Film

Below Her Mouth

Name: Below Her Mouth
Genre: Drama, Romance
Released: 2017
Cast: Erika Linder, Natalie Krill, Sebastian Pigott, Mayko Nguyen, Tommie-Amber Pirie

A film about two women from different worlds whose intense, unexpected affair upends their lives. It's tactile and unshy about desire, made for viewers who want real heat in their romance and aren't looking for restraint. Unapologetically focused on physical and emotional intimacy between its characters.

TMDb rating

3.4

Should you watch it?

Watch it if you want a sensual, grown-up romance where the attraction carries most of the weight and the camera lingers on faces as much as bodies.

Skip it if you need a story with a clear plot engine, since this one moves on mood and intimacy more than on plot mechanics, and its sexual candor may feel like more than you bargained for.

What it asks of you: Ninety-one minutes, slow-burning and close-up, with long quiet scenes that ask you to sit inside the tension rather than race ahead of it.

Not sure? Find tonight's pick in a minute.

If you liked this

Carol2015

A masterpiece about desire between women in the 1950s. Haynes creates something tender and aching, with cinematography that makes every frame feel stolen. The emotional weight builds quietly but devastates.

But Slower paced than Below Her Mouth, with more restraint. If you want constant intensity rather than simmering tension, this will test your patience.

Fingersmith2005

A miniseries that grabs you immediately with a con, then pivots into something far more complex about obsession and desire between women. Brilliantly plotted and genuinely shocking.

But The story matters as much as the romance. If you're watching purely for connection between characters, the twists might feel like unwelcome complications.

Imagine Me & You2006

A romantic comedy that plays with the setup of two women meeting and falling hard, fast. It's fun and unafraid, with genuine charm and chemistry between its leads.

But Much lighter in tone than Below Her Mouth. The emotional stakes feel lower, and if you want something with real consequences, this won't deliver that.

Not sure tonight? Get a pick in a minute, starting from Below Her Mouth

The wildcard

Something you would not have found on your own.

Spa Night2016

Both films trust their audience to feel the intensity of physical connection without narrative scaffolding. Desire as its own kind of truth-telling.

A heartbreaking film about a young man whose first sexual encounter happens in a bathhouse. Quiet and observational, it creates genuine intimacy through body language and silence rather than dialogue. A completely different register from Below Her Mouth but the same emotional honesty about desire.

But It moves very slowly and some viewers find the subject matter uncomfortable. The eroticism is mostly suggested. Requires real patience and an open heart.

The Watermelon Heist2003

An indie romance about two women finding each other. DIY energy, real performances, and genuine warmth. Made by people who clearly loved making it.

But Lower budget shows everywhere. The technical aspects are rough, and the pacing can feel uneven. Requires patience with its limitations.

Blue Is the Warmest Color2013

A three-hour epic about the intensity of desire and love between two women. Audacious, sensual, and committed to the experience of being inside this relationship.

But The length is real, and the famous scenes are explicit in ways some viewers find uncomfortable. Also, the director's methods were controversial.

Concussion2013

A character study about a woman navigating desire and identity in New York. It's messy, unsexy sometimes, and deeply human. Robin Weigert's performance is extraordinary.

But Scattered in structure and deliberately unglamorous. If you want polish or a clear narrative arc, you'll find this frustrating.

Lost and Delirious2001

A boarding school film about female desire that feels genuinely dangerous and alive. Piper Perabo and Jessica Paré create something electric, and the film doesn't look away.

But Some scenes haven't aged perfectly, and the ending takes a darker turn that might feel manipulative if you're not in its emotional space.

Itty Bitty Titty Committee2007

A scrappy, political indie about young queer women finding community and romance. Funny, messy, lived-in. Made by and for the people in it.

But Very much a product of its time and budget. The technical quality is low, and the politics are sometimes blunt. Not polished, by design.

Thelma & Louise1991

Both films centre female desire as something that transforms and destabilises. The difference is Thelma treats it as dangerous.

A Norwegian thriller about a young woman discovering her own power and sexuality, coded through supernatural terror. Stunningly shot, genuinely unsettling, and the relationship between the two women has real stakes that go beyond romance into something darker and more interesting.

But It's a horror film wrapped in an art film. If you want clear emotional beats instead of dread and ambiguity, this will feel obtuse. Also absolutely not a romance, despite its core connection.

Portrait of a Lady on Fire2019

Both films make intimacy between women the entire subject. The difference is tone: one is urgent and present-tense, the other is remembered and elegiac.

A French film about an artist and her subject falling in love while a portrait is painted. Gorgeously photographed, achingly tender, and structured as pure longing. Made with real craft and seriousness, it's sensual without ever needing nudity.

But Very slow, very patient, very European in its rhythms. If you want plot momentum or dialogue-driven narrative, you'll find it glacial. Some find the restraint beautiful; others find it withholding.