Film
Ella Enchanted
A slyly funny fairy-tale musical: Anne Hathaway plays a girl cursed at birth to obey any order given to her, which turns out to be less charming and more terrifying than it sounds. It's broad, bright, aimed at kids but stuffed with knowing jokes and pop songs for the adults dragged along. Good for a rainy afternoon, not for anyone allergic to whimsy.
If you liked this
Enchanted2007
Amy Adams as a cartoon princess literally sung into modern-day New York — it does the fairy-tale-meets-reality trick with even more wit and a genuinely great musical number in Central Park.
But The fish-out-of-water jokes are broader and the satire is gentler than Ella's.

Shrek2001
The gold standard for fairy tales that mock fairy tales while still believing in them — irreverent, quotable, and surprisingly sweet under the pop-culture gags.
But Two decades of sequels and memes have worn the freshness off some of the jokes.

The Princess Bride1987
The template for smart, self-aware fantasy adventure — funny, romantic, quotable in every scene, and about as purely enjoyable as this genre gets.
But It's gentler and slower-paced than the pop-song energy of Ella, with no musical numbers at all.

The wildcard
Something you would not have found on your own.
The Court Jester1955
Same premise decades earlier: someone else's control over your body played as slapstick and suspense at once, in a medieval musical-comedy package.
Danny Kaye plays a man secretly hypnotized to become someone else entirely, and the comedy runs on the exact same engine as Ella's curse: a person who cannot control their own actions, played for both laughs and real tension.
But Black-and-white, stagey, and fifty years older in its comic rhythms — this is old-Hollywood musical comedy, not CGI spectacle.

More like this (8)
A Knight's Tale2001
Medieval jousting scored to Queen and Bachman-Turner Overdrive — the same joyfully anachronistic spirit as Ella's musical numbers, just aimed at teenagers instead of kids.
But More sports-movie structure than fairy-tale quest, and Heath Ledger's earnestness plays straighter than Hathaway's comedy.

EverAfter1998
A Cinderella retelling with real stakes and a heroine who fights her own battles — the grounded, romantic cousin to Ella's zanier magic.
But No comedy songs, no talking elves — this one plays its fairy tale mostly straight.

Stardust2007
A scrappy fantasy quest through a magical kingdom next door, with a starry cast having a lot of fun and a villain (Robert De Niro) even weirder than Ella's uncle.
But Slightly more adult in its violence and innuendo than Ella's family-friendly tone.

Penelope2007no page yet
A modern fable about a girl cursed at birth trying to break the spell — smaller and quieter than Ella, but built from the same fairy-tale-curse DNA.
But Lower budget, lower energy — this is a whisper next to Ella's shout.
Hoodwinked!2005no page yet
Fractured fairy tales told Rashomon-style as a comic mystery — the animated, jokier cousin if you liked Ella's habit of winking at its own genre.
But Cheaper animation and a jokes-per-minute rate that can feel exhausting rather than charming.
The Princess Diaries2001
Hathaway again, pre-Ella, doing the ordinary-girl-thrust-into-a-fairy-tale-life bit with real charm — a nice companion piece if you're now an Anne Hathaway completist.
But No fantasy or magic at all — it's a modern-day royal comedy, not a quest.

Princess Tutu2002no page yet
Swaps Hollywood musical comedy for Japanese TV animation, but keeps the core idea: a girl fighting to author her own story against a spell that scripts her actions.
A Japanese anime where a duck-turned-girl must dance to save a prince's heart whether she wants to or not — a magical-girl fairy tale obsessed with the same question Ella asks: what happens when your fate is written by someone else?
But Subtitled, episodic, and aimed at a young anime audience — a real tonal and cultural jump from a Hollywood family comedy.
The Stepford Wives1975
Same nightmare — a woman stripped of the ability to say no — stripped of magic and comedy and shown as social horror instead.
A chilling satire about women in a picture-perfect town who obey their husbands utterly and smile while doing it — Ella's magical curse taken out of the fairy tale and put back in the real world, with the horror left in.
But It's a slow-burn 1970s thriller with genuine dread, not a single laugh or song in sight.

People
Cast
Anne HathawayElla
Hugh DancyChar
Cary ElwesEdgar
Aidan McArdleSlannen
Joanna LumleyDame Olga
Lucy PunchHattie
Jennifer HighamOlive
Minnie DriverMandy
Eric IdleNarrator
Steve CooganHeston (voice)
Jimi MistryBenny
Vivica A. FoxLucinda
Directing
- Tommy O'HaverDirector
- David DanielsFirst Assistant Director
- Jean BourneScript Supervisor
- Karen RichardsSecond Assistant Director
- Raymond KirkThird Assistant Director
Writing
- Gail Carson LevineBook
- Jennifer HeathScreenplay
- Karen McCullahScreenplay
- Kirsten SmithScreenplay
- Laurie CraigScreenplay
- Michele J. WolffScreenplay
Production
- Susie FiggisCasting
- Rebecca RoperCasting Assistant
- James FlynnCo-Producer
- Morgan O'SullivanCo-Producer
- Susan Miller LazarCo-Producer
- Jennifer LaneExecutive In Charge Of Post Production
- Bob WeinsteinExecutive Producer
- Harvey WeinsteinExecutive Producer
- Julie GoldsteinExecutive Producer
- Su ArmstrongExecutive Producer
- Manus HingertyLocation Manager
- David ParfittProducer
- Jane StartzProducer
- Maggie PhelanProduction Accountant
- Rachel SmithProduction Coordinator
- Gerry LundbergPublicist
- Mary AlleguenUnit Production Manager
Recommended by
The Princess Bride, Stardust, Enchanted, Beauty and the Beast, The Princess Diaries, Cinderella, Nanny McPhee, Shrek 2