Film
Humanoids from the Deep
- Monster horror
- Science fiction
- Very dark
A gloriously unhinged 1980 creature feature where mutated humanoids emerge from the sea to terrorize a small Pacific Northwest fishing town. It's trashy, confident, and absolutely committed to its premise—no winking at the camera, just pure creature-movie mayhem. For people who love practical effects, midnight-movie energy, and horror that knows exactly what it is.
Should you watch it?
Watch it if you enjoy unpretentious creature features where the monsters are a joy to squint at and the grubby, lurid B-movie energy feels like part of the charm.
Skip it if the sexual violence sits at the core of the premise and the gore is unembarrassed, so if that sours your evening, it will feel grim rather than campy.
What it asks of you: It runs a lean eighty minutes, spends its first stretch on the town and the cannery before the attacks start, then mostly stays in one relentless gear.
Not sure? Find tonight's pick in a minute.
If you liked this
Creature1985
Similar creature-in-the-water setup with solid practical effects and a genuinely tense underwater climax. A crew on a research vessel faces off against something intelligent and relentless in an isolated setting.
But It's slower to build than Humanoids, and the characters spend a lot of time talking before things get properly chaotic.

Piranha1978
Joe Dante's schlocky masterpiece about mutant fish terrorizing a summer resort. Same '70s-practical-effects charm, same gleeful disregard for good taste, same genuine thrills underneath the B-movie premise.
But It leans harder into satire and dark comedy, so if you want pure creature horror it might feel a bit too clever for its own good.

The Blob1988
Frank Marshall's remake of the '50s classic. An unstoppable creature terrorizes a small town with inventive kills and practical gore effects that still hold up. Genuinely nasty fun without pretension.
But The pacing can feel episodic—it's essentially a series of set pieces rather than a building narrative arc.

Not sure tonight? Get a pick in a minute, starting from Humanoids from the Deep
The wildcard
Something you would not have found on your own.
The Wailing2016
Both films use an incursion into a small community as a lens for exploring larger anxieties about safety and control. Humanoids gives you monsters; The Wailing makes you question what's real and why. Both create genuine unease.
Na Hong-jin's South Korean masterpiece about a police officer investigating a mysterious illness in a remote village. Absolutely hypnotic—mystery, folk horror, and genuine dread layered into something unforgettable and complex.
But It's deliberately cryptic and doesn't resolve its mysteries neatly. You'll spend time after it ends still turning over what you saw, which some find frustrating rather than rewarding.

More like this (6)
The Lair of the White Worm1988
Ken Russell's baroque, unhinged adaptation of Bram Stoker. Horror as pure visual and sensory assault, with Amanda Donohoe delivering a genuinely unsettling performance. Weird in ways mainstream horror rarely attempts.
But It's aggressively strange and sexual in ways that might feel more art-damaged than entertaining depending on your patience for Russell's excesses.

Q1982
A giant Aztec creature nests atop the Chrysler Building in this wonderfully scrappy creature feature. Practical effects, solid character work, and a genuinely clever premise that doesn't overstay its welcome.
But The budget shows, and some of the effects work is rough even by 1982 standards. It doesn't have the polish you might want.

Jaws 3-D1983
Often mocked, but it's a genuinely fun creature movie with practical animatronics that are oddly charming. A great-white-in-a-sea-world setup that commits fully to its ridiculous premise.
But It's got dated '80s aesthetics and a tone that lurches between serious and silly without always landing either convincingly.

Phantom of the Paradise1974
Brian De Palma's operatic horror-rock musical about a disfigured composer seeking revenge. Gorgeous, bizarre, endlessly inventive—pure style married to genuine thrills and a killer soundtrack.
But It's campy and theatrical in ways that can feel more art-school than scary, and some musical numbers might test your patience.

Xtro1982
A British sci-fi horror film with wild practical creature effects and a genuinely unsettling tone. It goes to weird places mainstream horror wouldn't dream of touching, with real craft in the execution.
But The plot is fragmentary and dreamlike to the point of being confusing, and it doesn't offer much in terms of conventional narrative satisfaction.

Tusk2014
Both films feature involuntary physical transformation and a predatory force hidden in a small town. Humanoids is straightforward creature horror; Tusk is body-horror comedy that somehow becomes strangely humane. Both use deformity and loss of humanity as their engine.
Kevin Smith's deeply strange body-horror comedy about a podcaster forced into surgical transformation. It's built on a wild premise and commits to it with such confidence that it loops back around to affecting. Genuinely weird without being clever about it.
But It's deliberately unpleasant and absurd in ways designed to make you uncomfortable rather than thrilled, and the tonal whiplash isn't for everyone.

People
Cast
Doug McClureJim Hill
Ann TurkelDr. Susan Drake
Vic MorrowHank Slattery
Cindy WeintraubCarol Hill
Anthony PenaJohnny Eagle
Denise GalikLinda Beale
Lynn TheelPeggy Larson
Meegan KingJerry Potter- Breck CostinTommy Hill
Hoke HowellDeke Jensen- Don MaxwellDickie Moore
- David StrassmanBilly
Directing
- Jimmy T. MurakamiCo-Director
- Barbara PeetersDirector
Writing
- William MartinScreenplay
Production
- Roger CormanExecutive Producer
- Martin B. CohenProducer
Recommended by
Piranha, The Beach Girls and the Monster, Tentacles, Neon Maniacs