Film

Just Add Water

A 16-minute family comedy where Nanna returns from the dead during her own ashes ceremony to meddle in her descendants' lives. It's a scrappy, good-natured short with the premise of a sitcom squeezed into a single afternoon. Exactly the kind of thing that plays well at festivals and family gatherings—warm, silly, and over before it wears out its welcome.

Should you watch it?

Watch it if you enjoy a short, deadpan family comedy where the absurd premise is played straight and the small domestic squabbles carry more weight than the gimmick.

Skip it if you want a film with plot momentum or a fully formed world; at sixteen minutes it sketches its characters quickly and leaves little room for the jokes to build.

What it asks of you: Very little: it runs about sixteen minutes, moves at a brisk, offhand pace, and asks you to meet its eccentric relatives without any setup.

If you liked this

Buster1988

Phil Collins vehicles don't have to be serious. This is a cheerful, lightweight heist comedy with real charm. It knows exactly what it is and commits entirely to being likeable.

But The humour is entirely of its era, and the film trusts you to find comedy in situations rather than in snappy writing. Takes patience.

Buster poster

Trading Places1983

A family-centric comedy with real affection for its characters underneath the scheme. Eddie Murphy and Dan Aykroyd discover unexpected chemistry, and the plot twists stay genuinely surprising.

But The satire of wealth and class doesn't quite land as hard today. Some set pieces feel padded, and the pacing sags in the middle.

Trading Places poster

Ghostbusters II1989

Broader and sillier than its predecessor, which is exactly the point. It commits to supernatural family chaos with genuine affection for its ensemble and their accumulated exhaustion.

But Lacks the invention of the first film. Feels content to be a sequel rather than a continuation, which some find deflating.

Ghostbusters II poster

Not sure tonight? Get a pick in a minute, starting from Just Add Water

The wildcard

Something you would not have found on your own.

Mom2013

Both find comedy in the messy collision of mortality and family obligation, where the dead have opinions about how the living should behave.

A comedy series about intergenerational family chaos where the dead don't always stay politely dead—supernatural elements sneak in at the edges of what's fundamentally about connection and forgiveness. Shares the DNA of finding grace in the mess.

But The early seasons rely heavily on addiction humour in ways that wear thin. The tone is uneven, veering between sitcom and sincere in ways that don't always integrate smoothly.

Mom poster
More like this (8)

Bringing Down the House2003

Messy family dynamics meet fish-out-of-water comedy. The film has enough good humour and heart to coast on, and the cast connection feels earned rather than forced.

But The comedy often punches down, and the film sometimes mistakes loudness for humour. Hasn't aged as gracefully as it might have hoped.

Bringing Down the House poster

Dinner for Schmucks2010

An ensemble comedy where family obligation meets social chaos. It's loose enough to let its cast improvise, and the affection between characters is genuinely felt.

But Relies too heavily on embarrassment humour. The plot meanders, and some sequences feel like they're waiting for the laughs to arrive.

Dinner for Schmucks poster

Parenthood1989

A three-generational family comedy-drama that balances real emotional stakes with genuine laughter. It's about the messy, unglamorous work of staying connected to people you love.

But Tonally ambitious in a way that doesn't always land smoothly. The film asks you to care deeply about characters it sometimes hasn't earned your investment in.

Parenthood poster

The War of the Roses1989

A family story told as dark comedy and tragedy. It commits to being funny about dysfunction, which gives it a tonal texture most comedies don't attempt.

But The shift between comedy and cruelty can feel jarring. Some viewers find the domestic violence played for laughs uncomfortable rather than revealing.

The War of the Roses poster

I Love You to Death1990

A true-story-based comedy about a family trying to murder the patriarch. It finds humour in very dark material without ever feeling cruel or contemptuous.

But The balance between comedy and violence is precarious, and the film doesn't always hold it. Some scenes feel comedically muddled rather than intentionally dark.

I Love You to Death poster

Blast from the Past1999

A time-displaced fish-out-of-water story with genuine warmth. It's unpretentious, good-natured, and unashamed about being exactly what it promises.

But The humour is aggressively light, and the plot resolves itself without ever asking hard questions. Feels dated in its softness.

Blast from the Past poster

The Twilight Zone1959

Uses the same central engine: a return from beyond the veil to sort out the unfinished business of the living, played with equal parts comedy and unexpected feeling.

Find the episodes about family returns and afterlife meddling—'Night of the Meek,' 'The Changing of the Guard'—which treat the supernatural with genuine tenderness. They know comedy lives alongside mystery.

But The series is unevenly paced across five seasons, and some episodes feel dated in ways that undermine rather than enhance their points. Requires cherry-picking rather than watching through.

The Twilight Zone poster

A Matter of Life and Death1946

Shares the structural idea of the dead returning to sort out the living, but elevates it into something operatic and visually overwhelming—showing how similar premises can be wildly different in register and ambition.

A Technicolor fantasy where a man dying meets his loved ones and the bureaucracy of the afterlife. It's simultaneously a family story, a love story, and a visual feast—proof that colour and whimsy can contain real emotion.

But Runs nearly two hours and takes its own mythology very seriously. The sentimentality can feel heavy, and the film rewards patience rather than offering immediate gratification.

A Matter of Life and Death poster

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