Film
Cursed
Other titles called Cursed: the 2020 series (Netflix).
Wes Craven's 2005 werewolf film follows three LA twenty-somethings cursed after a mauling, forced to hunt the original beast to break the spell. It's a stylish, gory creature feature that trades scares for dark humor and soap-opera melodrama. For fans of horror that doesn't take itself too seriously, or anyone who loves a '00s vibe.
If you liked this
Ginger Snaps2000
A Canadian indie werewolf film with genuine bite—literally and emotionally. Ginger's transformation becomes a metaphor for female adolescence, mixing horror with dark comedy and real dread. Far smarter than its premise.
But It's slow and deliberately low-key in places. If you want constant action and scares, you'll find stretches that feel slack.

The Howling1981
Joe Dante's shapeshifter classic that defined modern werewolf cinema. Gruesome practical effects, genuine scares, and a sly sense of humor about horror conventions. Peak '80s creature-feature craft.
But The pacing feels glacial by modern standards, and some of the practical effects—impressive then—look dated now in ways that distract.

Near Dark1987
Kathryn Bigelow's vampire western trades Gothic castles for American motels. It's relentlessly tense, visually stylish, and treats the curse as a genuine trap. The family of vampires is unforgettable.
But It's a vampire film, not a werewolf one, so the surface won't feel familiar. Some viewers find the pacing uneven in the middle act.

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The wildcard
Something you would not have found on your own.
Hemlock Grove2013
Both pit beautiful young people against a curse they didn't choose, using werewolfism as a metaphor for uncontrollable power and the isolation it brings. Both wear their melodrama openly.
A Gothic horror series about a small Pennsylvania town where a teenage werewolf and a vampire must solve a murder together. It's beautifully shot, weird without apology, and genuinely unsettling in ways network TV can't be. Season one is essential.
But It's aggressively strange—the plotting gets convoluted and supernatural elements pile on faster than they resolve. Some will find it pretentious; others, indulgent.

More like this (8)
Fright Night1985
A vampire horror-comedy that knows exactly when to be funny and when to terrify. The dynamic between the cocky teen lead and his older mentor is charming, the practical effects are gorgeous, and it's endlessly rewatchable.
But The tone-juggling won't work for everyone—some scenes are outright cartoonish, which can undercut the horror beats if you're not in the mood.

The Twilight Saga: Eclipse2010
Yes, Twilight—but Eclipse is where the series found its footing. It's genuinely about werewolves versus vampires with real stakes, the Jacob-Bella-Edward triangle is actually compelling, and the action sequences are surprisingly well-shot.
But It's Twilight. Even the best entry won't convert skeptics, and the dialogue and acting in quiet scenes can be painful.

An American Werewolf in London1981
The definitive dark-comedy werewolf film. Rick Baker's practical effects are grotesque and brilliant, the transformation scene is legendary, and it balances genuine horror with laugh-out-loud moments and melancholy.
But It's very '80s in its sensibility and some jokes land harder on repeat viewing than they do fresh. The first half is slow.

Dog Soldiers2002
British military horror that's basically soldiers versus werewolves in a remote cottage. It's propulsive, funny, low-budget but clever, and takes its absurd premise seriously enough to matter.
But The dialogue can be thick with British military slang that requires concentration. The film is very fond of itself, which isn't always endearing.

Wolfen1981
A moody, atmospheric crime-horror hybrid about a detective tracking a mysterious predator in New York. The cinematography is gorgeous, the ambiguity about what's happening is unsettling, and it's genuinely eerie.
But It's slow, cryptic, and never explains itself clearly. If you need answers and forward momentum, you'll be frustrated.

The Monster Squad1987
Kids versus Dracula, Frankenstein's monster, and the Wolf Man. It's earnest, funny, weird, and has genuine charm despite—or because of—its bargain-basement execution. Cult classic for a reason.
But The acting is rough, the effects are obviously cheap, and the pacing is chaotic. It requires goodwill toward its ambitions, not its execution.

The Curse of the Werewolf1961
A werewolf curse born of darkness and circumstance rather than choice, centering on the torment of the cursed rather than the action of breaking free. Both are more melodrama than monster movie.
Hammer Films' only werewolf picture, made in Technicolor and set in Spain. It's gorgeously composed, genuinely tragic, and treats lycanthropy as a Gothic curse to mourn rather than overcome. Oliver Reed is magnificent.
But It moves slowly and is very much a product of its era. If you need fast-paced horror, this will feel like watching paint dry—beautifully composed paint, but still.

Lilya 4-ever2002
Both explore what happens when three young people are marked by forces beyond their control, then must navigate a world that has fundamentally changed them. Both ask: can you survive your own curse?
A harrowing Swedish film about a teen trafficked into sexual slavery. It's a curse that feels absolutely real, inescapable, and dehumanizing. Lukas Moodysson directs with heartbreaking clarity and formal precision.
But It's one of the most difficult films to watch ever made—not gratuitously, but unflinchingly. If you need catharsis or hope, you won't find it. This is darkness without relief.

People
Cast
Christina RicciEllie
Joshua JacksonJake
Jesse EisenbergJimmy
Judy GreerJoannie
Scott BaioScott Baio
Kristina AnapauBrooke
Portia de RossiZela
Shannon ElizabethBecky
MyaJenny- El SolarZipper

Directing
- Andy ChengAction Director
- Maria MantiaAssistant Director
- Nick MastandreaAssistant Director
- Wes CravenDirector
- Maximillian D. DayFirst Assistant Director
- Sheila WaldronScript Supervisor
- Trisha BurtonScript Supervisor
- Maria MantiaSecond Assistant Director
- Yumiko TakeyaSecond Second Assistant Director
- Patrick LussierSecond Unit Director
- Rick AverySecond Unit Director
Writing
- Kevin WilliamsonScreenplay
Production
- Jennifer MosleyAccounting Clerk Assistant
- Ron DigmanAdditional Casting
- Brian MorishitaAdministration
- Heidi HolickerAdministration
- Jeffrey GarrettAssistant Location Manager
- Kathy McCurdyAssistant Location Manager
- Marta TomkiwAssistant Location Manager
- Barry BarclayAssistant Production Coordinator
- Jeff ValeriAssistant Production Coordinator
- Nick MastandreaAssociate Producer
- Greg OrsonCasting
- Lisa BeachCasting
- Mark BennettCasting
- Sarah KatzmanCasting
- Jason KennedyCasting Assistant
- Jason KennedyCasting Associate
- Lesli Gelles-RaymondCasting Associate
- Ron DigmanCasting Associate
- Greg OrsonCasting Consultant
- David CrockettCo-Executive Producer
- Stuart M. BesserCo-Executive Producer
- Daniel K. ArredondoCo-Producer
- Dixie J. CappCo-Producer
- Jennifer D. BreslowCo-Producer
- Julie PlecCo-Producer
- Andrew RonaExecutive Producer
- Bob WeinsteinExecutive Producer
- Brad WestonExecutive Producer
- Harvey WeinsteinExecutive Producer
- Jennifer BenderExtras Casting
- Mariann H.W. LeeExtras Casting
- Amy HansenFirst Assistant Accountant
- Monica KenyonKey Set Production Assistant
- Diane FriedmanLocation Manager
- Jeffrey GarrettLocation Manager
- Rob GibsonLocation Manager
- Amy SmolevPayroll Accountant
- Anne Marie FeldmanPayroll Accountant
- Kathleen LatlipPost Production Coordinator
- Kevin WilliamsonProducer
- Marianne MaddalenaProducer
- Scott CohnProduction Accountant
- Anastacia C. NemecProduction Assistant
- Carly FeingoldProduction Assistant
- Chad HammelProduction Assistant
- Jason CoxProduction Assistant
- Lyndsey BurrProduction Assistant
- Molly O'HaverProduction Assistant
- Olivier AgostiniProduction Assistant
- Lisa DavidsonProduction Coordinator
- Shaun RyanProduction Driver
- Sarah KucserkaProduction Executive
- Amanda CrockettProduction Secretary
- Mads HansenProduction Supervisor
- Brandon LinvilleSecond Assistant Accountant
- Robert LeveenUnit Production Manager
- Stuart M. BesserUnit Production Manager