Film
Breakfast with Scot
A Canadian comedy-drama about two men whose orderly life is upended when they become guardians of an exuberant, gender-nonconforming kid. It's warm and occasionally messy, balancing humour with genuine heart. For anyone who's ever felt caught between who they are and who the world expects them to be.
Should you watch it?
Watch it if you like warm, slightly rueful comedies where the humour grows out of character rather than gags, and a stubborn household gets rattled by someone who refuses to be ignored.
Skip it if you want a brisk plot or a sharply consistent tone; this one can feel loose, shifts between sweetness and sitcom beats, and sometimes lingers on its premise longer than it needs to.
What it asks of you: Ninety-five minutes of unhurried conversation, with comedy arriving in small, dry beats rather than big set pieces, so patience counts for more than sharp attention.
Not sure? Find tonight's pick in a minute.
If you liked this
The Kids Are All Right2010
A similarly nuanced family comedy that doesn't flatten its characters. Watches as both smart satire and genuine love letter to imperfect households and the people who hold them together.
But Heavier and sadder than you might expect from the premise. Some of the conflict feels deliberately designed to make you uncomfortable.

Love, Simon2018
Comes from the same emotional toolkit: teen identity, acceptance, found family, and a soundtrack that actually matters. Funny without being cruel, earnest without being maudlin.
But If you're allergic to feel-good endings or high school romance tropes, this will feel slight. Some jokes land better for younger viewers.

About a Boy2002
Another film about an adult learning to love a complicated kid, done with real wit and surprising depth. Manages to be both hilarious and genuinely moving about loneliness and connection.
But The early-2000s British sensibility might feel dated. Some subplots are undercooked compared to the central relationship.

Not sure tonight? Get a pick in a minute, starting from Breakfast with Scot
The wildcard
Something you would not have found on your own.
Transparent2014
Both are fundamentally about the work of actually loving someone whose identity or selfhood challenges your sense of how the world should work. They're about the cost of that love and why it matters anyway.
A series about a Jewish family imploding and rebuilding after the parent comes out as trans. Messy, angry, hilarious, heartbreaking—it makes room for everyone's contradictions at once.
But Deliberately hard to watch at times. Refuses to make anyone entirely sympathetic. The family sometimes feels more broken than real people's actually are.

More like this (5)
Schitt's Creek2015
A fish-out-of-water family comedy with real emotional architecture underneath. It keeps finding new depths in its characters and builds something unexpectedly profound across its run.
But Very slow burn. The first season feels thinner than what comes later. Requires patience before the show clicks into gear.

Parenthood2010
Tackles modern family life—blended families, grief, acceptance, chaos—with genuine warmth. Finds drama and comedy in the same moments without ever feeling manipulative.
But Can be emotionally exhausting. Some plot threads feel soap-operatic. Runs five seasons when four might have been enough.

My Son2021
A quieter Canadian film about love and parental responsibility, featuring Graham Greene in a deeply felt role. Thoughtful and restrained where it could have been sentimental.
But Deliberately slow and understated. The payoff is emotional rather than plot-driven. Not for viewers who need constant momentum.

Torch Song Trilogy1988
A sincere, funny drama about queerness, family, and self-acceptance that still feels urgent. Matthew Broderick is remarkable, and the film earns every laugh and every tear.
But Wildly uneven in tone—it careens between broad comedy and devastating drama. Some theatrical flourishes feel stuck in the 80s.

The Florida Project2017
Both locate authentic childhood joy and dignity in situations that society treats as shameful or tragic. Both films refuse pity while honoring real struggle. Both see the kid as the centre of everything.
A luminous film about childhood resilience in impossible circumstances, shot like a dream. Willem Dafoe is unforgettable. About how kids transform the world they're given into magic.
But Poverty is not sentimentalized but the film offers no solutions. The joy feels almost obscene against the material conditions. Difficult for viewers who need narrative closure.

People
Cast
Tom CavanaghEric McNally
Ben ShenkmanSam- Noah BernettScot
Benz AntoineGreg Graham
Jeananne GoossenNula
Graham GreeneBud Wilson- Travis FerrisGeorge Jr.
Fiona ReidMildred Monterossos
Dylan EverettRyan Burlington
Robin BrûléMs. Paul- Vanessa ThompsonCarla
- Alexander FranksJoey Morita
Directing
- Laurie LyndDirector
Writing
- Michael DowningNovel
- Sean ReycraftWriter
Production
- Anne MacKenzieAssociate Producer
- Bob RousseauExecutive Producer
- Howard RosenmanExecutive Producer
- Nadine SchiffExecutive Producer
- Stephen TraynorLine Producer
- Howard RosenmanProducer
- Paul BrownProducer