. Pure 1960s Disney sci-fi comedy with the same good-natured spirit and practical-effects enthusiasm.
But The premise wears thin. Once you've accepted the core conceit, there's not much new ground to cover.

Goodbye, Mr. Chips1969
Peter O'Toole and Petula Clark in a musical about a devoted schoolmaster. Shares *Son of Flubber*'s warmth toward ordinary men doing their best against the world.
But It's sentimental in ways that feel very 1960s. If you're allergic to earnestness, it will feel cloying.

The Apple Dumpling Gang1975
A later Disney entry with Tim Conway and Don Knotts; same comedic register, same faith in pratfalls and heart over cynicism.
But By the mid-1970s, the formula is showing its age. It feels like a parody of itself rather than the thing itself.

Singin' in the Rain1952
Both are films about the pleasure of watching humans (and objects) defy physics. The Flubber sequences share the same DNA as a great song-and-dance number: pure spectacle as emotional content.
A masterwork of practical comedic choreography where every frame is designed to delight the eye. Like *Son of Flubber*, it trusts that watching people do impossible things with joy is all the story you need.
But It's a musical from 1952, and unapologetically so. The Hollywood satire feels dated if you're not in the mood for old-Hollywood in-jokes.

Moonwalk One1972
*Son of Flubber* is fantasy built on the promise that invention could defy the laws of nature. *Moonwalk One* is the moment when that promise became literal. Watching them back-to-back shows what 1960s imagination believed was possible.
A documentary about the Apollo 11 mission shot in real time, without narration, letting the event speak for itself. When *Son of Flubber* invents gravity-defying substances, it's playing in the same cultural moment that made men actually leave the Earth.
But It's completely earnest and nearly dialogue-free. If you want human drama or a story arc, you won't find it—only the raw footage of an impossible thing made real.

People
Cast
Fred MacMurrayNed Brainard
Nancy OlsonBetsy Brainard
Keenan WynnAlonzo P. Hawk
Tommy KirkBiff Hawk
Ed WynnA.J. Allen
Charles RugglesJudge Murdock
Leon AmesRufus Daggett
Ken MurrayMr. Hurley
William DemarestMr. Hummel
Paul LyndeSportscaster
Elliott ReidShelby Ashton
Bob SweeneyMr. Harker
Directing
- Robert StevensonDirector
Writing
- Bill WalshWriter
Production
- Bill WalshCo-Producer
- Walt DisneyProducer
Recommended by
The Absent-Minded Professor, The Shaggy Dog, The Monkey's Uncle