Film
Skincare
A skin-care entrepreneur suspects sabotage when a rival opens across the street, spiralling into paranoia and obsession. It's a dark comedy thriller that treats petty professional rivalry as high-stakes psychological warfare. For anyone who's ever fantasized about revenge on a workplace nemesis, or who enjoys watching competent people unravel.
If you liked this
Promising Young Woman2020
A woman on a mission of vengeance, propelled by fury and a specific moral code. Sharp, darkly funny, and genuinely unsettling—it commits fully to its premise and doesn't apologize.
But The subject matter is heavy. It's deliberately uncomfortable viewing, and the tonal shifts won't work for everyone.

The Conversation1974
A surveillance expert becomes convinced he's uncovered a conspiracy, descending into paranoia and moral collapse. Coppola's masterpiece about obsession and the stories we tell ourselves—glacially paced but hypnotic.
But It's deliberately slow and meditative. If you want immediate momentum, this won't give it to you for the first hour.

Uncut Gems2019
A jeweler in freefall, making increasingly desperate choices as everything spirals. Relentless energy and genuine dread—it's exhausting in the best way, a film that doesn't let you breathe.
But The constant anxiety and ugly characters might feel punishing. Some find it more stressful than entertaining.

Not sure tonight? Get a pick in a minute, starting from Skincare
The wildcard
Something you would not have found on your own.
Scenes from a Marriage2021
Both pivot on the question of what we owe people we're entangled with, and both watch carefully as proximity breeds resentment and elaborate justification.
A five-part miniseries that dissects a marriage through intimate, excruciating scenes of conflict and desire. Bergman's original reassembled for modern sensibility—it's about how two people destroy each other through proximity.
But It's emotionally draining and offers no catharsis. Some will find the slowness punishing rather than necessary.

More like this (7)
Nightcrawler2014
An ambitious man with no empathy builds a career through exploitation and obsession. Gyllenhaal's performance is magnetic—it's a character study of pure ambition divorced from morality.
But It's bleak and offers no warmth or redemption. The protagonist is contemptible, and the film never lets you forget it.

Gone Girl2014
Two people locked in psychological warfare masquerading as marriage. Fincher's direction is immaculate, and the plot twists recontextualize everything you've seen.
But If you've already seen it, you won't get the shock value. Rewatches reveal the seams more readily.

The Assistant2020
A day in the life of a woman enabling systemic abuse. Understated and observational, it builds dread through mundane complicity rather than plot theatrics.
But Nothing dramatic happens. It's intentionally quiet and mundane—some will find it slow rather than suspenseful.

Mulholland Drive2001
Two women in Los Angeles chase ambition and identity through a story that collapses in on itself. Lynch's formal brilliance and emotional devastation—it demands to be unpacked.
But It's deliberately fragmented and elliptical. If you need plot clarity, this will frustrate you.

Barton Fink1991
A screenwriter in a decaying hotel becomes increasingly unmoored, trapped by his own pretensions. The Coens balance horror and dark comedy; it's suffocating and blackly funny.
But The tone is aggressively weird and the ending is deliberately unsatisfying. It's a puzzle that doesn't reward solving.

High and Low1963
Both feature protagonists convinced they're under siege, and both use their obsession to reveal something deeper about complicity and self-justification.
A wealthy executive's son is kidnapped; the film splits between the executive's mansion and the criminal underworld. Kurosawa's composition is architectural—it's about class, obligation, and the stories we tell about guilt.
But It's a 1960s Japanese film in black and white, methodical rather than fast-paced. The first half moves at a deliberate tempo.

Eating Raoul1982
Both treat ordinary people in ordinary spaces as sites of escalating moral compromise—paranoia and murder as the logical extension of self-interest and resentment.
A respectable couple murders their promiscuous neighbors and sells the bodies for profit. It's a deadpan satire of suburbia, propriety, and how depravity hides behind good taste.
But It's deliberately crude and deeply ugly in its comedy. The premise is absurd, and some will find that gimmicky rather than sharp.

People
Cast
Elizabeth BanksHope Goldman
Lewis PullmanJordan
Michaela Jaé RodriguezMarine
Luis Gerardo MéndezAngel Vergara
Nathan FillionBrett Wright
Erik PalladinoArmen
John BillingsleyJeff
Jason Manuel OlazabalEmerson
Jesse SalerHollywood Man
Ella BalinskaJessica- Julie ChangKylie Curson
Medalion RahimiMargaret
Directing
- Austin PetersDirector
- Paul SilverFirst Assistant Director
- David BuchwaldSecond Assistant Director
- Cody CampSecond Second Assistant Director
- Tricia MeolaSecond Second Assistant Director
Writing
- Austin PetersWriter
- Deering ReganWriter
- Sam FreilichWriter
Production
- Robert W. Sterrett IIIAssistant Location Manager
- Elizabeth ManchenkovAssistant Production Coordinator
- Michael Chi PeerAssociate Producer
- Eyde BelascoCasting
- Randy TollCo-Executive Producer
- Steven TollCo-Executive Producer
- Antonio KhouryCo-Producer
- Connor CharlandCo-Producer
- Lilla SoriaCo-Producer
- Sabrina SipantziCo-Producer
- Tanner MossCo-Producer
- Andrea IervolinoExecutive Producer
- Danielle MaloniExecutive Producer
- Deering ReganExecutive Producer
- Luca MatrundolaExecutive Producer
- Monika BacardiExecutive Producer
- Richard SalvatoreExecutive Producer
- Sam FreilichExecutive Producer
- Scott ShoomanExecutive Producer
- Debe WaismanExtras Casting
- Michael PercivalLocation Manager
- Stella Benda LodiPost Producer
- Giulia di CaroPost Production Coordinator
- Jonathan SchwartzProducer
- Logan LermanProducer
- Jacob GiancolaProduction Assistant
- Sarah BanksProduction Coordinator
- Marco FalconeProduction Secretary