Film

Evil Dead Rise

Fede Alvarez's follow-up hauls the Evil Dead formula out of the woods and into a crumbling LA apartment tower, trading isolation for total inescapability. It's loud, mean, and gleefully committed to practical gore, turning maternal love into the engine of horror. Built for splatter fans who want inventive kills and don't need a break to catch their breath.

TMDb rating7.0

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Evil Dead2013

Fede Alvarez's own earlier entry is the blueprint for Rise's tone: punishing practical gore, a cabin instead of a tower, and the same commitment to making you flinch.

But It's essentially the same playbook you just watched, so back to back the two can feel repetitive rather than complementary.

Evil Dead poster

Evil Dead II1987

Raimi doubles down and swerves into horror-comedy, all chainsaw slapstick and cartoonish carnage — the same DNA wearing a completely different grin.

But The tonal whiplash from Rise's grim seriousness to full-on farce might leave you unsure whether to laugh or recoil.

Evil Dead II poster

[REC]2007

Spanish found-footage horror trapped inside a quarantined apartment block, with the same vertical claustrophobia and infection dread that makes Rise's tower so suffocating.

But Shaky handheld footage and subtitles are a big ask if you came for glossy, colourful practical-effects showcases.

[REC] poster

The wildcard

Something you would not have found on your own.

Rosemary's Baby1968

Both turn motherhood into the site of horror, a woman's own body and home becoming the vessel for something monstrous while the people who should protect her betray her instead.

Polanski's slow-burn classic invented the apartment-building dread Rise borrows wholesale, and its quiet, creeping paranoia is more insidious than any jump scare.

But Glacially paced by modern standards, with almost none of the gore Rise fans came for — this is dread, not splatter.

Rosemary's Baby poster
More like this (7)

Barbarian2022no page yet

A gleefully unhinged creature-horror that keeps yanking the rug out from under you, with the same delight in confined-space dread and nasty practical surprises.

But Its whole power depends on shock reveals, so anyone who knows the twists going in will lose most of the fun.

The Descent2005

A tight, all-female ensemble gets trapped in something dark and primal with claws — claustrophobic survival horror at its most merciless.

But It's a slower burn than Rise, and the practical creature effects show their age compared to modern gore work.

The Descent poster

Talk to Me2023

A modern possession horror with young leads and genuinely upsetting body horror, escalating with the same unrelenting nastiness Rise trades in.

But It's quieter and more grounded than Rise's full-throttle demon mayhem, so the finale hits differently than you might expect.

Talk to Me poster

Terrified2018no page yet

Argentine horror that builds dread with patient, nightmare logic before unleashing some of the most unsettling practical effects in recent horror.

But Subtitled and slow to ignite, it rewards patience Rise never asks for.

Malignant2021no page yet

James Wan swings for the fences with go-for-broke gore and a plot so committed to its own insanity it becomes a kindred spirit to Rise's excess.

But The twist-heavy plot is divisive, and the camp tone might undercut the horror for viewers wanting it played straight.

The Haunting of Hill House2018

Same engine as Rise — trauma inherited through a family home, siblings forced back together by grief, the past literally rising up to claim them — just stretched into ten hours instead of ninety minutes.

A miniseries that trades gore for grief, using haunted-house horror to dissect a fractured family with real emotional weight and a handful of genuinely terrifying set pieces.

But Ten hours of slow emotional build is a big ask if what you wanted was more jaw-snapping demons — this earns its scares through patience, not shock.

The Haunting of Hill House poster

Housebound2014no page yet

Same recipe — trapped in a family home with something supernatural and furious — but played for laughs instead of screams, proving the setup bends into comedy without losing its teeth.

A scrappy New Zealand horror-comedy about a woman stuck in her haunted childhood home with her exasperating mother — genuinely funny and surprisingly effective at earning real scares.

But The comedy undercuts the dread on purpose, so if you want unbroken menace and nonstop gore, this gentler, funnier cousin will feel like a tonal downgrade.

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