Film

Scary Stories to Tell in the Dark

A Halloween night descent into genuine creepiness. Four teenagers break into a haunted house and accidentally trigger a curse from a book of scary stories. It's a nostalgic creature-feature with real scares, clever use of practical effects, and the kind of rising dread that makes you grip your armrest. Perfect for viewers who love 80s-flavoured horror that respects the genre without irony.

TMDb rating3.3

Should you watch it?

Watch it if you like teen-led horror that leans on campfire-style mood and small-town unease more than gore, with a mystery you can piece together as you go.

Skip it if you want relentless scares or grisly set pieces, since this trades constant jolts for a slower, eerie build and restrained gore.

What it asks of you: At just under two hours, it settles in slowly, so expect a long wind-up before the scares pick up and a lot of small-town atmosphere in between.

If you liked this

It Comes at Night2017

Shared DNA: a gang of kids versus supernatural evil in a small town, with creature design that lingers. Excellent ensemble chemistry and genuine jump-scares wrapped in period nostalgia.

But Nearly three hours long and can feel bloated. The CGI doesn't always land as well as the practical scares, and it leans hard on quips when tension would serve better.

It Comes at Night poster

The Conjuring2013

James Wan's masterclass in slow-burn horror. A haunted house, a family in danger, and a building sense of wrongness that pays off. Impeccable pacing and genuine scares without relying on gore.

But If you find jump-scares manipulative, this uses them relentlessly. The plot is fairly straightforward—there's no mystery beneath the haunting itself.

The Conjuring poster

Poltergeist1982

The original suburban-home-invasion horror. A family terrorised by forces in their house, a child at the centre of it all. Spielberg-supervised craft and practical effects that still hold up terrifically.

But The pacing is very 80s—things take time to build. Some of the scares feel quaint now, and the dialogue can be earnest to the point of datedness.

Poltergeist poster

Not sure tonight? Get a pick in a minute, starting from Scary Stories to Tell in the Dark

The wildcard

Something you would not have found on your own.

The Babadook2014

A cursed book as the entry point to nightmare; a child at the centre; the supernatural as a literalisation of adult trauma bleeding into childhood. Both understand that the scariest stories are the ones we don't tell.

A mother and son discover a pop-up book that shouldn't exist, and something emerges that is not quite real but devastatingly real in its effects. Australian filmmaker Jennifer Kent creates horror from grief and the things we refuse to say. Visually striking and emotionally severe.

But It's a difficult watch—not fun, and not interested in scares as entertainment. The creature design is deliberately awkward rather than cool. Some viewers find it punishingly heavy.

The Babadook poster
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Insidious2011

A locked-groove descent into dread. A child mysteriously comatose, parents searching for answers across dimensions. The design of its creatures is genuinely unsettling and the sound design is masterful.

But The twist, when it comes, divides people. Some find it clever; others feel shortchanged. It's also quite violent for what seems like a family-friendly premise.

Insidious poster

A Quiet Place2018

Economical storytelling. Creatures that hunt by sound, a family in near-silence, mounting tension in every frame. John Krasinski directs with real control and the concept never wavers.

But The film's minimalism—dialogue-sparse, character-light—might feel cold or frustrating. Plot mechanics don't always hold up to scrutiny once you start thinking.

A Quiet Place poster

Sinister2012

A writer investigating a murder stumbles into something much darker, courtesy of old home-video footage. Deeply creepy atmosphere and a genuinely unsettling central conceit that unfolds methodically.

But Deeply bleak and offers no catharsis. Some imagery is genuinely disturbing rather than thrilling, which isn't everyone's idea of a good evening.

Sinister poster

The Descent2005

A caving expedition becomes a nightmare. Claustrophobic, visceral, and committed to putting characters through genuine ordeal. The creature design is excellent and the film doesn't rely on cheap scares.

But Very violent and sustained in its intensity. Some viewers find the relentless bleakness exhausting rather than gripping. Not a breather film.

The Descent poster

A Dark Song2016

A woman hires an occultist for a ritual that may unlock the divine or the demonic. Slower and stranger than typical horror, building genuine metaphysical unease. Excellent lead performance and a willingness to sit with dread.

But Quiet, patient, and sometimes glacial. If you want momentum and jump-scares, this will feel like watching someone's very private grief. The ending divides viewers sharply.

A Dark Song poster

The Ring2002

A cursed videotape that kills you seven days after viewing. Wonderfully strange premise, excellent atmosphere, and one of the best 'chase' sequences in horror cinema. Gore-free but genuinely scary.

But The central concept, while creepy, doesn't always hold up to logic. The film's slowness in the second half loses some momentum as exposition replaces dread.

The Ring poster

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