Film
I’m Twenty Something
A twenty-minute Lithuanian comedy about young adults wrestling with whether anywhere feels like home. Sharp-eyed and wry about ambition, romance, and restlessness, it captures the particular anxiety of a generation raised to want more but unsure what that means. For anyone who's felt caught between where they are and where they thought they'd be.
If you liked this
Funny Ha Ha2003
Early mumblecore classic about a recent grad drifting through Portland, finding comedy in the gap between adult life and actual adulthood. Achingly specific about quarter-life uncertainty.
But Nearly plotless and deliberately paced; its humour is observation rather than setup-punchline. May feel frustratingly slow if you want narrative momentum.

Eighth Grade2018
Bo Burnham's portrait of American adolescence at the edge of adulthood. Excruciating and hilarious in equal measure, capturing the exact feeling of being trapped between versions of yourself.
But Intensely awkward by design. The secondhand embarrassment is real and deliberate. Some will find it unwatchable.

Locke2014
Tom Hardy drives through the night, making phone calls about work and family falling apart. Feels like a stage play—intimate, confined, morally complicated. Surprisingly gripping about adult responsibility unraveling.
But Essentially one man in a car for ninety minutes. If you need visual variety or external action, this will feel static and claustrophobic.

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The wildcard
Something you would not have found on your own.
A Ghost Story2017
Both grapple with the same core unease: whether seeking somewhere better is about place or about running from yourself. The restlessness is universal, only the timeline differs.
Man dies, returns as ghost, watches his wife and their house across decades. Meditation on mortality, legacy, and whether anywhere truly feels like home. Deceptively simple, devastatingly profound. Same restless questioning as I'm Twenty Something, but existential.
But Slow, cryptic, and emotionally heavy. The famous pie-eating scene is genuinely difficult to watch. It's more like a poem than a story.

More like this (5)
Greener Grass2019
Surreal comedy about suburban dissatisfaction and the myth of the better life. Filmed in black-and-white on home video, it's genuinely weird in a way that rewards attention. A cult object.
But Deliberately absurd and disorienting; the humour is abstract rather than grounded. It may alienate you entirely or fascinate you—there's little middle ground.

The Overnight2015
A couple in their thirties navigates a new friendship that spirals delightfully awkward. Sex, envy, and the fantasy of other people's happiness. Wickedly funny about adult relationships.
But Sexually explicit in unexpected ways. It's a comedy, but the subject matter is provocative enough to be uncomfortable for some viewers.

Life After Beth2014
Zombie romantic comedy about a young man whose girlfriend comes back from the dead. Manages to be both hilarious and genuinely strange about how little we know the people we love.
But Balances genres in ways that can feel tonal and uneven. Horror-comedy isn't for everyone, and neither is its melancholic streak.

The Vanished2020
A couple on holiday discovers another couple's child has gone missing. Escalates into paranoia and moral ambiguity, funny and unsettling in unexpected ways. Explores how quickly civility fractures.
But Increasingly dark and morally murky. If you want comedy to stay light, this will feel like it betrays its genre halfway through.

Jackpot!2024
Same generation, same questions about whether more money or a different place will fix the restlessness. But here the fantasy actually arrives—and the film's not at all sure that's good news. Answers the question *I'm Twenty Something* asks.
Malayalam dark comedy about two men in their twenties navigating sudden wealth and what it means to want something better. The film is fast, funny, and surprisingly wise about ambition and friendship.
But Subtitled, and regional in both humour and context. If you're unfamiliar with Malayalam cinema's sensibility, the tonal shifts may feel jarring rather than clever.

People
Cast
Laurynas JurgelisLaurynas
Paulius MarkevičiusPaulius
Julija SteponaitytėJulija
Gelminė GlemžaitėMilda
Oleg SurajevOlegas
Lukas MalinauskasDomas
Indrė PatkauskaitėCashier
Directing
- Domas PetronisAssistant Director
- Marija KavtaradzėDirector
- Robertas NeveckaFirst Assistant Director
Writing
- Marija KavtaradzėWriter
Production
- Klementina RemeikaitėProducer