Film
Police Academy: Mission to Moscow
The seventh and final Police Academy film sends Lassard's lovable cadets to Moscow to help Russian police fight the Mafia. It's pure '90s comedy chaos: slapstick, fish-out-of-water humour, and character bits you've grown fond of if you've made it this far. For completionists and people who love dumb fun without meanness.
If you liked this
Beverly Hills Cop III1994
Eddie Murphy returns as Axel Foley in another fish-out-of-water comedy with a similar energy: goofy set pieces, a charismatic lead cracking jokes, and a plot that's really just scaffolding for the comedy.
But The comedy is broader and less sharp than the earlier films, and the action sequences feel bloated rather than punchy.

Troop Beverly Hills1989
Shelley Long leads a ragtag group of misfits through comedic chaos with genuine warmth and zero cynicism. Same DNA as Police Academy—ensemble, underdog spirit, character-driven humour that doesn't rely on cruelty.
But It's aggressively cheerful and sincere, which can feel saccharine if you're in a mood for anything edgier.

Super Troopers2001
State troopers playing pranks and solving a crime with messy camaraderie. Ensemble comedy with real affection for its characters and laugh-out-loud set pieces that actually land harder.
But The humour is raunchier and meaner-spirited than Police Academy, even when the heart is there.

Not sure tonight? Get a pick in a minute, starting from Police Academy: Mission to Moscow
The wildcard
Something you would not have found on your own.
Red Heat1988
Both send Western cops to Moscow as the setup; both are buddy-cop comedies about unlikely cultural collisions, but Red Heat treats the premise seriously rather than as pure farce.
Arnold Schwarzenegger and Jim Belushi as a Soviet cop and Chicago cop forced to partner up—a buddy cop film with the same fish-out-of-water Moscow angle, but played deadpan and straight. Surprisingly effective action-comedy with real chemistry.
But It's a earnest action film first and comedy second, which means if you want Police Academy silliness, you won't find it here.

More like this (8)
Ghostbusters II1989
Bill Murray, Dan Aykroyd, and the gang reunite for a sequel that knows what you loved about the first one and tries earnestly to deliver it again, with practical effects and genuine comedy.
But It doesn't recapture the original's magic, and feels more like a victory lap than a real story.

Coming to America1988
Eddie Murphy and Arsenio Hall's comedy chemistry, elaborate set pieces, and committed performances elevate what's basically a silly premise. Warmth and goofy fun wrapped around real craft.
But It's long, the subplot machinery creaks, and some of the cultural humour hasn't aged as kindly as you'd hope.

National Lampoon's European Vacation1985
The Griswolds abroad: fish-out-of-water comedy, an endearing family stumbling through disasters, and genuine character dynamics beneath the slapstick.
But Chevy Chase's comedy style is very specific, and the plot is threadbare even by road-trip standards.

Spies Like Us1985
Chevy Chase and Dan Aykroyd as bumbling spies sent to Moscow during the Cold War—the premise alone sells it, and their rapport carries you through.
But The jokes don't always land, the pacing drags, and it feels like an SNL sketch stretched to feature length.

Repo Man1984
Punk aesthetic collides with deadpan comedy in a Los Angeles repo man's world. Weird, funny, visually striking, and genuinely strange in ways that still feel fresh.
But It's deliberately amateurish and fractured, which reads as experimental rather than entertaining if you're looking for conventional laughs.

Ruthless People1986
An ensemble cast (Danny DeVito, Bette Midler, Judge Reinhold) in a kidnapping caper played for laughs. Tight, well-constructed comedy with characters you actually like.
But The premise is darker than the tone, and it can feel tonally uncertain about what kind of movie it wants to be.

The Naked Gun: From the Files of Police Squad!1988
Both are ensemble police comedies built on character affection and sight gags, but The Naked Gun pioneered the rapid-fire absurdist style that influenced everything that came after.
Leslie Nielsen as a hapless detective solving crimes while chaos erupts around him—joke density so high you'll catch new ones on a rewatch. Absurdist slapstick with a different texture than Police Academy but the same anarchic warmth.
But The joke structure means there's almost no emotional weight; if you need a story to care about, this is a gag machine and nothing more.

Brewster's Millions1985
Both films trust their ensemble and character moments over plot mechanics; both believe audience goodwill comes from liking the people on screen, not from cynicism.
Richard Pryor and John Candy as a man forced to spend a fortune in thirty days—a premise-driven comedy with genuine heart, character chemistry that makes you smile, and a warmth that doesn't require meanness.
But The plot is thin, the pacing meanders, and once you understand the premise, there's not much surprise left.

People
Cast
George GaynesCommandant Lassard
Michael WinslowJones
David GrafTackleberry
Leslie EasterbrookCallahan
G.W. BaileyCaptain Harris
Christopher LeeCommandant Rakov
Ron PerlmanKonstantine Konali
Claire ForlaniKatrina
Charlie SchlatterCadet Connors
Richard IsraelAdam Sharp
Gregg BergerLieutenant Talinsky
Vladimir DolinskiyBellboy
Directing
- Alan MetterDirector
- Alex HapsasFirst Assistant Director
- Alexander ZelenkovFirst Assistant Director
- Sheila WilsonScript Supervisor
- Alexander YurchikovSecond Assistant Director
Writing
- Neal IsraelCharacters
- Pat ProftCharacters
- Michele S. ChodosWriter
- Randolph DavisWriter
Production
- Suzanne LoreAssociate Producer
- Melissa SkoffCasting
- Olga YazykovaCasting Assistant
- Tammy RosenCasting Assistant
- Donald L. WestCo-Producer
- Leonid VereshchaginProducer
- Paul MaslanskyProducer
- Alexander NakhimsonProduction Manager
- Donald L. WestProduction Manager
- George KuntnerProduction Manager