Film

Kung Fury

A 32-minute Swedish action-comedy that plays like a fever dream: lo-fi 80s aesthetics, deliberately cheap effects, and jokes firing faster than plot can follow. It's absurdist, joyfully weird, and commits entirely to its bit. For people who love genuinely strange things that don't apologize.

TMDb rating3.7

Should you watch it?

Watch it if you love deliberately junky 1980s action pastiche, where VHS grain, synth scores and cheesy kung fu sit alongside gleeful absurdity and a sense that nobody took any of it seriously.

Skip it if you want a story that builds, a consistent tone, or jokes that land with precision, since this is loud, scrappy and often happy to repeat its gags until they wear thin.

What it asks of you: Half an hour of your attention, given to a short, frantic collage that runs fast, stays silly from start to finish, and expects you to laugh at its excess rather than follow a plot.

Not sure? Find tonight's pick in a minute.

If you liked this

Hot Fuzz2007

The same energy of gleeful genre parody, layering action-movie tropes with comedy that lands because the filmmakers understand what they're riffing on. Lovingly made and endlessly quotable.

But It's 121 minutes of British small-town sensibility, which is a completely different flavor from Kung Fury's anarchic absurdism.

Hot Fuzz poster

The Nice Guys2016

Buddy-cop chaos set in the 70s with joke density that matches Kung Fury's refusal to hold back. Ryan Gosling and Russell Crowe commit fully to the weirdness.

But It's slower and more interested in character dynamics than pure madness. The humor is sharper but less spray-and-pray.

The Nice Guys poster

Tropic Thunder2008

An action-comedy that's equally in love with mockery and spectacle. The commitment to absurdity—and to subverting expectations—runs through the entire film.

But Two hours is a commitment compared to Kung Fury's brisk half-hour. Some jokes have dated; others were edgy in ways that feel different now.

Tropic Thunder poster

Not sure tonight? Get a pick in a minute, starting from Kung Fury

The wildcard

Something you would not have found on your own.

Pink Flamingos1972

Both films weaponize 'bad taste' as their actual artistic strategy. Both know exactly how transgressive they are and don't ask for permission.

John Waters' transgressive masterpiece: deliberately offensive, visually chaotic, and made outside all commercial logic. The spiritual ancestor of 'embrace the weird entirely.'

But It's graphic in ways designed to genuinely offend, not just surprise. Not a comedy you laugh at—it's funny because it's so committed to its own depravity.

Pink Flamingos poster
More like this (8)

Aqua Teen Hunger Force Colon Movie Film for Theaters2007

Adult Swim's feature extends the show's logic into pure visual chaos: non-sequiturs, budget constraints weaponized as style, complete disregard for conventional narrative.

But You need to appreciate the show's particular brand of deadpan weirdness. If randomness without payoff frustrates you, this will too.

Aqua Teen Hunger Force Colon Movie Film for Theaters poster

Scott Pilgrim vs. the World2010

Video-game visual language, rapid-fire editing, and genuine heart underneath the spectacle. Like Kung Fury but with more narrative structure and emotional stakes.

But It's nearly two hours and tries to do a lot—some people find the style exhausting rather than exhilarating.

Scott Pilgrim vs. the World poster

The Lego Movie2014

Every frame stuffed with detail and jokes. Rapid pacing, a willingness to be silly, and a visual style that feels handmade despite the budget.

But It's aimed at families. The emotional arc is sincere in ways Kung Fury refuses to be.

The Lego Movie poster

Tucker and Dale vs. Evil2010

A horror-comedy that flips expectations and commits to its premise with genuine cleverness. Smart without being smug.

But The tone shifts between horror and comedy can feel uneven. It's also more grounded than Kung Fury's total commitment to weirdness.

Tucker and Dale vs. Evil poster

Danger: Diabolik1968

A campy 60s pop-art heist film that understands style over substance. The DNA of 80s excess is right here, with genuine visual invention.

But It's genuinely slow by modern standards. Your patience for 1960s pacing needs to be real.

Danger: Diabolik poster

You're Next2013

A horror film that's funny without breaking its own logic. Sharp, committed, and surprisingly inventive about what you expect from the genre.

But The humor is dark and earned through tension. If you want lightness without dread underneath, this isn't it.

You're Next poster

The Night Comes For Us2018

Both films understand that action spectacle can be its own complete justification. Both are more interested in 'what if we did THIS' than plot coherence.

Indonesian action film with practical choreography so inventive it becomes its own absurdism. Brutal, gorgeous, genuinely thrilling in ways that dwarf what most action films attempt.

But It's graphically violent and serious about it. No jokes. If you want style-over-substance absurdism, the substance here is actual human suffering.

The Night Comes For Us poster

Too Many Cooks2014

Both are short-format comedy that packs more ideas per minute than most feature films. Both understand that constraint breeds creativity, and embrace low-fi aesthetics as a statement.

An 11-minute Adult Swim short that deconstructs sitcoms by turning them inside-out. Hilarious, disturbing, and visually inventive in ways that make it feel far longer than it is.

But It's deliberately unsettling in the last half. Not everyone appreciates comedy that turns into something darker by design.

Too Many Cooks poster

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