Film
How to Be Single
- Romantic comedy
- Light-hearted
A fizzy ensemble rom-com about six New Yorkers learning to navigate dating, relationships, and themselves. Moves between their interlocking stories with breeziness, treats singlehood as something to celebrate rather than survive, and leans hard on recognizable chemistry and ensemble warmth. For anyone who likes their romance comedies generous-spirited and low-stakes.
If you liked this
Bridesmaids2011
Funny, affectionate ensemble comedy with real emotional stakes beneath the chaos. Strong cast, smart writing, genuinely laughs-out-loud moments, and it cares about its characters as much as the jokes.
But The humor skews broad and sometimes crude; if you prefer subtlety over volume, this will feel sledgehammer-y.

Forgetting Sarah Marshall2008
Warm romantic comedy that balances genuine hurt with consistent laughs. Likeable cast, great supporting players, and it treats heartbreak as real without ever getting heavy.
But The comedy depends heavily on awkwardness and secondhand embarrassment, which some find exhausting rather than endearing.

Legally Blonde2001
Effervescent and cleverer than it gets credit for. Reese Witherspoon is irresistible, the supporting cast is stellar, and it finds real affection in its characters' choices.
But Sits firmly in early-2000s teen-comedy sensibility; the fashion and reference points will feel dated to anyone under thirty.

Not sure tonight? Get a pick in a minute, starting from How to Be Single
The wildcard
Something you would not have found on your own.
Someone Great2019
Both are ensemble comedies that celebrate relationships between people rather than romance-as-plot. Both find tenderness in their characters' messiness and treat singlehood/friendship as equally valuable.
Gina Rodriguez leads an ensemble about female friendship and loss. Warm, funny, moving—it genuinely cares about its women as full people, not romantic objects. Finds real pathos without losing the jokes.
But It's a road trip film with a sad premise underneath the party energy; the tonal shifts between humor and grief won't work for everyone.

More like this (8)
Trainwreck2015
Amy Schumer's romantic comedy about avoiding intimacy. Surprisingly tender alongside the chaos, cast is great, and it's genuinely funny without trying to be everyone's thing.
But Schumer's comedy style is abrasive and blunt; if that's not your wavelength, the whole film will feel grating.

The Proposal2009
Sandra Bullock and Ryan Reynolds have effortless chemistry. Lightweight but charming, with a good heart underneath the meet-cute machinery and a game supporting cast.
But Plot is predictable to the point of inevitability; if you hate knowing exactly where a rom-com is heading, you'll be frustrated.

Ghostbusters: Afterlife2021
Introduces new characters with real warmth alongside legacy nostalgia. Ensemble cast feels lived-in, emotional beats land, and it's genuinely fun without sacrificing character.
But Not strictly a comedy; if you're after pure laughs rather than spectacle with heart, the tone shifts will feel uneven.

27 Dresses2008
Katherine Heigl and James Marsden have easy charm together. Predictable but satisfying, with genuine affection for its characters' messy situations.
But Aggressively formulaic; the plot hits every rom-com beat in exact order, which some find comforting and others find insulting.

Pitch Perfect2012
Ensemble cast with real chemistry and surprising heart. Funny, energetic, and surprisingly smart about belonging and friendship underneath the competition setup.
But Relies heavily on repeated joke formats that wear thin on repeat viewings; some of the humor is juvenile.

Wanderlust2012
Paul Rudd and Jennifer Aniston in an oddball comedy about identity and settling. Weirdly earnest, cast is charming, and it swings for some genuine laughs.
But Tone is scattershot and it never quite finds its footing; the film seems unsure what it wants to be.

High Fidelity2000
Both use multiple character stories and humor to examine what we want from love. Both ask: is the problem the other person, or how we're looking for them?
Exceptional film about love, disappointment, and taste. Smart script, warm cast, and it captures something true about how we use romance to understand ourselves. Funny and genuinely moving.
But Male-centered perspective on romance, and the protagonist is sympathetic but flawed; feels dated in how it frames relationships and gender.

Obvious Child2014
Both center characters figuring out who they are outside of relationships. Both trust their audiences to laugh while taking characters seriously, and refuse to make adulthood look simple.
Jenny Slate in a frank, funny, deeply humane film about a woman's life after an abortion. Avoids every expected beat, treats its protagonist with real complexity, and finds humor in genuine places.
But Deals directly with abortion and sexual choice in ways that will alienate viewers looking for conventional romance; the comedy is sometimes uncomfortable.

People
Cast
Dakota JohnsonAlice Kepley
Rebel WilsonRobin
Leslie MannMeg
Alison BrieLucy
Damon Wayans Jr.David
Anders HolmTom
Nicholas BraunJosh
Jake LacyKen
Jason MantzoukasGeorge
Colin JostPaul- Mickey Gooch Jr.Robin's Date
Sarah RamosMichelle
Directing
- Christian DitterDirector
- Steve ApicellaFirst Assistant Director
- Bruce JonesSecond Unit Director
Writing
- Liz TuccilloNovel
- Abby KohnScreenplay
- Dana FoxScreenplay
- Marc SilversteinScreenplay
- Abby KohnScreenstory
- Marc SilversteinScreenstory
Production
- Avy KaufmanCasting
- Jon GoracyCasting Associate
- Dave NeustadterExecutive Producer
- Drew BarrymoreExecutive Producer
- Marcus ViscidiExecutive Producer
- Michael DiscoExecutive Producer
- Michele WeissExecutive Producer
- Nancy JuvonenExecutive Producer
- Richard BrenerExecutive Producer
- Steven MnuchinExecutive Producer
- Dana FoxProducer
- John RickardProducer