Film
Romy and Michele's High School Reunion
Two best friends invent a wildly implausible cover story — they're the co-inventors of the Post-it note — to survive their ten-year reunion, and the film is smarter than its bubblegum surface suggests. It's a comedy about reinvention, humiliation, and the fierce loyalty of friendships forged in outsiderdom. Kudrow and Sorvino have flawless chemistry, the fashion is deranged in the best way, and underneath the neon there's real tenderness about who gets to decide you were a loser.
If you liked this
Bridesmaids2011
Another female-friendship comedy that trusts women to be gross, petty, and heartbroken all at once, with Kristen Wiig unraveling spectacularly under the pressure of being a good friend at someone else's big moment.
But It's grounded, almost mean at times, where Romy and Michele stay determinedly silly — the tonal whiplash might not suit you.

Clueless1995
Same decade, same commitment to a heroine who is dim in exactly the right, lovable ways, dressed to the nines and never once doubting herself.
But It's gentler and less humiliating — nobody here has to lie their way through an ordeal to be accepted.

Legally Blonde2001
Another underestimated blonde who gets to be smarter and kinder than everyone assumes, proving competence and glitter aren't mutually exclusive.
But It's a genuine underdog triumph rather than a comedy of humiliation — less bite, more polish.

The wildcard
Something you would not have found on your own.
Waiting for Guffman1997
Both are about people constructing elaborate, delusional identities to be seen as special by the people who knew them best — Guffman just shoots it as a fake documentary about a terrible community theater production instead of a class reunion.
Christopher Guest's improvised troupe of small-town weirdos preparing a disastrous anniversary pageant is one of the funniest, most quietly tender comedies about wanting to matter ever made.
But The mockumentary deadpan is a world away from Romy and Michele's cartoonish brightness — much drier, much slower burn.

More like this (8)
Grosse Pointe Blank1997
The other great high school reunion movie from the exact same year, just filtered through a hitman's existential crisis instead of a fashion crisis.
But It's a dark, dry romantic comedy with a body count — not remotely as sunny or silly.

Miss Congeniality2000
A woman forced into a glossy persona she can't quite sustain, played for big laughs and, eventually, a surprising amount of heart.
But The beauty pageant setting swaps high school anxiety for adult-world absurdity — a different flavor of fake.

10 Things I Hate About You1999
Same late-90s high school universe, sharper teen dialogue, and a cast including a young Heath Ledger at his most charming.
But It's a straight teen romance, not a grown-up comedy of reinvention and regret.

Never Been Kissed1999
Drew Barrymore returns to high school to fix the past, chasing the same wish-fulfillment fantasy of finally being cool that drives Romy and Michele.
But It plays the premise mostly straight and romantic, without the absurdist comic engine.

Booksmart2019
A more recent, equally devoted portrait of two best friends whose codependence is the whole joke and the whole heart of the movie.
But It's set the night before graduation, not a decade later — the nostalgia ache hasn't kicked in yet.

The House Bunny2008no page yet
Anna Faris doing a dumb-blonde makeover comedy with real sweetness underneath, in the same spirit of glitter hiding insecurity.
But It's broader and lower-stakes, more sorority hijinks than reunion dread.
Peggy Sue Got Married1986
Same reunion-as-reckoning structure — a woman returns to face who she used to be — but instead of lying her way through it, she gets to time-travel back and actually redo it.
Kathleen Turner is magnetic as a woman flung back into her teenage body at her 25th reunion, forced to confront the choices that made her, with warmth instead of mockery.
But It's an earlier, more sincere Hollywood dramedy with real fantasy stakes, not a satire of reinvention.

Frances Ha2013
Strip away the Post-it note lie and the neon, and you're left with the same question underneath: what happens to a friendship, and a self, when you haven't figured out who you're supposed to be yet.
Greta Gerwig, adrift and broke in New York, chasing a sense of having 'arrived' just as desperately as Romy and Michele — just in black-and-white, and quieter, and sadder.
But There's no reunion, no costumes, no big comic set piece — it's melancholic and loosely plotted, not a party movie.

People
Cast
Mira SorvinoRomy White
Lisa KudrowMichele Weinberger
Janeane GarofaloHeather Mooney
Alan CummingSandy Frink
Julia CampbellChristy Masters
Mia CottetCheryl Quick
Kristin BauerKelly Possenger
Elaine HendrixLisa Luder
Vincent VentrescaBilly Christianson
Camryn ManheimToby Walters
Justin TherouxCowboy
Jacob VargasRamon
Directing
- Basil GrilloAssistant Director Trainee
- David MirkinDirector
- Martha M. ElcanFirst Assistant Director
- Nancy KarlinScript Supervisor
- Tony SchwartzSecond Assistant Director
- Jennifer WilkinsonSecond Second Assistant Director
Writing
- Robin SchiffScreenplay
- Robin SchiffTheatre Play
Production
- Richard E. Chapla Jr.Assistant Production Coordinator
- Marcia RossCasting
- Donna MorongCasting Associate
- Richard Luke RothschildCo-Producer
- Barry KempExecutive Producer
- Robin SchiffExecutive Producer
- Charles W. FrancisFirst Assistant Accountant
- David PressmanLocation Coordinator
- Laurence MarkProducer
- Byron MacdonaldProduction Accountant
- Colleen ColeProduction Coordinator
- Alex SchwartzProduction Executive
- Philip SteuerProduction Supervisor
- Richard Luke RothschildUnit Production Manager
Recommended by
Girlfriends, Clueless, Grosse Pointe Blank, Bridesmaids, Peggy Sue Got Married, Muriel's Wedding