Film
L.A. Story
- Comedy
- Romantic comedy
- Light-hearted
A romantic comedy where Steve Martin's Los Angeles weatherman falls for a British journalist with help from a sentient freeway billboard. It's a love letter to 90s LA filtered through whimsy and light absurdism—funny without trying too hard, romantic without sentiment getting in the way. For anyone who loves smart comedy that doesn't take itself seriously.
Should you watch it?
Watch it if you enjoy gentle, sun-bleached satire where the jokes about city life sit alongside a sweet, slightly daft romance and a sense that anything might happen on the freeway.
Skip it if you want sharp plotting and steady momentum, since this one meanders through its set pieces and leans on whimsy more than tight structure or narrative drive.
What it asks of you: Ninety-five minutes of loose, episodic wandering that rewards a relaxed mood and a willingness to let the oddball details wash over you without much urgency.
Not sure? Find tonight's pick in a minute.
If you liked this
Splash1984
Tom Hanks and Daryl Hannah in a romantic comedy about impossible connection with genuine heart. Magical realism played straight, with perfect comic timing and a premise that shouldn't work but does.
But It's sentimental in ways that feel dated now, and the mermaid mythology eventually requires you to stop thinking too hard.

Beetlejuice1988
Tim Burton's comedic chaos with a similar blend of LA-adjacent strangeness, romance, and talking-to-inanimate-things energy. Visually inventive, endlessly quotable, never takes a breath.
But The humor is broad and sometimes grating; some jokes land better than others, and the film moves at breakneck speed.

Ghostbusters II1989
Bill Murray and Dan Aykroyd reunite for New York weirdness with the same deadpan-meets-absurd tone. Romance threaded through supernatural chaos, comedy that trusts the audience's intelligence.
But It's deliberately silly in ways that can feel thin if you're expecting substance. The plot barely matters.

Not sure tonight? Get a pick in a minute, starting from L.A. Story
The wildcard
Something you would not have found on your own.
Amélie2001
Both use fantastical elements and narrator-like perspectives to transform cities into characters. Both are fundamentally about lonely people finding connection through small magic, not big plot.
A Parisian love story that uses whimsy and magical realism the same way Martin does, but with European sophistication instead of LA gloss. Shot like a painting, structured like a puzzle box, romantic without being sentimental.
But The cutesiness can feel cloying in long stretches; some viewers find the visual style exhausting rather than delightful.

More like this (8)
Coming to America1988
Eddie Murphy in a fish-out-of-water romance that shares L.A. Story's warmth and its willingness to be gently absurd. Funny across multiple registers, surprisingly romantic, gorgeously shot.
But Relies heavily on Murphy's charisma; if that doesn't land for you, the film feels slight. Some humor has aged awkwardly.

Defending Your Life1991
Albert Brooks wrote, directed, and starred in this afterlife romance with Martin's same sensibility—thoughtful, funny, oddly touching. A conversation masquerading as a film, and it works.
But Very talky, deliberately low-key. If you need spectacle or plot momentum, you'll be frustrated.

The Witches of Eastwick1987
Jack Nicholson and three brilliant women in a supernatural comedy-drama with style and bite. Weird, sexy, genuinely funny, and unafraid to shift tone from moment to moment.
But Tonal whiplash if you're not with it; some of the gender dynamics read problematically now despite the film's intentions.

Scrooged1988
Bill Murray in a Christmas Carol riff that's far weirder and funnier than it has any right to be. Sentimental without saccharine, genuinely inventive in its supernatural elements.
But The Christmas setting feels required viewing at the wrong time of year. Tone shifts abruptly between comedy and genuine darkness.

Midnight Run1988
Robert De Niro and Charles Grodin's chemistry in a buddy-cop romantic comedy that actually cares about character. Fast, clever, warm, and proof that genre mashups work when the writing is this sharp.
But More interested in banter than plot, which means some stretches feel padded. The romance subplot is light to the point of invisibility.

The Fisher King1991
Terry Gilliam's New York love story where Jeff Bridges and Robin Williams orbit each other through urban magical realism. Visually wild, emotionally complex, funny and heartbreaking in the same scene.
But Gilliam's style overwhelms the narrative; it's more interested in atmosphere than coherence. Some find it pretentious despite its genuine warmth.

After Hours1985
Both films use a city's strangeness as the real love interest. Both find comedy in the gap between how people should behave and how LA/NYC actually works. Both have protagonists who navigate chaos with bemused acceptance.
Martin Scorsese's only comedy, a Kafkaesque nightmare where Griffin Dunne's everyman stumbles through downtown Manhattan's beautiful weirdness. Surreal, darkly funny, genuinely unsettling, and absolutely alive.
But The humor gets increasingly uncomfortable and the tone is bleak in ways that undercut comedy. It's exhausting rather than fun.

Safety Not Guaranteed2012
Like L.A. Story, it's about two people from different worlds (or worldviews) finding love through embracing weirdness rather than rejecting it. Both films trust the audience to find quirk endearing rather than explained.
An indie romance between a magazine writer and a mildly unhinged conspiracy theorist that shares Martin's tone: genuinely funny, genuinely touching, and genuinely odd without explaining itself. Charming without cynicism.
But Low-budget and deliberately small-scale; if you need production value or conventional structure, it'll feel thin and precious.

People
Cast
Steve MartinHarris K. Telemacher
Victoria TennantSara McDowel
Richard E. GrantRoland Mackey
Marilu HennerTrudi
Sarah Jessica ParkerSanDeE
Susan ForristalAriel
Kevin PollakFrank Swan
Sam McMurrayMorris Frost
Patrick StewartMr. Perdue- Andrew AmadorBob, News Anchor
- Gail GrateGail
- Eddie De HarpMaitre D' at Brunch
Directing
- Mick JacksonDirector
- Pamela AlchScript Supervisor
Writing
- Steve MartinScreenplay
Production
- Mindy MarinCasting
- Amy WallaceCasting Assistant
- Mario KassarExecutive Producer
- Steve MartinExecutive Producer
- Jerry AriganelloLocation Manager
- Daniel MelnickProducer
- Michael I. RachmilProducer
- Chris ColesUnit Production Manager